This is the debut single from Black Dog Moon, a rock band from Ireland!
vintage rock
Godsmack Announces May 2023 Dates With I Prevail
Godsmack is hitting the road this May with I Prevail. They will have special guests on certain dates, including Bullet For My Valentine, Bad Wolves, and Austin Meade. They are also playing several festivals. Get your tickets at godsmack.com.
- 5/4 – Denver, CO – 107.9 KBPI Birthday Bash (w/Bad Omens, Fame on Fire, I Prevail)
- 5/6 – Phoenix, AZ – 98 KUPD U Fest 2023 (w/Fozzy, Nothing More, The Warning, Grey Daze, The Black Moods, I Prevail)
- 5/7 – Albuquerque, NM – Isleta Amphitheater (w/I Prevail, Austin Meade)
- 5/9 – Rogers, AR – Walmart AMP (w/I Prevail, Austin Meade)
- 5/10 – Bonner Springs, KS – Azura Amphitheater (w/I Prevail, Austin Meade)
- 5/12 – Oklahoma City, OK – Rock 100.5 FM Kattfest 2023 (w/I Prevail, Bad Omens, Zero 9:36, Catch Your Breath)
- 5/13 – The Woodlands, TX – 94.5 The Buzz Buzzfest 2023 (w/Giovanni, The Warning, The Struts, Highly Suspect, I Prevail)
- 5/14 – Dallas, TX – Dos Equis Pavilion (w/I Prevail)
- 5/17 – Pelham, AL – Oak Mountain Amphitheatre (w/I Prevail)
- 5/18 – Alpharetta, GA – Ameris Bank Amphitheatre (w/I Prevail)
- 5/20 – Daytona Beach, FL – Welcome to Rockville 2023 (w/Pantera, Chevelle, Alice Cooper, Alter Bridge, and more)
- 5/21 – Charlotte, NC – PNC Music Pavilion (w/I Prevail, Austin Meade)
- 5/23 – Franklin, TN – FirstBank Amphitheater (w/I Prevail, Austin Meade)
- 5/25 – Columbus, OH – Sonic Temple Art & Music Festival 2023 (w/Bullet For My Valentine, Pennywise, Bad Omens, Fever 333, and more)
- 5/26 – Mount Pleasant, MI – Soaring Eagle Casino & Resort (w/Bullet For My Valentine, Bad Wolves)
- 5/28 – Uncasville, CT – Mohegan Sun Arena (w/Austin Meade)

Interview: Stickman
Stickman is a Canadian rock band that consists of guitarist/vocalist Kim Whitford, bassist and backing vocalist Randall Taylor, and drummer Des Vegas. While their sound is heavily influenced by 90s/00s alternative rock and grunge, there is definitely an element of modern day hard rock, as well as nods to classic rock & roll.
I had fun interviewing the band. We discussed everything from influences to their songwriting process, what they love about playing live to their dream tour lineup. As you’ll see, the trio don’t always take themselves too seriously. Their talent and obvious enjoyment for what they do is what makes it work.
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Okay, first and foremost, how would you describe Stickman’s sound? If you had to actually use a genre label, what would it be?
Kim: Our sound is a blend of grunge, post-grunge and hard rock, with hints of 70s and 80s classic rock. Post-grunge is the label we identify with most.
Randall: Hard rock/Dad rock
How did the band form, and what’s the story behind the name?
Kim: Stickman was formed in 2017 by Randall and myself. Des joined in late 2017. All three members are long time school friends, who had either played in the same bands or bands that were associated with each other. The name Stickman came from a list of band names we were considering at the time and that was the one we liked best. Turns out the name is very marketable and well used, lol.
Randall: Kim and I have been in many bands together since the 90s. We had a new bunch of songs we wanted to record but didn’t have a drummer. Luckily, an old friend of ours from high school was jamming in the same rehearsal space and the space owners brought them together. Des Vegas joined and the “project” became a band. Stickman was on a long list of potential names. I just thought it looked cool to have a stickman as the “T” in the word, haha!
