Crunkcore group brokeNCYDE has announced the Kush & Kandi Tour. This spring/summer run of dates features support from Bayymack and e-stro, and special guest Dot Dot Curve or The Medic Droid on certain dates. Tickets are available at brokencyde13.com!
(Some dates do not show up on the brokeNCYDE site, but tickets are available through the venues’event pages, which Iam linking. If the dates aren’t on my list, I couldn’t findbrokeNCYDEon that venue’s calendar.)
4/12 – Bakersfield, CA – Jerry’s Pizza & Pub
4/13 – Santa Cruz, CA – The Catalyst
4/14 – San Francisco, CA – Brick & Mortar Music Hall
Seethe is an alternative/nu metal artist hailing from Pittsburgh. Spawning from the isolation of Covid lockdowns in 2020, this project has taken on a life of its own. With a handful of albums and EPs and an expansive catalog of singles to his name, Seethe shows no signs of slowing down.
One of the first people to let me review his music when I started my own journey, I’m surprised it has taken us this long to do an interview! We discussed his musical beginnings, inspiration, dream collaborations, and much more – and I feel like we only scratched the surface! Check it out!
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Mostly Music: So let’s talk some background first. How did you get started making music?
Seethe: Music has always been there. It’s in the blood on both my mom’s side and my dad’s side. I grew up around anything from oldies, to bluegrass, to metal, rock, and hip hop. I was air guitaring and singing with a brush as a microphone before I was even potty trained!
MM: That vast array of exposure explains a lot. Lol. Your music definitely has quite a bit of variety.
Do you have any particular band/artist that was, like, The One that made you really wanna pursue this? Or a song? I know it’s not always that specific, but…
Seethe: There are many layers to that. First, I was a guitarist that dabbled in some piano and bass, then over time, transferred to lead vocals. Stevie Ray Vaughn and Jerry Cantrell made me wanna pick up and sling the ole six string. In my high school years, I was deep into acoustic pop rock with the likes of John Mayer, Secondhand Serenade, Dashboard Confessional, and Five Times August. When it came down to vocals (waaaaay early on), I hadn’t found my voice and was attempting very bad Creed/Breaking Benjamin vocals til I started actually singing and exploring my voice round 3, 2016. Phil Anselmo, Tim Williams, and Billy Keeton were very, very influential in where I was trying to go vocally as I began to explore my voice.
MM: Okay, with all that going on, how did you find your sound? I know your sound varies, but for a while, you leaned heavily into the trap metal end of things, so to speak. Was that a conscious decision, or was it more…you played around with ideas and found that that particular genre fit what you were going for?
I feel like I’m wording that badly…
Seethe: Covid honestly was really responsible for the creation of Seethe. I had begun to dabble in electronic music but never had the guts to release it. Anything I had released up to that point I had a band or a partner in crime, and I always had that comradery and support, but never enough guts to put something out solely by myself. At the start it was mainly just to make some music with an electronic edge like the “Queen of The Damned” soundtrack with the modern soundscape of the trap metal genre that had been blowing up in recent years. While a niche genre, it allowed me to develop and grow. After 4-ish years of producing and releasing trap metal tracks, I had decided it was time to start branching out and shifting my sound. That’s honestly the beauty of being a solo artist. Yes, there is more work, and it literally all falls on my shoulders, but I could/can do what I want, when I want.
MM: So, this may be a stupid question, but with the recent releases veering into a less electronic/trap-oriented direction, are you still working solo?
Seethe: Nope. If I had the equipment and better resources, I definitely would (Lord knows it would probably be cheaper if i did, given my rate of output). Fortunately, I have met many different and awesome producers along the way. Sometimes, we work together on a project from the ground up, or it’s a matter of me merely scavenging beats/instrumentals I find and lease or purchase. Some awesome producers I’ve worked with (but not limited to) – Slaughter, APXLLYXN, Exor, Gus Wallner, VIXLENCE, Last of a Dying Breed. Can’t forget Aura Abnormal, and Dead Prophet Alive.
MM: You have released four tracks so far this year. Congratulations on that, by the way. Can you give me a bit of background on the most recent single, “Oceans”?
Seethe: “Oceans” is one of the first songs in a while that wasn’t written introspectively. It’s more of an observation about the world as we see it now. All of the doom and gloom and tension that hangs in the air. REM said it best: “it’s the end of the world as we know it.”
