Post-hardcore/prog rock band Skies of Terra is back with a new single entitled “Invincibility Codes,” which features alternative/trap metal artist Seethe. The track is now available to stream everywhere!
Hard-hitting from start to finish, “Invincibility Codes” is sure to satiate the tastes of even the most discerning heavy music fan. When asked about the story behind the song, vocalist/instrumentalist Euclides Polanco had this to say:
“‘Invincibility Codes’ is about the anxiety-driven feeling of falling. [In this case] ‘falling’ could be used as running out of time, losing sight, close to giving up, and negative contemplations. Phrases like ‘leave the lights on, I’m on my way home’ are calls to the ones the main character is speaking to before deciding…to leave this life. There is a lot of talk about confusion and being driven off the deep end while trying to hide behind a fake smile each day.”
The frustration and hopelessness behind living this way is expressed through music, vocals, and lyrics, all knitted together into a piece that is relatable to anyone who has had to put on a brave front in their day-to-day life. The verses are host to a rapid-fire beat, matched by a driving riff, all topped by Euclides’ clean vocals. “Am I alive? Or barely just breathing?/This isn’t living or existing, behind a malignant smile/And I cannot break free!”
This combination climbs to the bridge and chorus, during which, conversely, the music is more rhythmic while vocalist Justin Townsend unleashes a tidal wave of pent-up rage. “Falling from the sky/Above my head, you are watching me from a vengeful drone/I’m falling fast/The darkness spreads/Leave the lights on, I’m on my way home!”
As the second bridge reaches its close, Euclides announces “Wait, we’re not quite finished yet!” and we are launched into the final breakdown, penned and delivered by Seethe. The story of this collaboration makes it seem as if it were always meant to be.
“Skies of Terra and myself, we’re from the Pittsburgh scene,” explains Seethe. “In 2019, my band signed to a label called Brutal Business Entertainment, but going into 2020 [when Covid happened], the owner wanted to step down. He essentially gave me the label to run. Skies of Terra was one of the first bands that I personally signed.”
“Seethe showed us love very early on,” Euclides recalls. “I had written the demo for ‘Invincibility Codes’ in January 2020. It was originally written for the EP, The Party is Over, but it didn’t fit the narrative and vibe. It just wasn’t ready. Seethe had written a section that sounded pretty sweet, but we left the track alone until fall of 2022. [That’s when] I re-wrote it and sent it to Seethe to work on. He’s the one that ended up creating a big foundation for how things were articulated throughout the album. ‘Invincibility Codes’ has very important motifs that are revisited in other tracks.”
“Clides brought [‘Invincibility Codes’] to me, and he was like, ‘I really want you on this outro’,” Seethe says. “The track was kinda the same as it is now, but a lot of the kinks weren’t worked out. We went back and forth about it, then we shelved it. Out of nowhere, [in 2022], Clides gave me the music and they had me write my breakdown for the end.”
“It was nerve-wracking,” Seethe adds. “They gave me a blank slate at the end to do whatever I wanted. I felt the pressure, because Clides and Justin are both great vocalists, so without knowing what they were gonna do ahead of time, I had to make sure I sent the track out on a high note.”
True to his aim, Seethe does conclude “Invincibility Codes” on a high note. He grants the listener a final eruption of anger, an audible picture of hitting the breaking point. “Push it to the brink/Push, push/I’m coming!/I’m coming home!”
Stream “Invincibility Codes” now, and check out the lyric video below!
Follow Skies of Terra on all their socials so you never miss anything!
Nothing More and Wage War are teaming up this spring for a North American tour, and they’re bringing along special guests Veil of Maya and Sleep Theory. You can get tickets and VIP at nothingmore.net and/or wagewarband.com!
4/16 – Charlotte, NC – The Fillmore Charlotte
4/17 – Birmingham, AL – Avondale Brewery
4/18 – New Orleans, LA – Fillmore New Orleans
4/20 – Austin, TX – Stubb’s Waller Creek Amphitheater*
4/22 – Grand Junction, CO – Amphitheater at Las Colonias Park
4/24 – Riverside, CA – Riverside Auditorium
4/27 – Las Vegas, NV – Sick New World Festival 2024^
4/28 – Albuquerque, NM – Revel Entertainment Center
4/30 – Kansas City, MO – Arvest Bank Theater
5/1 – West Des Moines, IA – Val Air Ballroom
5/3 – Green Bay, WI – EPIC Event Center
5/4 – East Moline, IL – The Rust Belt
5/5 – Omaha, NE – The Rose Theater
5/7 – Madison, WI – The Sylvee
5/8 – Grand Rapids, MI – GLC Live at 20 Monroe*
5/10 – Bethlehem, PA – Wind Creek Event Center*
5/14 – Norfolk, VA – The NorVa
5/15 – Raleigh, NC – The Ritz
5/17 – Indianapolis, IN – Egyptian Room at Old National Centre
Hard rockers Clutch are hitting the road this spring with special guests Blacktop Mojo and The Native Howl. The New World Samurai Tour kicks off April 26th in Richmond, Virginia, and wraps on May 19th in Columbus, Ohio. Tickets are available at clutchmerch.com!
4/26 – Richmond, VA – The National
4/27 – Wilmington, DE – The Queen
4/29 – Bloomington, IL – The Castle Theatre
5/1 – Colorado Springs, CO – Black Sheep
5/2 – Estes Park, CO – The Stanley Hotel Concert Hall
5/3 – Estes Park, CO – The Stanley Hotel Concert Hall
5/4 – Aspen, CO – Belly Up Aspen
5/5 – Grand Junction, CO – Mesa Theater
5/7 – Lubbock, TX – The Garden
5/9 – Pelham, TN – The Caverns
5/10 – Columbia, SC – The Senate
5/11 – Daytona Beach, FL – Welcome to Rockville 2024*
Enigmatic rock/metal band Sleep Token has announced a North American headlining tour with special guest Empire State Bastard. The Teeth of God Tour kicks off April 27th in Las Vegas. Tickets are available at sleep-token.com.
4/27 – Las Vegas, NV – Sick New World Festival 2024*
4/30 – Phoenix, AZ – Arizona Financial Theatre
5/1 – Albuquerque, NM – Revel Entertainment Center
5/3 – Cedar Park, TX – Heb Center
5/4 – Irving, TX – The Pavilion at Toyota Music Factory
5/6 – Tampa, FL – Yuengling Center
5/7 – Atlanta, GA – Coca-Cola Roxy
5/8 – Asheville, NC – Exploreasheville.com Arena
5/10 – St. Louis, MO – The Factory
5/12 – Morrison, CO – Red Rocks Amphitheatre
5/14 – Waukee, IA – Vibrant Music Hall
5/15 – Chicago, IL – The Salt Shed
5/16 – Chicago, IL – The Salt Shed
5/18 – Columbus, OH – Sonic Temple Festival 2024
5/19 – Pittsburgh, PA – Petersen Events Center, University of Pittsburgh
Skies of Terra is a post-hardcore/prog rock band hailing from Pittsburgh, Pennsylvania. Thus far, they have released a full-length album entitled Lunar and two EPs: The Party is Over and its successor of remixes called The Party Isn’t Over. The band is gearing up to drop its second full-length record later this year, and the first single, “Trinity,” will be available to stream on January 11th.
“Trinity” is an emotional journey from the depths of despair to the hope of finding someone, or something, to lift you out of that black hole. “Watching the sun as it shines/It burns this hole in my eyes,” sings vocalist/instrumentalist Euclides Polanco. “Meteors crashing/Becoming one with the end of the times.” Lyrics that seem to be acceptance of overwhelming darkness quickly switch to a heartfelt desire for the help to rise above it.
“Will you be the one whose hands intertwine with mine?/Whose heart feels the same type of fire as mine?” Polanco questions, a lost soul seeking that which will guide him from his misery. “…I’m looking for the one to catch me as I’m falling away/Catch me now before I break…”
With the play of Polanco’s raging growls and melodic singing, interspersed with vocalist Justin Townsend’s raw screams, Skies of Terra carries the listener from an opening of bleakness and defeat, through cries for help and the longing to meet someone who can save you, or even just battle the demons by your side. The climax comes towards the end of the second verse, when the recurring theme of being thrown a lifeline reaches its most desperate moment. “Save me from myself, I’m falling!” roars Justin, the vulnerable words tinged with frustration and a heart-wrenching need for connection.