Who are the band’s main influences? I know late 90s/early 2000s, but who specifically?
Kim: Failure, Foo Fighters, Radiohead, Nirvana, Tool, AIC, Pink Floyd, Ocean Machine, Metallica, The Beatles
Randall: KISS, Alice In Chains, Failure, Black Sabbath
Des: Deftones, Mötley Crüe, Crosses, AIC
So, for you personally, what inspired you to get involved in music?
Des: I was around 10 years old and my brother Aaron was playing drums. I idolized him and I wanted to do what he did. He was really the reason I picked up a pair of sticks.
Kim: I’ve had a love of music since my earliest memories. Listening to KISS albums and studying the artwork. As I got older, exploring and discovering all the greats from all genres.
Randall: Two words – KISS Alive.

What is your favorite thing about playing music?
Des: My favorite thing about playing music is that moment when you’re on stage with your boys doing what you love and the audience responds. It’s another level.
Kim: Getting to put “my take” on music and putting it out to the universe. If someone else likes it, that’s great! If not, that’s great too!
Randall: Interaction with the crowd and being onstage. I have a strong desire to be performing in front of people.
Tell me a little bit about the latest single, “Sacrifice.” What was the inspiration for the song? (And side note: how do y’all decide which songs to release as singles?)
Kim: Inspiration comes in many forms and from many different sources. Musically, most ideas just come out when I pick up the guitar and play. I try to keep the lyrics ambiguous so they’re open to interpretation. This song is loosely based on my feelings towards social media and the obsessiveness of it. How some people will go to great lengths to get likes and followers. We decide to release songs that “work” and we all like them. By “work”, I mean it all makes sense, musically and lyrically.
And, still on the subject of your songs, what is the song writing and recording process like for Stickman?
Kim: I will typically record every idea I come up with. If it moves me in some way, I will flesh it out a bit before showing it to the guys. I will record a rough draft, with multiple parts and typically with drums and bass and whatever else added. We will then tear it apart and build it back up from there. There is usually a melody in mind early on, but lyrics tend to take a while in most instances.
Randall: Kim comes up with the bones of the song and then we flesh it out together in practice until we’re comfortable with all the parts. We’ve recorded in professional studios, but for the time being, Kim is acting as engineer and we’re recording all our new music ourselves.
All of you mentioned the live element as part of what you love most about music. Can you describe what a Stickman performance is like?
Des: For me, each performance is an event. I play like I’m at a giant stadium playing the last show of my career.
Kim: Our shows are more about the entertainment side of things. We have songs “run” into one another and add bits of other songs in between. We try to entertain instead of just going on stage and playing each song.
Randall: Surprisingly energetic for a bunch of old guys! Also, we like to keep a tight set. One song will lead to another, and even things like the tuning breaks and crowd “raps” are choreographed. We try to minimize the dead air. Quick and exciting!
When you’re writing/recording, do you think about how the songs will translate live?
Des: Yes, I always try to think about how I’ll play live. I usually try to play more solid beats while we record, so by the time we play live, I can really ramp it up with that live energy.
Randall: I do for sure! I’m always thinking about how the songs will be played live and how they will translate to each other in the set.
Kim: Definitely. Especially the singing aspect of it. I don’t want to complicate the performance by having the singing interfere with the guitar playing I do.
What are the band’s plans for 2023?
Des: I’m very excited to say we are in the early stages of writing the next record, and a big part of the next year will be working on that.
Kim: Get back to playing live shows and writing and starting to record our next record.
Randall: To play shows whenever possible and record a new full-length album.
What do you feel is the ultimate goal for Stickman?
Des: I really love that I get to be with my brothers, writing kick ass music. We play shows where and when we can. People show up and dig it. Man, that’s all I’ve ever wanted. I guess I’ve reached my goal, haha.
Kim: To continue doing what we do and help keep rock alive!
Randall: A band with a reasonable following that can be trusted to play any show and entertain – and to continue to release interesting and fun new original music.
Is there any band/artist you listen to that you think would surprise people?
Des: I listen to everything from Deftones to SADE, so ya, there’s probably a ton of stuff people would be surprised I listen to, lol.
Randall: I still like Nickelback. There, I said it.
What is your dream tour lineup that includes Stickman?
Des: Wow! Not sure what that would look like, but I would have loved to have had the opportunity to talk with Chris Cornell and Layne Staley, among many others.
Kim: A touring festival. Take a look at our influences and put them on the bill with us!
Randall: I don’t even need to say some big market arena tour. I think I’d be just as happy with a club tour through western Canada and the Pacific Northwest with a couple of other local bands that we’ve befriended over the years.
And lastly, is there anything you’d like to say to your fans, both new and old?
Des: I honestly love that you dig what we do. I could never thank those who support us enough.
Kim: Thank you for taking the time to listen to our music and giving us the chance to connect with you through our music.
Randall: Thanks for listening! We really do it for us in that we’re not trying to write to a trend or consumer group, but it’s nice when other people dig it, too.
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I highly suggest following Stickman on Facebook, etc., as well as your favorite streaming platform; from all that I’ve heard, this band is getting better with each song they release! I can only imagine what is coming in the future.
Check out their latest single, “Sacrifice,” and two of my personal favorites! (I couldn’t narrow it down to one.)
Song of the Day — Pure Entry: “Slipping Slowly”
Song of the Day — Ruby Nixxons: “Keep On Keeping On”
Interview: The Lamplighter
The Lamplighter is a one-man band with an attention to detail. All instrumental, his music defies categorization; it’s something you simply have to experience for yourself.
I had the pleasure of talking to The Lamplighter recently. We discussed what lit the fire in him to make music, his writing process, what’s next for him, and more!
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What made you want to pursue a career in music? (Or, if not an intended career, what got you into music as an outlet, hobby, etc.?)
The Lamplighter: My dad was a garage drummer, so I think I have always been hypnotized by music, at least as far back as I know. I remember when Prince released Purple Rain, I was completely captivated by that album. Later, I joined the school band (as a drummer, of course) and found big band jazz. In high school, I was in both orchestra and jazz band, but outside of band I was pretty much a metalhead. I met a guy who was a guitar player mainly into New Wave and Post Punk, and he introduced me to a bass player into punk rock, hard rock, and some psychedelic stuff. The three of us formed a band and wrote some pretty crazy stuff. All our influences came through woven together like a sonic tapestry. They were my best friends, we had a special connection and it was awesome. We played our first Hollywood gig at 15, and by that point, I was in it for good. Creating and playing music was my purpose.
How did The Lamplighter get its start? And what is the significance of the name?
TLL: Well, I was born and raised in L.A. I was in numerous bands, playing countless gigs all over the place. It was a blast for many years. But life eventually brought me to the PNW away from my L.A. musician circle. I found myself musically alone, drifting and struggling to find like-minded musicians who were also dependable (crazy, I know) and eventually almost gave up. One day during a long hiatus, I was listening to funk and jazz in my garage, thinking, “Maybe one day it will happen again,” and then I heard The Budos Band for the first time. They relit my fire. It was then I decided “Screw it! I will just do it myself.” I taught myself how to play guitar many years ago, so learning the keyboard wasn’t too difficult. I started writing, and after the first coupl of songs, I named myself The Lamplighter.
The name is from my family’s business dating back to the 60s, 70s, and 80s. It was a sign shop called Lamplighter Neon. I always thought the logo was really cool, so I used it. I actually redrew myself as the logo. My family gets a kick out of it.
So, aside from the drums, are you completely self-taught?
TLL: I am self-taught. After I started playing in the school band, I just couldn’t get enough. My aunt had an old beat-up acoustic guitar from the 70s that she gave me and an old beginner guitar book. It smelled like an old attic, but I learned how to (cut up my fingers), then tune it on a basic scale, then how to play “Yankee Doodle.” I later stumbled across a bar chord and it kinda sounded distorted and from there…you guessed it… “Smoke on the Water.” Haha (seriously). After hooking up with a real band, I would fidget on the other guys’ guitar and bass between jamming. They would just keep me in the corner of their eye and sometimes I think they’d get a little concerned. Haha! But then I started coming up with riffs and it was game on.
Wow! I’m so impressed by people who have the drive and patience to teach themselves. And since everything comes from you, I’m gonna ask you to describe your music in your own words.
TLL: This is a hard question because I never want to give people the wrong impression. They are all instrumentals, and I perform all instruments. I sometimes describe it as funk-infused rock oddities, or energy. It really is just a recipe formulated by my mood, and whatever influences surface that day. I don’t ever want to be a “Metal” artist, or “Punk,” or “Jazz,” or “Funk,” etc. I like all those styles, and more, I just try to let them flow through me. I hope that doesn’t sound lame. A person described one of my songs as “If Twin Peaks and Mad-Max had a child, this would be the soundtrack.” I like it.
What bands/artists inspire you?
TLL: Oh geez, so many. I’d say off the top of my head… Jane’s Addiction, Primus, Funkadelic, Firehose, Fugazi, Clutch, Fu Manchu, Frank Zappa, The Vandals, Dinosaur Jr…..I could go on for days.
(I just noticed how many bands in that list start with the letter “F.” I wonder if there is a correlation there, or if when naming influences that letter just lingered? Hmmmmm. )
Tell me about your approach to songwriting? What was the process like for Ultraviolet Catastrophe?
TLL: I remember hearing David Bowie talk about not writing music to please other people, and when it starts sounds crazy, you are on to something good. Also, I think it was Prince who said something to the effect of letting the music write itself through you. You essentially become the instrument. So that is kinda what I try to do. I like groovy bass lines with some funk in them. I drive my drums hard at times but add some swing to them and sneak in some old funky riffs. Then I frosted the cake with guitars and/or keyboards, depending on where the song took me. There are a couple of smokin’ leads in there. There are also some eerie processed keys in there. Some songs make you want to dance, others take you on a trip, one tells a story. After I arrive at an “almost done” stage, I let it sit for a week or two and then listen to it again. This album took me a year to finish. I have a 9-5 job and I never want to rush and I definitely don’t ever want to write the same song twice.
Is there anything in particular that inspires you to write, anywhere you draw inspiration from? I’m usually asking this question about lyrics, but I don’t see why it wouldn’t apply to the music itself as well.
TLL: I see music in the world, in everything… a mood, a song I heard, a day at the beach, cruising the city, watching a crow walk across the fence….music is an integral part of life…fundamental.
Do you have a time or certain state of mind that is more conducive to writing than others? I ask because I write short stories and I tend to get motivated late at night – unfortunately – and when it’s really quiet. But I know other people who thrive in chaos, so…
TLL: Oddly enough, I get a lot of new ideas in the morning shower, and again around 10 a.m. at work. The shower thing I read has to do with the state of your mind being kinda released from daily stress and all the other things one has to think about so the creativity flows past the blockage, so to speak. The 10 a.m. thing is weird and I can’t explain it. It’s like all of a sudden I will be just going through the day, then 10 rolls around and WHAM! I’m head bobbin’ to a bass line, or struttin’ to a drum groove in my head. When I realize what I’m doing, I kinda sheepishly look around and a coworker is like..”New song?” Yep, lol. The struggle is trying to remember them when I get home.
I get that. Sometimes inspiration strikes me when I don’t have the option to write it down. Lol. Back on the subject of Ultraviolet Catastrophe, do you have a favorite song from the album?
TLL: Not really. Sometimes, I dislike a song more than the others, but that depends on my state of mind. The first song I started promoting was “6 o’clock Jump.” It has groove, energy, and a nice structure… I think 😉
What are your plans for 2023? Can we expect any new music?