In the recording side of things, this was a fun/challenging one to work on. Jacob Lizotte is an amazing producer/composer, and that forced me to really up my game vocally. The music not only goes hard in the paint, but it’s also very open and has a sort of ambient atmosphere to it, so I had plenty of room to paint the canvas with my craft.
MM: I wanna ask a question that’s kinda just for fun, but I love the answers I get. If you could collaborate with anyone, who would it be?
Seethe: Dream collabs would be Layne Staley, Phil Anselmo, Damien Starkey, Brock Lindow, and Chad Gray.
MM: A Chad Gray collab would be SO good!!! So what is your creative process? How do you piece songs together? (I’m interested in both the writing and recording aspects, but hands down, I grasp the writing part a lot more easily. I know nothing about recording.)
Seethe: The creative process varies. It’s honestly one of my favorite things about art. I am a multi-instrumentalist, but I unfortunately don’t have a means to record anything besides vocals. I have been fortunate enough to work alongside multiple producers and composers to build songs from the ground up. Sometimes, someone will hit me with a piece of music and want me to man vocals. Other times, it’s merely me scavenging on BeatStars or YouTube, looking for a beat that catches my ear. A lot of times, the songwriting for me is very spur of the moment or if something catches my ear. You never know when inspiration is gonna strike.
Or other times I will have a song written up and it’s a matter of finding or creating the music to bring it all together. There are times I will sit on a song or idea for months, or it comes out on the spot in minutes. Collabs are always fun as well. It’s a different energy when you have someone bring you on and you are putting your craft with someone else’s vision.
MM: We could probably keep talking for ages, but I’ve already used up a lot of your time. Thank you very much for this interview. I look forward to hearing what you come up with next and perhaps having another conversation about…well, everything!
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In the time since we wrapped up our chat, Seethe has announced the release of his fifth single for 2025, “Reprieve.” The track will hit streaming services on April 26th. You can pre-save it here!
But while you’re waiting, be sure to listen to the other songs he has dropped since January – “Mandela Effect,” “IDT (Falling in Wait),” “Depths,” and “Oceans.” These four offerings grant a glimpse into the wide creative range Seethe possesses and the varied stylistic choices he makes. If you enjoy what you hear, follow him on your favorite platforms so that you never miss any Seethe music news!
Nothing More will be hitting the road this March and April with either Mike’s Dead or Kingdom Collapse, depending on the city. (The dates below include only their headlining shows, not those at which Nothing More will be support for Disturbed and Daughtry.)
Kim Dracula will be co-headlining a North American tour this spring alongside Hanabie. Special guests include Crystal Lake and Kaonashi. Tickets and VIP experiences are on sale now at kimdracula.com!
3/5 – Montreal, QC – MTELUS
3/6 – Toronto, ON – The Danforth Music Hall
3/8 – Minneapolis, MN – The Fillmore Minneapolis
3/11 – Chicago, IL – House of Blues
3/12 – McKees Rocks, PA – Roxian Theatre
3/14 – Boston, MA – Big Night Live
3/15 – New Haven, CT – Toad’s Place
3/16 – Huntington, NY – The Paramount
3/17 – Silver Spring, MD – The Fillmore
3/19 – Norfolk, VA – The NorVa
3/20 – Raleigh, NC – The Ritz
3/22 – Lake Buena Vista, FL – House of Blues
3/23 – Atlanta, GA – Buckhead Theatre
3/25 – Nashville, TN – Marathon Music Works
3/26 – St. Louis, MO – The Pageant
3/27 – Oklahoma City, OK – Diamond Ballroom
3/29 – Dallas, TX – House of Blues
3/30 – Austin, TX – Emo’s
4/2 – Salt Lake City, UT – The Depot
4/3 – Denver, CO – Summit Music Hall
4/5 – Anaheim, CA – House of Blues
4/6 – Phoenix, AZ – The Van Buren
4/9 – Seattle, WA – Neptune Theatre*
4/10 – Portland, OR – McMenamins Crystal Ballroom*
Alternative/trap metal artist Seethe has never been one to shy away from the darker side of the human condition, and his forthcoming EP Schisms & Pendulums is yet another testament to this. Set to be released May 15th, the three-song record takes on the harrowing subjects of modern organized religion and the battle with cancer.
