Interview: Bradon Marshall of Serpent Rising

Serpent Rising is a new heavy metal/rock project hailing from eastern Pennsylvania, comprised of members from various local acts. So far, the band has shared three singles, and they have a fourth on the horizon.

I was lucky enough to be given the chance to talk to lyricist/frontman Bradon Marshall! We dove into the members’ musical histories, their shared influences, what’s coming next for Serpent Rising, and much more!

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Mostly Music: Tell me about how Serpent Rising formed, and what’s the story behind the name? 

Bradon Marshall: So the band was formed by two members (Josh & Clint) of an old punk band called Cold Blood Creep after they disbanded due to issues with their singer. Then, they found Seth, the guitarist, after seeing him cover a Lamb of God song. Finally, they met me about 3 months ago, before I left the group Two Dollar Horse. I stepped down as lyricist and frontman for TDH, and am filling the same role for Serpent Rising.

As far as the name goes, we bounced around on a bunch of names prior to Serpent Rising, but none of them felt right. Once the name Serpent Rising was put on the whiteboard, we knew it was the one. It sounded cool, rolled off the tongue, and represented our heavier tone,  from the words to the drop tuned instruments.

A simpler way we all look at it is, as Josh put it – before this band, we were all kinda lost in music. Once we were all together, it felt collectively like we rose above the water and started treading.

MM: Did you all have a mutual direction at the beginning, or were you working from different musical backgrounds/influences?

BM: We definitely have different musical backgrounds, I think each member is all over the place; but we totally have our favorites.

Clint, the drummer, is old school. He really likes Motorhead. Josh, the bassist, really loves Dream Theater. So clearly, there’s a beautiful disconnect between all of us, where we as a team can pull from different styles to create.

MM: Who are the band’s major shared influences?

BM: I think if you listen closely, you can hear the best of different rock/metal subgenres come into play. Some honorable influences are as follows: Stone Temple Pilots, Alice in Chains, Megadeth, Periphery, Korn, Sleep Token, Lamb of God, and Acid Bath.

MM: That list definitely runs the gamut of subgenres! So, what is your writing/recording process? How do y’all bring it all together?

BM: Our writing process is currently pretty streamlined and fit so that each member can add their defining piece of the puzzle separately. The main songwriters are Josh and Seth. We are all pretty comfortable with audio engineering from a studio standpoint.

They [Josh and Seth] are really good at creating hook-based riffs with emotional transitions. Basically, they create the whole instrumental portion of the song on their own, then they send it to me to add my lyricist touch. Once the song is pretty much 100%, we bring Clint up to speed.

MM: On that same topic, what is the story behind the latest single, “Asphyxiation”?

BM: Another great question! “Asphyxiation” has done really well; better than any of us expected for the start up of the project. The song has its highs and lows instrumentally as well as lyrically.

In our mind, it tells an abstract and sad love story paired with the words, which is why when Josh and I laid out the script for the music video, we wanted it to not be too on the nose. 

I can’t speak for the band as a whole or anyone that pulls a meaning from the words, but personally, I have dealt with a lot of difficulty with love and put my faith in a lot of things and people that have burned me. Or it is as simple as just not being able to see eye to eye repeatedly, to the point where it creates a jaded “not where you belong” type of feeling when it comes to actually getting close to anyone. Almost suffocating, in a sense, hence the title.   

MM: As a lyricist, from where do you draw most of your inspiration? And what made you start writing? Did you begin in a different medium (poetry, perhaps)?

BM: I think I draw most of my inspiration from things I’m too afraid to say not in front of a microphone, as funny as that sounds. It’s always personal for me, but I try and keep the words abstract. Someday, we could dissect the lyrics of a song to fully understand the meaning I put behind it.

I’ve been writing poetry for most of my life, and I have always looked at it as just poetry on top of music, but once I started playing instruments, I had a place to put the words & it opened up a whole world for me. 

MM: Y’all have released 3 singles thus far. When can we expect an album or EP? Or does the band prefer to upload tracks to a streaming service and not actually put them into a collection like that? I know several bands are going that route with the decline of the demand for physical copies of records. 

BM: As far as releases go, yes, there are currently 3 out of the 13 songs we have lined up for possible release. But I wouldn’t expect an album. It just doesn’t work like singles do. Albums are great, in our opinion, but there is a decline in desire for them and with us trying to also do music videos and cinema content for the majority of the songs, singles make it much easier to do so piece by piece! 