The track ends with a final query – “Will you be the one?” – leaving the listener with the aching hope that deliverance will be given, that there is a light at the end of the tunnel.
If “Trinity” is a sign of things to come, then y’all better hold on tight because 2024 with Skies of Terra is going to be a wild ride! Be sure to presave the song and follow Skies of Terra on their various socials so you never miss an update!
The Lucidia Project is a metal outfit hailing from North Dakota. The band stands out with their unique blend of hard-hitting riffs, atmospheric stylings, and orchestral elements. Thus far, The Lucidia Project has released a self-titled EP (2022) and The Requiem EP (2023).
I recently chatted with lead vocalist/pianist Chase Baldwin about the founding of The Lucidia Project, their purpose, influences, and writing/recording process, as well as what’s next for the band.
**
Mostly Music: First and foremost, thank you for reaching out!!!! Tell me about the formation of The Lucidia Project, and the story behind the band name (it’s rather unique).
Chase Baldwin: Thank you so much for interviewing us and for following us on Facebook! We really appreciate the support you are showing us!
The Lucidia Project was an idea that I had been thinking about for 15 years, so… a very long time, I know! I wrote songs for a demo EP back in the spring and summer of 2022, because I felt like in order for me to describe what I wanted musically for this band, I needed to provide sort of a template before showing it to anyone else. I met Benjamin Jacobs (our bassist live, but he plays guitars for us in the studio), through a website called Band Mix. I showed him early versions of the songs I was working on, and he loved the idea, and the two of us decided to start working together. I’ve been waiting a long time to find the right person creatively to collaborate with on original songs, and Ben has been amazing to work with!
The name kind of has a deeper meaning for me. Lucidia is a name that’s derived from the Latin word Lucida, which means “light, brightness, clarity,” and “distant star” in some translations. Our lyrical content focuses on some pretty heavy and dark emotional topics. These topics include trauma, addiction, wider political issues, abuse, darkness, depression, etc. The goal for me lyrically is to shine light upon these topics. Through our music, I am not only healing myself but also helping other people from their own personal struggles (at least that’s my hope). That’s where the “project” part comes in. “To shine light upon darkness” is, in essence, what The Lucidia Project is all about.
MM: Y’all definitely blend a plethora of subgenres in your music. Who are the band’s biggest influences? Do y’all come from similar musical backgrounds, or did you have to bring stylistic differences together in order to find your sound?
CB: We are a fusion metal and alternative rock project. Stylistically, it’s a mix of dark metal (gothic, doom, and some death metal), alternative rock/metal, indie singer/songwriter influences (think Tori Amos and Natalie Merchant), as well as symphonic and orchestral influences as well.
Ben and I kind of approach things from two different angles. I’m more influenced by the metal and sort of the darker elements of this project, Ben brings in a lot more of the alternative rock side (think Primus, Placebo, early Tool, Stone Temple Pilots), so we try and create this juxtaposition with the darker elements of metal and alt rock with the more vulnerable and sensitive piano singer/songwriter moments. The orchestral elements are there to add emotional depth to our music. All of this is meant to carry the lyrics and add deeper meaning to the project as a whole.
Ben and I are both classically trained musicians and have taken collegiate level music theory and composition courses. So we are able to construct pieces while speaking the same musical language, which helps us communicate our differences stylistically as well. Dan and Chris, who are both on guitars (lead and rhythm, respectively) step in usually once Ben and I have laid down the ground work or the blue print for the songs, and they help us figure out things like riffs, phrasing, and such.
MM: So I’m curious if you’ve had vocal classes of any sort? Because you do some really cool things with your voice, and have moments that are almost…operatic? It sounds so beautiful with the piano.
CB: I was training to be an opera singer when I was in college. I really wanted to just be a composer, but I was encouraged to go the vocal performance route. I almost finished my bachelor’s of music degree, but I switched to nursing before my final year of study.
MM: I can certainly hear that training.You guys just released The Requiem EP in September. What was the writing and recording process for that record?
CB: The writing process was mostly a collaborative effort between Ben and me. Chris also contributed melodic ideas, as well as the spoken word part in the song “Requiem.” We wrote and produced that EP before Dan became part of our group, so unfortunately, he’s not on it, but he has contributed to future music.
A couple of songs started out with just me at the piano completing the structure and then arranging them for the band to then add additional riffs, bass lines, and melodic ideas. We had two songs (“Eventide” and “Deliverances”) that were only fragments. Ben stepped in and helped me to complete those two structurally. And then I wrote the interlude by myself.
We recorded it out of my home studio. I did the initial engineering on it and then sent it to Danny Meyer of the German metal band Oversense to help with the post production on it.
MM: Do you have a song from the EP that is your favorite, whether because you connect to it more than the others or because it’s just a cool track?
CB: Ben and Chris love “Requiem” (the lead track) because it’s fun to play. I know that Dan has a handful of favorites, so he doesn’t have anything specific. My favorite is “The End of the Lies.” Because I get to be loud and angry, LOL. It was a very cathartic release for me lyrically.
MM: Did you always want to be a musician? (That may seem like an obvious question, given that you’re classically trained and studied music theory/composition, but some people use those studies for other paths in the musical world.)
CB: Ben started taking being a musician seriously at around 14 or 15 and knew this is what he wanted to do. His dad was in a band and he wanted to be part of something like that.
Me, I’ve always sang, and while I started playing piano when I was 9, I didn’t want to start being a musician professionally until I realized I could write my own songs when I was 16 years old.
MM: Do you remember what made you want to play music for a living?
CB: I remember wanting to write songs that touched people’s lives, and expressed who I was as a person. The side of me that most people don’t really get to see. I am really good at being fake happy, and pretending to be ok when I’m actually not. Music and lyric writing has always been my way of confronting myself with the truth. Then based on the messages in my lyrics, making choices in my life that lead me to a better place. So it’s more therapy for me than anything else.
Ben has always had a major passion for music, and playing it, so it’s just been natural for him to progress down that road. Ben also plays multiple instruments from guitar to piano to bass, so he can see things from many different angles musically. He’s kind of this musical polymath and his love for it shows in his dedication to his playing.
MM: What would be your dream lineup, if The Lucidia Project could play with anyone?
CB: It can be hard to find people who you love playing music with and who are good people to boot. The people in this band are talented and well trained musicians with big hearts, I couldn’t ask for better people to play with. As far as drummers go, we are without one, so my fantasy drummer would be either Will Hunt from Evanescence or Markus Hirvonen from Insomnium.
MM: I see that y’all have been added to a lot of playlists this year, as well as doing interviews and being picked up by radio stations. This may be a generic question, but how did it feel the first time you heard yourself on the radio? How much does it inspire y’all when you see these representations of your music reaching people and catching on?
CB: Scary! I’m a very private person but decided to start putting myself out there last year vocally, so it’s kind of surreal that so many people have heard my voice and my lyrics. And all of our playing as well. It was weird hearing myself on the radio. Exciting but still weird. I’m still getting used to it. It’s validating, though. It means that the vision for this band is strong and that people get it.
MM: And last but not least, what are your plans for the rest of 2023 and into the new year?
CB: Writing! We are working on a lot of new music and making plans for 2024 and 2025!
**
Do yourself a favor and check out The Lucidia Project on their various socials and your favorite streaming platform. If you are a fan of Evanescence, Apocalyptica, Nightwish, and the like, you will definitely enjoy this band. I will share links and include my favorite songs below!
Update: Four new dates have been added! Check the list!
Joe Satriani and Steve Vai, two legendary guitar virtuosos, are co-headlining a spring 2024 tour. The pair have been friends for over 50 years, but this is the first time they will tour as a duo-bill. Along with the tour announcement comes the news that Satch and Vai are planning a new musical collaboration!
Mostly Music 