“I was listening to Deftones’ self-titled album and Nirvana’s In Utero quite a bit while writing this EP,” Seethe explains. “Not that it can necessarily be heard [musically], but I feel I caught the vibe and essence of both albums. Dirty, yet clean enough to not sound like garbage. This is also thanks to the production by Vixlence Beatz and Gus Wallner’s mixing and mastering.”
As with much of Seethe’s creations, Schisms & Pendulums is an EP meant to be felt as well as heard. The first track, “Coalesce,” is filled with disgust and rage, which colors every lyric, intonation, and the stylings of the accompanying music. “It’s a stab at modern day religion,” Seethe says. “Not that God and Jesus don’t exist, but more how modern religion is propagated toward political welfare and also the alarming number of cases of sexual abuse and misconduct from clergymen over the last 20-30 years.”
“Coalesce” is followed by “Cascade,” a heart-wrenching ode penned from the point of view of a person witnessing a loved one struggle with cancer. Seethe wrote the song about his mother’s second fight with the illness, and the raw pain bleeds through in the words and the way in which he screams out the emotion from within. “Lights gleaming with a sense of purpose, dimming out over the cascade/Burning out without a purpose, crashing down to one’s knees…” It is an unflinching dose of reality, the bitterness borne from watching somebody wither away while trying so hard to stay strong.
“Dreary” is the other side of the same coin, a story told from the patient’s point of view. Fraught with frustration and anger, the narrator looks back on life and wonders “Why me? I’m a good person.” The sentiment is echoed in a line that is repeated throughout: “Cure me, please, you owe me this.”
Schisms & Pendulums will hit all major streaming platforms on May 15th! You can presave the EP here, and visit Seethe’s other socials to make sure you never miss an update!
In This Moment has announced The Godmode Tour with special guests Kim Dracula, I See Stars, and Mike’s Dead. The 20-date run kicks off April 28th in Anaheim, CA, and treks from coast to coast, finding its conclusion May 25th in Syracuse, NY. Tickets are now available at inthismomentofficial.com!
4/28 – Anaheim, CA – City National Grove of Anaheim#
4/30 – Albuquerque, NM – Revel*#
5/1 – El Paso, TX – El Paso County Coliseum*#
5/3 – Lubbock, TX – Lonestar Events Center*#
5/4 – New Braunfels, TX – Whitewater Amphitheater*#
5/5 – Houston, TX – White Oak Music Hall*#
5/7 – New Orleans, LA – Orpheum Theater
5/9 – North Myrtle Beach, SC – House of Blues
5/10 – Daytona Beach, FL – Welcome to Rockville 2024
Post-hardcore/prog rock band Skies of Terra is back with a new single entitled “Invincibility Codes,” which features alternative/trap metal artist Seethe. The track is now available to stream everywhere!
Hard-hitting from start to finish, “Invincibility Codes” is sure to satiate the tastes of even the most discerning heavy music fan. When asked about the story behind the song, vocalist/instrumentalist Euclides Polanco had this to say:
“‘Invincibility Codes’ is about the anxiety-driven feeling of falling. [In this case] ‘falling’ could be used as running out of time, losing sight, close to giving up, and negative contemplations. Phrases like ‘leave the lights on, I’m on my way home’ are calls to the ones the main character is speaking to before deciding…to leave this life. There is a lot of talk about confusion and being driven off the deep end while trying to hide behind a fake smile each day.”
The frustration and hopelessness behind living this way is expressed through music, vocals, and lyrics, all knitted together into a piece that is relatable to anyone who has had to put on a brave front in their day-to-day life. The verses are host to a rapid-fire beat, matched by a driving riff, all topped by Euclides’ clean vocals. “Am I alive? Or barely just breathing?/This isn’t living or existing, behind a malignant smile/And I cannot break free!”
This combination climbs to the bridge and chorus, during which, conversely, the music is more rhythmic while vocalist Justin Townsend unleashes a tidal wave of pent-up rage. “Falling from the sky/Above my head, you are watching me from a vengeful drone/I’m falling fast/The darkness spreads/Leave the lights on, I’m on my way home!”
As the second bridge reaches its close, Euclides announces “Wait, we’re not quite finished yet!” and we are launched into the final breakdown, penned and delivered by Seethe. The story of this collaboration makes it seem as if it were always meant to be.