Two of the three songs currently have music videos and an unreleased (as far as streaming services are concerned) track called “MUD” has only a video on YouTube.

MM: I am from the generation that set a lot of store by music videos, so I’m really enjoying this resurgence of artists who like to express their music visually as well. So, what are the band’s plans for 2024? 

BM: As far as our plans for 2024, we’ve booked shows to fill out most of the year, and we’ll be focusing on recording songs to be released and content for music videos and things of that nature. Our plan is to be a little more than just a band that makes and releases music. We’re still planning out ideas for our next big music video adventure! Everything we do, we want to keep DIY. It seems to keep the creativity natural and we are cohesive together more than we’d be with an outside party.

A collaboration or two with another local artist/musician would be cool, though!

MM: What would be your dream collaboration? 

BM: It would be really cool to work with an off-genre band to create a mixture of sounds that weave well together but not to be expected!

MM: Taking that a step further, what would be your dream tour lineup (that includes Serpent Rising, of course)?

BM: I always loved the idea of keeping it close to home. There are a ton of great bands locally. Just to name a few that I’d love to travel and share music with – The Stone Eye, Hannibal, People Food, Ben Grinder Group, Ephraim, Die Tired, The Spyders of HBG.

That’s just a few, there’s many more! The music is there, you just gotta look for it!

MM: I love when bands promote other locals! It helps me spread the word as well. Still on the topic of live shows, what’s your favorite thing about performing? 

BM: I think collectively our favorite thing about performing so far since we’ve started is after a show we get to come off stage and talk to people who heard us for the first time, maybe have a drink with them, and just talk about the music and various other things. Short of the connection we get with them on stage, there’s nothing else comparable!

MM: Last but not least, is there any message you have for your listeners (and my readers)? 

BM: If we could say something to those who listen and anyone who reads this, it would be to always try to create something each day, even if it’s just a little happiness, check out our new single “MUD,” releasing March 30th, and come say hi to us & have a beer or six at our up and coming shows!!!

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Serpent Rising is truly just getting started. If you are a fan of the heavier styles of music, I would highly recommend looking them up right now! Make sure you follow the band on their socials so you never miss any news in regard to upcoming releases or live shows. You can listen to their latest single, “Asphyxiation,” below, and don’t forget that “MUD” drops on March 30th!

Symphony X Shares May/June 2024 Dates With Heathen

Prog metal band Symphony X will be touring throughout May and June with special guest Heathen. You can snag tickets at symphonyx.com!

  • 5/16 – Cincinnati, OH – Bogart’s
  • 5/17 – Milwaukee, WI – Milwaukee Metal Fest 2024*
  • 5/18 – Des Moines, IA – Wooly’s
  • 5/19 – St. Louis, MO – Delmar Hall
  • 5/20 – Indianapolis, IN – Vogue Theater
  • 5/21 – Pittsburgh, PA – Thunderbird Music Hall
  • 5/23 – Westland, MI – Token Lounge
  • 5/24 – Toronto, ON – Opera House
  • 5/25 – Montreal, QC – Le Studio TD
  • 5/26 – Quebec City, QC – Theatre Capitole
  • 5/29 – Boston, MA – Paradise
  • 5/30 – New Haven, CT – Toad’s Place
  • 5/31 – Stroudsburg, PA – Sherman Theater
  • 6/1 – Jersey City, NJ – White Eagle Hall
  • 6/2 – Wantagh, NY – Mulcahy’s
  • 6/5 – Charlotte, NC – The Underground
  • 6/6 – Atlanta, GA – Center Stage
  • 6/7 – Carrboro, NC – Cat’s Cradle
  • 6/8 – Baltimore, MD – Baltimore Soundstage

* Festival

Clutch: New World Samurai Tour 2024

Hard rockers Clutch are hitting the road this spring with special guests Blacktop Mojo and The Native Howl. The New World Samurai Tour kicks off April 26th in Richmond, Virginia, and wraps on May 19th in Columbus, Ohio. Tickets are available at clutchmerch.com!