TLL: Well, I sort of fell behind the ball with Ultraviolet Catastrophe. I didn’t start putting it out in the world until this last December. It has had some good traction, though, even charted #2 twice on the “Radio Indie Alliance.” So I will continue to raise awareness of it because there are many people who have not heard it yet. I have put a lot into it, and I hope it reaches people. According to Spotify, it has been played in 6 continents….woo hoo! I need to find some penguins in Antarctica to get a Spotify so I can hit all 7.
But new music for sure, always. I am actually finishing up a second release. I went a different direction with this one, and it should be out at the end of April or early May.
And last but not least, where can my readers find your music?
TLL: My music is on all the platforms. Spotify, Pandora, Bandcamp, Youtube, Itunes, Apple Music, Last FM, etc. I have an Instagram and Facebook. For us appreciators of “old media”, I have CDs on Bandcamp. They come with stickers, because stickers are fun.
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If you enjoy music that is different, intricate and unique, you certainly should listen to The Lamplighter. A lot of energy and feeling goes into his craft, and it is evident in every riff, groove, and beat. As stated, you can find his music on your favorite streaming service, and you can keep up with his creative endeavors by following his socials.
Song of the Day — The Space Turtles: “Live It Large”
Taken from The Space Turtles’ 2022 EP, Tough Call.
Song of the Day — The Lamplighter: “Shiny Shoes”
Taken from The Lamp Lighter’s most recent album, Ultraviolet Catastrophe, released April 23, 2022.
Greta Van Fleet Shares March 2023 Dates
Tickets: gretavanfleet.com
- 3/6 – Jacksonville, FL – VyStar Veterans Memorial Arena (w/Houndmouth and Robert Finley)
- 3/8 – Hollywood, FL – Seminole Hard Rock Hotel & Casino (w/Houndmouth and Robert Finley)
- 3/10 – Tampa, FL – Amalie Arena (w/Houndmouth and Robert Finley)
- 3/12 – Greenville, SC – Bon Secours Wellness Arena (w/Houndmouth and Robert Finley)
- 3/13 – Raleigh, NC – PNC Arena (w/Houndmouth and Robert Finley)
- 3/20 – Tucson, AZ – Tucson Arena (w/Rival Sons)
- 3/21 – El Paso, TX – Don Haskins Center (w/Rival Sons)
- 3/24 – Anaheim, CA – Honda Center (w/Rival Sons)
- 3/26 – Reno, NV – Reno Events Center (w/Rival Sons) [New date!]
- 3/28 – Sacramento, CA – Golden 1 Center

Nonpoint: The Emerald Cities Tour 2023
Nonpoint will be tearing it up this spring alongside Blacktop Mojo and Sumo Cyco on The Emerald Cities Tour! Tickets and VIP are on sale now at nonpointstore.com.
- 3/2 – Virginia Beach, VA – Elevation 27
- 3/3 – Fredericksburg, VA – Hard Times Cafe-Four Mile Fork
- 3/4 – Jacksonville, NC – Hooligans
- 3/5 – Greensboro, NC – Hangar 1819
- 3/7 – Johnson City, TN – Capone’s
- 3/8 – Spartanburg, SC – Ground Zero
- 3/10 – Tampa, FL – The Ritz Ybor
- 3/11 – Fort Lauderdale, FL – Culture Room
- 3/12 – Jacksonville, FL – Underbelly
- 3/14 – Chattanooga, TN – The Barrelhouse Ballroom
- 3/15 – Nashville, TN – The Basement East
- 3/17 – Atlanta, GA – The Masquerade (Hell)
- 3/18 – Biloxi, MS – Rockin’ The Sound 2023
- 3/19 – Little Rock, AR – The Rev Room
- 3/21 – Lawrence, KS – Bottleneck
- 3/22 – Tulsa, OK – Vanguard
- 3/24 – Houston, TX – Warehouse Live
- 3/25 – Dallas, TX – Trees
- 3/26 – San Antonio, TX – The Rock Box