“Skies of Terra and myself, we’re from the Pittsburgh scene,” explains Seethe. “In 2019, my band signed to a label called Brutal Business Entertainment, but going into 2020 [when Covid happened], the owner wanted to step down. He essentially gave me the label to run. Skies of Terra was one of the first bands that I personally signed.”
“Seethe showed us love very early on,” Euclides recalls. “I had written the demo for ‘Invincibility Codes’ in January 2020. It was originally written for the EP, The Party is Over, but it didn’t fit the narrative and vibe. It just wasn’t ready. Seethe had written a section that sounded pretty sweet, but we left the track alone until fall of 2022. [That’s when] I re-wrote it and sent it to Seethe to work on. He’s the one that ended up creating a big foundation for how things were articulated throughout the album. ‘Invincibility Codes’ has very important motifs that are revisited in other tracks.”
“Clides brought [‘Invincibility Codes’] to me, and he was like, ‘I really want you on this outro’,” Seethe says. “The track was kinda the same as it is now, but a lot of the kinks weren’t worked out. We went back and forth about it, then we shelved it. Out of nowhere, [in 2022], Clides gave me the music and they had me write my breakdown for the end.”
“It was nerve-wracking,” Seethe adds. “They gave me a blank slate at the end to do whatever I wanted. I felt the pressure, because Clides and Justin are both great vocalists, so without knowing what they were gonna do ahead of time, I had to make sure I sent the track out on a high note.”
True to his aim, Seethe does conclude “Invincibility Codes” on a high note. He grants the listener a final eruption of anger, an audible picture of hitting the breaking point. “Push it to the brink/Push, push/I’m coming!/I’m coming home!”
Stream “Invincibility Codes” now, and check out the lyric video below!
Follow Skies of Terra on all their socials so you never miss anything!
Alternative/trap metal artist Seethe surprised his followers by abruptly releasing an EP, entitled Cavalier Dualities, to Bandcamp on January 29th. (It has since gone live on all major streaming platforms.) Staying true to the glitchy, yet melodic, sound that I have come to associate with Seethe, this trilogy of tracks is an eight minute, thirty-four second emotional purge – for both artist and listener.
Cavalier Dualities is a brief glimpse into the repeating cycle of various mental health issues, depression prevalent among them. Seethe never backs down from addressing darker subject matter, and this is again apparent in all three songs.
“Medicate” is the beginning phase. Whatever the struggle is with – mental health, addiction, etc. – this track references the attempt to best it, to medicate and cope and hopefully ascend from the depths, maybe even defeat it one day.
This is followed by “Smile.” In Seethe’s own words, “Smile” is about how, in life, sometimes all one can do is smile and move forward. Throughout the fight with one’s own personal demons is the occasional necessity to fake it ’til you make it, as they say.
The EP concludes with “In Two,” a heart-rending song in which our narrator realizes (s)he is back in the hole, that (s)he had a brief moment in the light but has yet again fallen into the rut. This brings us back to the start, the need to medicate, and the cycle continues.
The discordant music and vocal stylings seems to reflect the frustration and hopelessness that colors the whole sordid tale, a cry of “I’ve been here before and failed, but I have to keep trying.” And while Cavalier Dualities may be a story borne from the artist’s own battles, it is relatable to anyone who has ever persevered through a private, often unseen, war with oneself.
You can listen to Cavalier Dualities on your favorite streaming service! And once you’ve checked out the EP, ready yourself for Seethe’s next release: the new single, “Away,” which is dropping on Valentine’s Day!
I have always been impressed with Seethe’s eclectic mix of sounds and how he utilizes different genres to tell a story. Each song seems to have something for everyone, from an edge of industrial, to the heaviest of nu metal and threads of rap, djent, and trap, and that’s without even mentioning the way he can manipulate his voice, or his lyrics!
Seethe just dropped a new track today, entitled “Feather,” and it’s a certified banger, venturing into the more hard rock/alternative metal oriented side of the artist. The music itself is cleaner, less harsh and distorted than songs such as “Can’t Breathe,” and lends itself to the fact that Seethe can take on any genre and own it.
See for yourself. Check out “Feather” here or on Deezer and Spotify.
Mostly Music 