music

Review: Monster Truck & Alter Bridge @ The Tabernacle

April 22, 2014 — Leave a comment

This past Saturday–April 19th–I was in Atlanta, Georgia, for the Alter Bridge show. I was accompanied by two of my favorite people, my brother Rick and my friend Jesse. I was fortunate enough to make my way through the mob to the front. Two very kind Alter Bridge fans let me squeeze in beside them, right on the barrier. Needless to say, I refused to move for the rest of the evening.

The opening act, a band that hailed from Canada called Monster Truck, was really good. They were a mix of rock and blues. All I could think was “If Led Zeppelin and all the Southern rock bands had a baby, this would be it.” Ha! Seriously, though, their guitarist was super enthusiastic and the band was a lot of fun. They set the tone for the evening–high energy rock & roll–and the fans showed them a ton of respect as they filed off the stage.

When Alter Bridge came out roughly thirty minutes later, the noise was tremendous! They tore straight into “Addicted to Pain” and from that moment, it was a case of nonstop greatness. My favorite thing about it was the fact that the crowd was made up mostly of hardcore Alter Bridge fans, the kind that sing every single word. There is nothing more magical than hearing a crowd of 2000+ belting out “Broken Wings,” “Open Your Eyes,” and “Rise Today.” It was obvious that vocalist/guitarist Myles Kennedy, guitarist Mark Tremonti, bassist Brian Marshall, and drummer Scott Phillips were feeding off the audience’s energy and adoration. It is also apparent that the four of them truly love what they do, and that always adds to the experience for the fans. Alter Bridge put on one hell of a show, and Myles stopped to give the fans a heartfelt thanks more than once, saying that if it wasn’t for us, the band wouldn’t be celebrating its ten-year anniversary.

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From L to R: bassist Brian Marshall, vocalist/guitarist Myles Kennedy, and guitarist Mark Tremonti

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Myles Kennedy grinning at me during “Rise Today.”

Highlights from the show were “Blackbird,” Myles instructing the audience to sing “Happy Birthday” to Tremonti, who had turned 40 the previous day, and the guitar dual between Myles and Tremonti, which led straight into the final song of the evening, “Rise Today.” A personal highlight was receiving a pick from Myles…that pretty much made my night.

Alter Bridge is easily one of the best bands I’ve ever seen in concert. If you haven’t made it out for a show yet, you should seriously remedy that immediately. I guarantee that you will have the time of your life.

Music Memories: Sevendust

March 7, 2014 — Image — Leave a comment

Music Memories: Sevendust

Last May, I saw Sevendust at a club in Huntsville, Alabama. Their opening acts were Longreef and Almost Kings. (In my opinion, it was worth going just for Almost Kings.) Long story short, the show was absolutely fantastic. I had never seen Sevendust before, but I will definitely be seeing them again whenever possible.

At the end of the night, I was waiting to say goodbye to Almost Kings and Sevendust front man Lajon Witherspoon came out. He went to the bus first. When he re-emerged and saw me standing there, he said “Hey, baby.” I ran forward and hugged him. He told me exactly where I had been during the show–front row, on the right–and was more than happy to pose for this picture (taken by one of Almost Kings’ crew). It’s always nice to discover that members of the bands you love are actually kind people.

Review: Lynam’s Halfway to Hell

February 8, 2014 — 1 Comment

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Band: Lynam

Album: Halfway to Hell

Genre: Rock

Release Date: December 17, 2013

Standout Tracks: “Dead Man’s Parade,” “Cold,” and “Store Bought Halo”

When I sat down to write this review of Lynam’s 2013 release entitled Halfway to Hell, I found it very difficult for two reasons. First, I’ve been a fan for nearly six years, so my natural inclination is to compare/contrast the EP with Lynam’s other albums, and that would tell absolutely nothing to anyone not familiar with the band. Second, I have established a friendship with Lynam over those six years…and that makes it harder to be objective. But here it is.

An all-encompassing “this record is great” doesn’t really begin to cover it. This album is darker (in its subject matter, at any rate) and heavier than anything Lynam has done before–and it is absolutely magnificent. With the addition of Lonny Paul, who was in Adler alongside vocalist/guitarist/main songwriter Jacob Bunton, the band has reached new levels. I personally believe that Lonny’s input was just what they needed; a fresh perspective that lit a spark in not only Jacob, but drummer David Lynam and bassist Mark Dzier as well. Their influences (all things 80’s) are still evident, but there’s a touch of something else, too. Something that I would call “purely Lynam.”

The EP opens with “Rise Up.” Have you ever heard someone say that certain songs make them want to drive fast? Well, this is that song. The instant it begins, the volume has to be cranked up. A call to anyone who is “so sick of it all,” the song is appropriately fast-paced and angry. The drums beg for listeners to pump their fists and stomp their feet. Plus, let’s be honest, how can you not love any song that encourages its audience to “get your fingers up”? This one will undoubtedly be a huge crowd pleaser at live shows.

“Halfway to Hell” is fun with a catchy chorus, but it is the third track on the album, “Dead Man’s Parade,” that immediately stood out to me. There is nothing I don’t like about this song. The entire 2:49 is a carnival ride complete with an attention-grabbing groove, low gritty vocals, and a short sweet guitar solo thrown in as icing on the cake.

Next is “Cold.” Slower and more melodic, this is definitely another high point on the album. The only words for Jacob’s crooning are “beautiful” and “shiver-inducing.” The music itself is rock-and-roll at its most straightforward, until the 2:50 mark, when the guitar solo is reached. This particular solo offers a taste of what Jacob can do and, luckily, the following track showcases even more of his talent.

“Store Bought Halo” is the shortest of the six songs, yet it quite possibly packs the biggest punch. From start to finish, this song seizes you by the balls and refuses to let go. It’s dirty, it’s sleazy, it’s everything great about glam rock/hair metal mixed with the relentlessness of punk. The simple chorus that you can chant along with, some seriously awesome shredding, the fast-paced beat, and the driving rhythm add up to make this one of the best songs on the album and another that will surely go over well when included on Lynam’s set list.

Finally, the album closes with “Wrong Side of the Grave.” As if the title didn’t give it away, this song has a darker feel to it. The unholy growl/scream in the intro serves to enhance this vibe. The guitar solo bleeds into a breakdown, complete with a chant of “Hey!” that gives this song an anthemic quality. Despite being the last track, “Wrong Side of the Grave” does not feel like an end and undoubtedly leaves the listener wanting more.

If this EP is a sign of things to come, I couldn’t be more excited.