  • 4/26 – Richmond, VA – The National
  • 4/27 – Wilmington, DE – The Queen
  • 4/29 – Bloomington, IL – The Castle Theatre
  • 5/1 – Colorado Springs, CO – Black Sheep
  • 5/2 – Estes Park, CO – The Stanley Hotel Concert Hall
  • 5/3 – Estes Park, CO – The Stanley Hotel Concert Hall
  • 5/4 – Aspen, CO – Belly Up Aspen
  • 5/5 – Grand Junction, CO – Mesa Theater
  • 5/7 – Lubbock, TX – The Garden
  • 5/9 – Pelham, TN – The Caverns
  • 5/10 – Columbia, SC – The Senate
  • 5/11 – Daytona Beach, FL – Welcome to Rockville 2024*
  • 5/12 – Pensacola, FL – Vinyl Music Hall
  • 5/14 – Columbia, MO – The Blue Note
  • 5/15 – Fayetteville, AR – JJ’s Live
  • 5/17 – Sioux City, IA – Hard Rock Hotel & Casino
  • 5/18 – Belvidere, IL – The Apollo Theatre AC
  • 5/19 – Columbus, OH – Sonic Temple Festival 2024*

* Festival date

We Are The Virus Delivers With New Instrumental Track “Get Bent”

Louisiana-based metal project We Are The Virus is releasing new music on February 29th! Put together and performed by front man Ryan Henry, “Get Bent” is an instrumental piece that clocks in at 3 minutes, 20 seconds. 

The driving beat and intricate thrum of the bass form a solid foundation, and for the first minute or so, a rock-oriented riff is crafted upon this pedestal. But don’t let that lull you into complacency! At roughly the 1:14 mark, the listener is carried into a journey of guitar work, from delay effects to a shredding solo that speaks of WATV’s classic metal influences. The song then falls back into a maelstrom of drums, bass, and guitar, building to its rather abrupt ending.

The story behind the track? According to Ryan, the inspiration was a literal “get bent” to those people who are nothing but a problem in your life. Where words fail, music speaks, as they say, and “Get Bent” is a musically blistering “not anymore” to those who need to be dismissed for your own peace of mind.

Don’t miss “Get Bent” on your favorite streaming service, and be sure to follow We Are The Virus on their various socials so you never miss an update! And, if you would like to learn more about the band, check out the interview I did with Ryan back in November 2023.

Static-X and Sevendust Announce Second Leg of The Machine Killer Tour

Metal heavyweights Static-X and Sevendust had so much fun touring together last year that they’ve decided to do it again! With support from Dope and Lines of Loyalty, the second leg of The Machine Killer Tour starts February 1st in Myrtle Beach, South Carolina. Grab your tickets and VIP packages at static-x.org or sevendust.com!

  • 2/1 – North Myrtle Beach, SC – House of Blues, Myrtle Beach
  • 2/2 – Orlando, FL – The Orlando Amphitheater at Central Florida Fairgrounds
  • 2/3 – Fort Lauderdale, FL – Revolution Live
  • 2/4 – Tampa, FL – Seminole Hard Rock Hotel & Casino, Tampa
  • 2/6 – Charlotte, NC – The Fillmore Charlotte
  • 2/7 – Norfolk, VA – NorVa
  • 2/9 – Atlantic City, NJ – Tropicana Showroom
  • 2/10 – Sayreville, NJ – Starland Ballroom
  • 2/12 – Stroudsburg, PA – Sherman Theater
  • 2/13 – New Haven, CT – College Street Music Hall
  • 2/14 – Huntington, NY – The Paramount
  • 2/16 – Worcester, MA – Palladium
  • 2/17 – Buffalo, NY – Buffalo RiverWorks
  • 2/18 – Pickering, ON – Pickering Casino Resort
  • 2/19 – Pittsburgh, PA – Stage AE
  • 2/21 – Columbus, OH – KEMBA Live!
  • 2/22 – Cleveland, OH – Agora Theater & Ballroom
  • 2/23 – Grand Rapids, MI – GLC Live at 20 Monroe
  • 2/24 – Chicago, IL – Radius Chicago
  • 2/26 – Madison, WI – The Sylvee
  • 2/27 – Newport, KY – MegaCorp Pavilion
  • 2/28 – Nashville, TN – Brooklyn Bowl, Nashville

Static-X Shares Official Video For “Otsego Placebo”

“Otsego Placebo” is the tenth track from Static-X’s 2020 release, Project Regeneration: Vol. 1.

