Interview: Chris Reza of Collide the Gemini

Collide the Gemini is a post-hardcore band hailing from El Paso, Texas. The trio consists of guitarist/vocalist Chris Reza, bassist Nate Sansom, and drummer Brian Carbajal. They have released one EP so far, 2022’s Dioscuri, but another EP is on the horizon!

I had the pleasure to chat with Chris about the band’s beginnings, their influences, the upcoming EP, and even his favorite sci-fi movies. (We also might have briefly touched on the topic of the Backstreet Boys…) Read on for more!

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Mostly Music: So I always start super basic out of the gate. How did Collide the Gemini form, and what’s the story behind the band name?

Chris Reza: Collide started out of the end of a previous band my drummer and I were in called The Roaring Twenties. Brian [drummer] and I wanted to continue pursuing music so we kept going, but we felt like the new songs and new lineup needed to be under a new name, so we decided to change it to Collide the Gemini. 

The name came from my weird obsession with the word Gemini. The more I researched the story behind the Gemini and the twins, the more I felt it connected with our music. The name basically reflects what we try to do musically, colliding opposing sounds – light and dark, heavy and soft, simple and complex – and creating a balance between the two. 

MM: That is one of the better stories behind a name I’ve heard, and it serves a purpose while being memorable. 

So let’s go back a bit and talk about you. What inspired you to start creating music? Is that something you’ve always wanted to do, or did you have a defining moment that changed your trajectory?

CR: Well, I think art in general has always been something that I’ve wanted to do. Since I was a kid I’ve loved drawing, and growing up, I got into film and photography and graphic design. Music was just another creative outlet and one in which I could combine everything else. Even now I do a lot of our merch designs, music videos, and promos.

MM: Oh, so you’re a multi-talented creative person. I’m jealous. Lol. I want to be good – or…capable, I guess – at so many things, and I’m not. Writing is just about it.

Who would you say is your biggest musical influence? 

CR: That’s a tough one. It changes all the time. I would say The Mars Volta. Mainly because they are hometown heroes of ours and also musical geniuses. But I would say we strive to sound more along the lines of a Dance Gavin Dance or Fall of Troy.

MM: On a related note, but also just for fun, is there anyone you listen to that might surprise people? (I refuse to call them “guilty pleasures,” because I don’t feel guilty about anything I listen to. Lol.)

CR: Haha, yeah, I totally agree with you! Like what you like, you know? I would say most people are surprised that I listen to hip hop. I’ve also been known to jam to some Olivia Rodrigo as well, haha!

MM: I still pull out some Backstreet Boys on occasion. (I’m old.) I went to see them in 2019 and my coworkers judged me. Lol. They were used to me listening to rock and metal. Anyway, let me get back on topic.

Y’all released “Take to the Skies” at the end of January. Can you tell me the story behind the song? 

CR: Oh nice! Nah, the Backstreet Boys are awesome!

So “Take to the Skies” is a song that will be on our upcoming EP that will be out later this year. The EP is a concept record that I wrote. It’s loosely based on some of my favorite sci-fi films. “Take to the Skies” is told through the eyes of the protagonist’s wife, who must see him leave for this journey to save humanity in hopes he’ll return.

MM: And now you have caused me to debate whether to go ahead with music questions or dive into your taste in films. I can’t help it: that’s the stuff I love to know about my favorite musicians. Okay, I have to ask. Favorite sci-fi film(s)?

CR: Haha, no worries, I love talking about that stuff! For sure, the film that really inspired me to write this record was Interstellar. It’s a masterpiece! But Alien, Event Horizon, and The Thing are all in my top 5.

MM: I watched Event Horizon for the first time last year, which is odd considering what a horror buff I am. Haha. I loved it. My dad is a big sci-fi guy, but it’s all the really old films (he’s about to turn 70). I’ll have to check out Interstellar, though. I’ve never seen it.

CR: Oh, you have to watch it! It phenomenal.

MM: In regard to the EP, I like the idea of a concept album. Has your writing process been much different for this record? And (let me see if I can word this correctly) – do you think it’s been easier to write with a story to tell, or has it made the process more complex? 

CR: The writing hasn’t changed much. We’ve had some kind of concept or story in mind while writing all of our previous material. I find that’s easier, at least for me, to write this way. Writing in the moment or from my personal experience can be a really good catalyst for songs, but I find that it’s sometimes hard to complete them. Whatever I felt about that topic at the time might change the next day, and I always find myself disinterested in continuing with the song. That being said, I have written about my own experiences. They’ve just been masked by a story, which makes it feel like I’m writing about someone else. If that makes sense, haha.

MM: I was thinking I could see both sides to working with a story. Like, it would be easier in a way because you have a set focus and a point to work towards, but at the same time, there might be difficulties because you’d be confined to working within certain parameters, i.e. your story. I guess that’s why I wanted to ask the question. 

Piggybacking off your answer: do you think that masking your personal experiences behind a story makes them more relatable to your listeners? Maybe it’s easier for them to apply it to themselves when they don’t feel so much of the artist’s personal element? (Or maybe I’m overthinking it…)

CR: That’s a good question. I think listeners are going to relate it back to themselves regardless, whether it’s a song about a personal experience from the artist or one about space travel. At the end of the day if the song is hitting us at an emotional level that’s all that matters. We tend to find a way of connecting to it if we love it. 

MM: I feel that on a spiritual level. I don’t understand how there are people out there who don’t “get” music. I always wonder if they just haven’t been fortunate enough to find that song or artist that grabs their soul and won’t let go. Lol. Not to be overly dramatic about it, but music means a lot to me.

What are Collide The Gemini’s plans for the rest of 2025? I know you said y’all are going to release the EP…

CR: Collide has a few things planned for 2025. We have our EP coming out this year titled A Spark in the Horizon. No set release date yet, but hopefully before the end of the year. We also have some plans to do some touring this year. We’re gonna do a small Texas run, hopefully this summer. Other than that, we will be dropping singles until we release the EP. So be on the look out for that!

MM: While I have you here, I’m gonna ask just a couple more questions. What’s  your favorite thing about playing live?

CR: I would say connecting with fans, for sure. Seeing how our music affects them and sharing that experience. Also, as a fan of live music myself, seeing a band live and being in the moment with them is such a great experience.

MM: I think it would be so cool to experience it from both sides! Last but not least, do you have a dream tour lineup? Collide the Gemini with…? 

CR: Oh God, I have too many to list, hahaha. I would love to do a tour with Hail the Sun. We’ve gotten to open up for them a few times and it’s always a good time. But maybe my dream lineup would be The Mars Volta headlining, maybe Coheed and Cambria supporting or something like that.

MM: Thank you so much for your time! And I look forward to all you guys have coming this year!

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Check out Collide the Gemini’s latest single, “Take to the Skies,” and be sure to follow their socials, as well as on your favorite streaming platforms so you don’t miss their upcoming releases or updates about the new EP!

Silverstein Announces Spring 2025 North American Dates

Canadian post-hardcore band Silverstein is turning 25 this year! To celebrate, they have announced the “25 Years of Noise” tour. The spring run will take place in North America and features support from Real Friends, Broadside, and greyhaven. Tickets on sale now at silversteinmusic.com!

  • 4/18 – Albany, NY – Empire Live
  • 4/19 – Portland, ME – Aura
  • 4/20 – Hartford, CT – The Webster
  • 4/22 – Norfolk, VA – The NorVa
  • 4/23 – Knoxville, TN – The Mill & Mine
  • 4/24 – Charleston, SC – Charleston Music Hall
  • 4/26 – Atlanta, GA – The Masquerade
  • 4/27 – Huntsville, AL – Mars Music Hall
  • 4/29 – Little Rock, AR – The Hall
  • 4/30 – Fort Worth, TX – Tannahill’s Tavern & Music Hall
  • 5/2 – Wichita, KS – TempleLive at Wichita Scottish Rite Center
  • 5/3 – West Des Moines, IA – Val Air Ballroom
  • 5/4 – Madison, WI – The Sylvee
  • 5/6 – Rochester, NY – Water Street Music Hall
  • 5/7 – London, ON – London Music Hall
  • 5/8 – Ottawa, ON – Bronson Centre
  • 5/10 – Columbus, OH – Sonic Temple Art & Music Festival 2025
  • 5/11 – Allentown, PA – Archer Music Hall
  • 5/13 – Richmond, VA – The National
  • 5/14 – Greensboro, NC – Hangar 1819
  • 5/16 – Daytona Beach, FL – Welcome to Rockville 2025

Capstan: The Cult Tour 2025

Progressive post-hardcore outfit Capstan will be touring this spring, performing a career spanning set that includes acoustic songs they’ve never played live. Joining them on the road will be Colorblind, True North, and Not Enough Space. Tickets and VIP are available at capstanband.com!

  • 3/21 – Jacksonville, FL – Underbelly*
  • 3/22 – Tampa, FL – Crowbar*
  • 3/23 – Pensacola, FL – Handlebar*
  • 3/25 – Dallas, TX – RBC Deep Ellum
  • 3/26 – Austin, TX – Empire Control Room & Garage
  • 3/28 – Mesa, AZ – The Nile Theater
  • 3/29 – Anaheim, CA – Chain Reaction
  • 3/30 – San Diego, CA – SOMA
  • 3/31 – Las Vegas, NV – Sinwave
  • 4/1 – Fresno, CA – Strummer’s
  • 4/2 – Sacramento, CA – Goldfield Trading Post
  • 4/4 – Seattle, WA – El Corazon
  • 4/5 – Portland, OR – Dante’s
  • 4/7 – Salt Lake City, UT – Kilby Court
  • 4/9 – Denver, CO – Marquis Theater
  • 4/11 – Kansas City, MO – recordBar
  • 4/12 – Chicago, IL – Cobra Lounge
  • 4/13 – Ferndale, MI – The Loving Touch
  • 4/14 – Toronto, ON – Hard Luck Bar
  • 4/16 – Lakewood, OH – Mahall’s
  • 4/17 – Pittsburgh, PA – Spirit Hall
  • 4/18 – Philadelphia, PA – Brooklyn Bowl
  • 4/19 – Worcester, MA – Palladium
  • 4/20 – Brooklyn, NY – The Brooklyn Monarch
  • 4/22 – Baltimore, MD – Ottobar
  • 4/23 – Richmond, VA – Canal Club
  • 4/24 – Greensboro, NC – Hangar 1819
  • 4/25 – Atlanta, GA – The Masquerade
  • 4/26 – Orlando, FL – The Abbey

* No True North

Skies of Terra Teams Up With Seethe on New Single, “Invincibility Codes”

Post-hardcore/prog rock band Skies of Terra is back with a new single entitled “Invincibility Codes,” which features alternative/trap metal artist Seethe. The track is now available to stream everywhere!

Hard-hitting from start to finish, “Invincibility Codes” is sure to satiate the tastes of even the most discerning heavy music fan. When asked about the story behind the song, vocalist/instrumentalist Euclides Polanco had this to say:

“‘Invincibility Codes’ is about the anxiety-driven feeling of falling. [In this case] ‘falling’ could be used as running out of time, losing sight, close to giving up, and negative contemplations. Phrases like ‘leave the lights on, I’m on my way home’ are calls to the ones the main character is speaking to before deciding…to leave this life. There is a lot of talk about confusion and being driven off the deep end while trying to hide behind a fake smile each day.”

The frustration and hopelessness behind living this way is expressed through music, vocals, and lyrics, all knitted together into a piece that is relatable to anyone who has had to put on a brave front in their day-to-day life. The verses are host to a rapid-fire beat, matched by a driving riff, all topped by Euclides’ clean vocals. “Am I alive? Or barely just breathing?/This isn’t living or existing, behind a malignant smile/And I cannot break free!”

This combination climbs to the bridge and chorus, during which, conversely, the music is more rhythmic while vocalist Justin Townsend unleashes a tidal wave of pent-up rage. “Falling from the sky/Above my head, you are watching me from a vengeful drone/I’m falling fast/The darkness spreads/Leave the lights on, I’m on my way home!”

As the second bridge reaches its close, Euclides announces “Wait, we’re not quite finished yet!” and we are launched into the final breakdown, penned and delivered by Seethe. The story of this collaboration makes it seem as if it were always meant to be.

“Skies of Terra and myself, we’re from the Pittsburgh scene,” explains Seethe. “In 2019, my band signed to a label called Brutal Business Entertainment, but going into 2020 [when Covid happened], the owner wanted to step down. He essentially gave me the label to run. Skies of Terra was one of the first bands that I personally signed.”

“Seethe showed us love very early on,” Euclides recalls. “I had written the demo for ‘Invincibility Codes’ in January 2020. It was originally written for the EP, The Party is Over, but it didn’t fit the narrative and vibe. It just wasn’t ready. Seethe had written a section that sounded pretty sweet, but we left the track alone until fall of 2022. [That’s when] I re-wrote it and sent it to Seethe to work on. He’s the one that ended up creating a big foundation for how things were articulated throughout the album. ‘Invincibility Codes’ has very important motifs that are revisited in other tracks.” 

“Clides brought [‘Invincibility Codes’] to me, and he was like, ‘I really want you on this outro’,” Seethe says. “The track was kinda the same as it is now, but a lot of the kinks weren’t worked out. We went back and forth about it, then we shelved it. Out of nowhere, [in 2022], Clides gave me the music and they had me write my breakdown for the end.”

“It was nerve-wracking,” Seethe adds. “They gave me a blank slate at the end to do whatever I wanted. I felt the pressure, because Clides and Justin are both great vocalists, so without knowing what they were gonna do ahead of time, I had to make sure I sent the track out on a high note.”

True to his aim, Seethe does conclude “Invincibility Codes” on a high note. He grants the listener a final eruption of anger, an audible picture of hitting the breaking point. “Push it to the brink/Push, push/I’m coming!/I’m coming home!”

Stream “Invincibility Codes” now, and check out the lyric video below!

Follow Skies of Terra on all their socials so you never miss anything!

Skies of Terra Explore the Intricacies of Despair and Hope in New Single “Trinity”

Skies of Terra is a post-hardcore/prog rock band hailing from Pittsburgh, Pennsylvania. Thus far, they have released a full-length album entitled Lunar and two EPs: The Party is Over and its successor of remixes called The Party Isn’t Over. The band is gearing up to drop its second full-length record later this year, and the first single, “Trinity,” will be available to stream on January 11th.

“Trinity” is an emotional journey from the depths of despair to the hope of finding someone, or something, to lift you out of that black hole. “Watching the sun as it shines/It burns this hole in my eyes,” sings vocalist/instrumentalist Euclides Polanco. “Meteors crashing/Becoming one with the end of the times.” Lyrics that seem to be acceptance of overwhelming darkness quickly switch to a heartfelt desire for the help to rise above it.

“Will you be the one whose hands intertwine with mine?/Whose heart feels the same type of fire as mine?” Polanco questions, a lost soul seeking that which will guide him from his misery. “…I’m looking for the one to catch me as I’m falling away/Catch me now before I break…”

With the play of Polanco’s raging growls and melodic singing, interspersed with vocalist Justin Townsend’s raw screams, Skies of Terra carries the listener from an opening of bleakness and defeat, through cries for help and the longing to meet someone who can save you, or even just battle the demons by your side. The climax comes towards the end of the second verse, when the recurring theme of being thrown a lifeline reaches its most desperate moment. “Save me from myself, I’m falling!” roars Justin, the vulnerable words tinged with frustration and a heart-wrenching need for connection.

The track ends with a final query – “Will you be the one?” – leaving the listener with the aching hope that deliverance will be given, that there is a light at the end of the tunnel.

If “Trinity” is a sign of things to come, then y’all better hold on tight because 2024 with Skies of Terra is going to be a wild ride! Be sure to presave the song and follow Skies of Terra on their various socials so you never miss an update!

Norma Jean: The Deathrattle Tour 2023

Norma Jean will be kicking off The Deathrattle Tour on February 3rd. Support comes in the forms of Fire From The Gods and Greyhaven. Snag tickets at normajeannoise.com.

  • 2/3 – Anaheim, CA – Parish @ House of Blues
  • 2/4 – San Francisco, CA – DNA Lounge
  • 2/5 – Roseville, CA – Goldfield
  • 2/7 – Seattle, WA – El Corazon
  • 2/8 – Portland, OR – Bossanova
  • 2/10 – Denver, CO – Oriental Theater
  • 2/11 – Sioux Falls, SD – Icon Event Hall
  • 2/12 – Iowa City, IA – Wildwood
  • 2/15 – Milwaukee, WI – The Rave
  • 2/16 – Chicago, IL – Bottom Lounge
  • 2/17 – Covington, KY – Madison Theater
  • 2/18 – Pontiac, MI – Crofoot
  • 2/21 – Brooklyn, NY – Monarch
  • 2/22 – Cambridge, MA – Middle East
  • 2/23 – Millersville, PA – Phantom Power
  • 2/24 – Virginia Beach, VA – Elevation 27
  • 2/25 – Greensboro, NC – Hangar 1819
  • 2/26 – Atlanta, GA – The Loft
  • 2/28 – Austin, TX – Come and Take It
  • 3/1 – Dallas, TX – Trees
  • 3/2 – El Paso, TX – RockHouse
  • 3/3 – Mesa, AZ – Nile
  • 3/4 – Las Vegas, NV – 24 Oxford
  • 3/5 – Los Angeles, CA – 1720