John 5 Announces 2024 Winter Dates With Marty Friedman and Liliac

John 5 will be touring early in the new year, and he’s bringing along some special guests! From February 1st to February 7th, Liliac will be accompanying him, and the week of the 21st to the 28th, Marty Friedman will be appearing. Grab your tickets and VIP upgrades at john-5.com!

  • 1/26 – Santa Ana, CA – The Observatory
  • 1/27 – Los Angeles, CA – El Rey Theatre
  • 1/28 – Las Vegas, NV – Count’s Vamp’d
  • 1/30 – Colorado Springs, CO – Sunshine Studios Live
  • 2/1 – St. Charles, IL – Arcada Family Theatre at Pheasant Run Resort#
  • 2/2 – Turtle Lake, WI – St. Croix Casino#
  • 2/3 – Green Bay, WI – EPIC Event Center#
  • 2/4 – Kansasville, WI – 1175 Sports Park & Eatery#
  • 2/6 – Angola, IN – The Eclectic Room#
  • 2/7 – Harrison, OH – Blue Note Harrison#
  • 2/8 – Lakewood, OH – Winchester Music Tavern
  • 2/9 – Flint, MI – The Machine Shop
  • 2/10 – Columbus, OH – The KING of CLUBS
  • 2/12 – Warrendale, PA – Jergel’s Rhythm Grille
  • 2/13 – Lititz, PA – Mickey’s Black Box
  • 2/14 – Derry, NH – Tupelo Music Hall
  • 2/15 – New York, NY – Gramercy Theatre
  • 2/16 – New Bedford, MA – The Vault Music Hall & Pub
  • 2/17 – Rochester, NY – Montage Music Hall
  • 2/18 – Sellersville, PA – Sellersville Theater
  • 2/19 – Leesburg, VA – Tally Ho Theater
  • 2/20 – Greenville, SC – The Radio Room
  • 2/21 – Atlanta, GA – The Loft*
  • 2/23 – Houston, TX – White Oak Music Hall (Dallas System)*
  • 2/24 – Dallas, TX – Granada Theater*
  • 2/25 – Tulsa, OK – The Shrine*
  • 2/27 – Denver, CO – Oriental Theater*
  • 2/28 – Albuquerque, NM – Sunshine Theater*
  • 2/29 – Mesa, AZ – The Nile
  • 3/1 – San Diego, CA – The Observatory North Park

# w/Liliac

* w/Marty Friedman

Interview: Ryan Henry of We Are The Virus

We Are The Virus is a project from Louisiana that spans metal and all of its subgenres. Front man, and sole permanent member, Ryan Henry brought WATV to life in the wake of Covid, as a way to vent the emotions of everyday life.

I was given the opportunity to talk to Ryan about the beginnings of We Are The Virus, the inspiration behind the music, the latest album, Civil Disobedience, and more.

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How was We Are The Virus formed, and what’s the story behind the name?

Ryan: The, let’s call it “project,” of WATV formed in early 2021, basically out of a Covid-ridden landscape. I had played guitar for most of my life – close to 25 years – and never really attempted a project “solo”. I was 2 years out of a divorce, and my (now) wife had been pushing me to really get back to my musical roots. Really connect back with the music again. We had made it a huge part of our relationship, and she could see how much playing and creating meant to me. She pushed me back into it, and I dove in head first. The name was actually a suggestion from one of the collaborators on the album, Mike O’Brien (Texas Murder Crew; who is also a firefighter as I am). The name really RESONATED crazily with me – I’ve worked in hazardous material response for most of my adult life and was an extreme zombie movie fanatic for years, so it truly fit.  

Who are your major influences? Did you and the others involved all come from similar musical backgrounds, or did you have to blend different influences into the sound y’all have created?

Ryan: The collaborators on the album Civil Disobedience have SIMILAR backgrounds; however, the difference in proximity to each other has for sure played a huge influence.  I collaborated with Mike O’Brien and Aaron Bazen (Truth and Tragedy) on the album. Both had the heavy musical influence, but the direction was different. Mike being from a Slam/Deathcore background and Aaron being from a Hardcore background brought a few different flavors to the mix. I am the sole constant member in the band, but I feel like it’s very important to fill in my gaps with someone able to express their 100% creative freedom. And I’m lucky to have worked with these two because of the sheer ethic and drive they both have. 

Speaking of Civil Disobedience, it was released back in August. Can you tell me a little about the writing and recording process for the album?

Ryan: The writing and recording process for Civil Disobedience was a huge hurdle for me. After being guided into the musical process again by my wife, it was a gateway of emotional sputum. I did not realize what I had inside after my career of firefighting and going through life changes that needed to come out. My writing process was pretty erratic. I didn’t know when or why; however, when it felt as if it needed to come out, it was TIME. There were many times my wife and I were having a normal day together, and I would tell her, “Hey, I need to play, it needs to come out.” Most of the songs were put together quickly, like when it was time to happen, it got spewed out onto the page. 

How do you feel your career as a firefighter influences your music?

Ryan: My career, as much as I hate to admit, probably has influenced my music quite a bit. There’s a lot of really dark shit to deal with in emergency response. I’ve seen a lot of death, sometimes natural, sometimes not, but on the contrary, I’ve also been a part of saving lives. It’s an extreme polar bounce of emotions thinking of how it could have influenced. There was one really particular incident where my music and response crossed inadvertently. Years ago, without giving too many details, we worked a fatal car accident involving a young teenage driver. While I had been into heavy music most of my life at this point, I noticed in the deceased’s vehicle there was an album in the back seat, an album that I also owned at the time. That call has always haunted me for many reasons, but the connection of music between the driver and us trying to save them has really stuck with me. Sorry for being vague! It’s out of respect for the patient.

Let’s talk further back. What was it that first inspired you to create? Was there any particular band/artist, or a moment you remember thinking “that’s what I want to do”?

Ryan: To create, I feel like the best answer to this is the feeling or need to express. Behaviorally, I do feel I’ve always been reserved and almost empathetic or too in tune with how others are feeling or have felt. Creation and expression of the music reverses that for those moment and makes me feel powerful. Mentally, it’s helped me considerably to each day take time out to work on music and gotten me back on a track where I’m feeling confident and as if I can take on the world. Growing up, there was a turning point as far as artists that really inspired me. I grew up listening to my dad’s vinyl collection of Deep Purple, Lynyrd Skynyrd, and ZZ Top.  These bands paved the way for me to get into Black Sabbath and the darker aspects of music. But two bands really solidified me and inspired me to play, and those were Metallica and Korn. These two bands made me want to pick up a guitar every day and play, particularly Metallica’s The Black Album, and Korn’s Life is Peachy.

While we’re discussing your musical tastes, I have to ask, just for fun, is there anyone you listen to that you think would surprise people?

Ryan: Well, as a teenager, I would never have admitted any sort of guilty pleasure. You know, the older I get – I really start to feel like none of my musical pleasure should be guilty (although it could be slightly embarrassing). I love the band The Police. Copeland was an amazing drummer, and I focus on it each time I hear the music. Also, country artist, if you would really call it that, Cody Jinks. Cody Jinks has some really deep stuff. He has very obviously been through some shit in his life, and his song “David” always strikes a cord with me because of my emergency response background. Essentially he, as a police officer, responds to the death of a childhood friend.  Listen to the song and really explore it lyrically, really great stuff. 

As far as songs that resonate, which one of your own tracks from the new album do you connect with the most? (If there is such a song.)

Ryan: “One Dark Highway,” without a doubt. Musically, the song was written at a super low point. It was my droning song to myself about being in the middle of a dark intersection in the middle of nowhere. Looking in all directions with no headlights, just darkness and a chill in the air. Lyrically, I had given Mike O’Brien the name of the song, and he wrote the corresponding lyrics without any sort of prompt from me other than the name, and the lyrics just sent it right home. “So I walk on this highway, searching for a change” gives me chills and is my favorite, beyond a shadow of a doubt. 

What are your plans for the rest of 2023 and beyond?

Ryan: The rest of 2023 is getting used to the live performance aspect of the album. Generally I’ll just play the guitars live with a backing track.  I’ve lined up some shows and am hammering out all of the kinks of performance like that.  It’s still absolutely crazy to me when I see people vibing to the music I’m playing because it seems surreal.  It was selfishly in a way written for me to get my emotional crap out, but people are resonating with it, and it’s odd to get used to it, but I love it. 

**

We Are The Virus dropped the debut album Civil Disobedience on August 18th. You can stream it here.

Listen to Ryan’s favorite track: