Interview: Jake Oneal of Midnight For Now

Hailing from northern Colorado, Midnight For Now is a band that plays with all the extremes that rock music encompasses, creating a sound that is often moody and cathartic. Comprised of vocalist Andy Moore, guitarist/vocalist Ben Voss, bassist Nik Szejna, and drummer Jake Oneal, Midnight For Now hopes to offer their listeners an escape through music. They released their self-titled debut EP last year and are working on new music for 2023.

I had the pleasure of interviewing Jake, during which we discussed playing live, the band’s formation and influences, and what’s in store for the rest of 2023.

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Let’s start with a really standard question. How did Midnight For Now form, and what’s the story behind the band’s name? 

JO: So we actually met on Craigslist. Andy and Ben were already making music together as a singer and guitar player, and they put out an ad looking to form a full band. Meanwhile, Nik and I had been playing together as a rhythm section for quite some time and were thinking about starting a band of our own. I came across their ad one day, and everything just sort of worked out from there.

As for the name, it relates to the transient nature of life.  We were in a spot of mutual dark bullshit but knew that at some point it would all pass. Midnight For Now is a reference to that dark hour of our lives. 

That may be my favorite story behind a band’s name that I’ve heard in a while. Did y’all have a mutual direction at the beginning, or was everyone working with different musical backgrounds/influences? And who are some of the band’s major influences? 

JO: We were pretty fortunate to all come in on the same page about the musical direction of the band. From my experience, that’s not always the case. Our backgrounds are all a little different, but we do have pretty similar influences. I’d say the band’s major influences are mainly older rock groups like Pearl Jam, Radiohead, The Doors, The Smashing Pumpkins, and the Red Hot Chili Peppers. There’s a lot more that I’m probably forgetting right now, but I think that covers our bases pretty well. 

On a related note, is there anyone you listen to that might surprise people? Just based on the style you typically like.

JO: I’d say we all listen to music outside our genre, but some of the country I listen to might surprise some people. I’ve been really into Tyler Childers and the turnpike troubadours recently. 

I’ve heard of Tyler Childers and the Turnpike Troubadours, but have yet to check them out. I should probably do that, haha! What is the writing and recording process for the band? From where do y’all draw most of your inspiration?

JO: The inspiration for our music comes from just about any kind of experience that fueled an extreme feeling or emotion. For example, we have a new song called “Misunderstanding (Doom)” that came from a combination of listening to dark heavy music and watching horror films, while our recoded song “Truth” was inspired by overcoming a life altering personal situation that fueled a spiritual calling. 

A lot of our lyrical content comes from interactions with humanity and a curiosity on why we act the way we do. At times it’s beautiful, and other times it’s absolutely frustrating, but at its core, it’s usually quite simple. 

Our writing process usually starts with our guitar player, Ben, who will record an idea on his acoustic and send it over to Andy to take some time and develop lyrics. Once they have guitar and vocals figured out, they’ll bring it to a full band practice and we’ll start working on some ideas for the rhythm section. There are times when everything clicks right away, and other times where we go through a bunch of different variations before we settle on a final song. I’d say recording and listening back at every stage is immensely helpful, especially when we’re trying to work out the final details. 

You guys just released the self-titled EP last year. What is your favorite track from the record and why? 

JO: Oh man, that seems to change for me every week. Right now, I’d say “Beautiful Sun.” It has a unique drum part to it, which is a lot of fun to play, but I also like that it expresses a full range of emotion and has that really cathartic ending. 

On the subject of playing live, how is playing live and writing music in the studio connected? When you write, do you think about how it will translate in a live performance? 

JO: Oh, good question! I haven’t really thought about that too much yet. I will say, when we’re in the studio, writing and practicing, we’re doing it for ourselves. That’s our time to make music that we enjoy, have fun, and escape the world for a little while. When we play live…it’s still mostly for ourselves, but we’re also sharing that experience with the crowd, the venue, and the other bands. A lot of these people are taking time out of busy schedules and spending their hard earned money to have a good time, so we want to make sure we do our best to deliver a kickass show. 

So, we’re not thinking about a live performance when we’re writing and practicing, but we do consider the venue, the other bands, and the crowd when we develop our setlist for a given show.

Still on that topic, how would you describe a Midnight For Now show? 

JO: Overall, our shows are still a direct reflection of our music: dark, moody, and cathartic.

What would your dream lineup (that includes MFN) be? 

JO: Dang, that’s a tough one! I think I’d have to go with The Smashing Pumpkins and Pearl Jam. 

That’s an interesting combination, and I can totally see it. What are the band’s plans for 2023? And what do you feel is the ultimate goal for MFN, long-term? 

JO: We are currently getting ready to release our new single “For a While” at the end of this month, which is really exciting! We also have a few other songs we plan on releasing later this year. 

Last year was our first full year as a band and we managed to play a handful of shows in our hometown of Fort Collins. This year we’re looking at branching out a bit and playing in surrounding cities like Greeley, Boulder, and Denver. 

I think our overall goal is just to keep playing more shows and releasing more music, meeting cool people and having fun along the way. Hopefully the shows keep getting bigger and the music keeps getting better. 

What kind of interviewer would I be if I didn’t ask you to tell me a little about “For a While”? 

JO: Midnight For Now was started as a way for us to escape the pressures and responsibilities of our daily lives and just have some fun for a little while. Our song “For a While” is our way of capturing that sentiment and sharing it with others. Our hope is that our music and our shows can provide that same escape to anyone else who listens. 

For any of my readers who are interested, where can they find Midnight For Now’s music?

JO: You can find our music on Spotify, YouTube, Bandcamp, and anywhere else you stream your music. All of our affiliated links can be found here: https://linktr.ee/midnightfornow

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Midnight For Now is definitely a band to watch! Keep your eyes on their socials – and on this blog – for all things MFN! And while you’re waiting on the release of “For a While,” be sure to check out the self-titled EP on your favorite streaming service!!!

Avenged Sevenfold Unleashes New Track + Announces New Album

Finally, finally, after seven years, Avenged Sevenfold is back! Yesterday, their social media pages were promising something, which everyone speculated, correctly, would be the announcement of a new album and an accompanying single.

Life is But a Dream drops on June 2nd. Watch the official video for the first single, “Nobody,” below.

Interview: TJ Breedlove of K.A.R.L. (Kill All Remaining Life)

K.A.R.L. (Kill All Remaining Life) is an electronic/industrial band that formed in 2007. Since then, they have released an untitled debut EP (2009), their self-titled record in 2010, the Rapture EP (2020), and earlier this year, a second full-length album, Tractus. I recently had the opportunity to talk to vocalist/engineer TJ Breedlove about the new album, the band’s beginnings, and what the future holds for K.A.R.L.

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Thank you for taking the time to talk to me, and congrats on the release of Tractus! Can you tell me a little bit about the album? What was the writing/recording process, and where did you draw your inspiration for the writing of the album?

TJ: Thank you so much for this interview! The writing process for Tractus started in 2021 and was, at first, largely built around internal struggle with mental health and negative outlooks on the world. Gradually, as the world kept diving further into chaos, I kept gathering more to write about. Though not all tracks are negative. I wrote a track that’s on there for my wife, who has been so loving and supportive throughout this process. The album, which was initially supposed to be 8 -10 tracks, evolved into 13 tracks over time. 

For my own personal curiosity, what’s the story behind “Beg Me”? (That was one of my favorite tracks, so I’m interested in the creation of it.)

TJ: “Beg Me” is about internal anger. Built and kept inside for so long, and the violent fantasy of unleashing it. The song itself doesn’t promote violence, but as humans, we often face something that internally drives us to that level of anger and frustration. Some carry that anger for way too long and have no healthy way to release it. That song, though, was the last one recorded for the album. I had a very difficult time writing it for various reasons. 

So, getting onto the subject of you, in particular: What made you want to pursue a career in music?

TJ: I’ve always wanted to be in a band since I was very young. I grew up listening to all types of music, like metal (black, thrash, death, and nu), grunge rock, and classic rock, but industrial has always been my favorite genre, particularly Darkwave. As I grew into my teens, I gathered quite the collection of CDs from different artists. Everywhere I went, I had a portable CD player and a stack of CDs from different genres with me. I couldn’t function without it. 

Who are your biggest influences?

TJ: For me personally, I have so many. Project Pitchfork, Skinny Puppy, Spahn Ranch, Front 242, Chiasm, Jonathan Davis (KoRn and his solo stuff too). 

Is there any artist or band you listen to that you think would surprise most people?

TJ: I have a very weird and random collection of music. Often when I randomize a playlist, people around will hear a lot of industrial or some form of metal, then all of the sudden, Donovan’s “Hurdy Gurdy Man” will play. Sometimes, I get on a 70s kick and can’t stop listening to Zeppelin or Boston or Blue Oyster Cult. I don’t understand why some find that weird. Those bands kick ass!

I’m a big 70s fan myself. I grew up with those bands because of my parents. How did the formation of K.A.R.L. come about? And where did the name come from?

TJ: K.A.R.L. was initially formed in 2007 by me and my friend Josh [Johnson, drums/synth] as a very short-lived experimental black metal project. It soon after evolved into an industrial band. 

Josh is very talented, and I truly am lucky to have him as both a friend and fellow musician. He taught me a lot of what I know on the keys, and we both created the monster that is K.A.R.L. 

The band has other members come and go. At one point, in 2011, the band split apart due to disagreements and other personal reasons. Then, in 2018, Josh and I rebooted the project and released our EP Rapture

The name was given to me when a friend from our school named Ivy came up to me and introduced herself. She said “Hi, my name is Ivy. Who are you?” I responded “TJ” and she said “Hmmmmm. No, no, don’t like that. I’m gonna call you Karl, with a K.” It was one of the strangest conversations I’ve ever had, but the name stuck with me. Josh and I later turned it into “K.A.R.L. ( Kill All Remaining Life)”. Some have often referenced it meaning “all who sin pay with death” or something biblical along those lines. 

Wow, you guys have been around for a while! How do you stay motivated to keep writing, and how do you feel your approach has changed over the years?

TJ: Lyrically, we have always been inspired by world events and the overall mood it puts us all in. For example, “God Is Watching” was written about various things that made us angry at the world and what we see on TV (school shootings, war, mass casualty events, and other things of that nature), things that even though they’re always addressed, never seem to have a solution to them. Unfortunately, the world we live in keeps churning up more horrors for us (and other artists) to keep writing about.

Songs like “S/M Goddess” and “Shameless,” both from previous releases, dive into sexual desire and pursuing things outside the norm, while songs like “Shutting Down” and “Severed” dive into depression and the seemingly endless cycles of battling memories we can’t let go of.


In 2007-2010, we were also transitioning from those angry teenage years into our twenties, which had moments of chaos. That definitely fueled a lot when it came to writing. Now, when it comes to our songs, a lot of the same themes remain, but we approach them at a different, more mature angle. We’ve always used music
as a way to help us vent and truly express certain views. But all songs written are not negative or violent; some are written about forgiveness and that not all our mistakes are a life sentence.

Well, there’s definitely no shortage of world happenings to fuel y’all. And on that subject, what are the plans for 2023? More new music, or maybe some shows promoting Tractus?

TJ: I am currently writing another EP that I’m aiming to release in late 2023 or early to mid 2024. I’m actually more than halfway done. I do plan on doing some shows in the near future. I just have to tighten up a few things first. 

Speaking of shows, what would be your dream lineup? K.A.R.L. with special guests…? 

TJ: I’d love the opportunity to open up for Project Pitchfork, Leæther Strip, and Decoded Feedback. I’ve also found some other bands on FB, like SinThya, who I’d like to do a show with as well. 

Is there anything you’d like to say to your fans, new and old? 

TJ: I want to say thank you to all our fans, new and old, who have supported us throughout the years. You are truly the best part of all this. 

And last but not least, where can my readers get their hands on K.A.R.L.’s music?

TJ: Our main page for merch is our Bandcamp page. We are also on all major streaming platforms such as Spotify, iTunes, Amazon, Pandora, and many more. 

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K.A.R.L. has a lot in the works, and I think 2023 and 2024 are going to be big for them! You can check them out on your favorite streaming service and follow their various socials to stay up-to-date with what’s happening in the world of K.A.R.L.

K.A.R.L. Discography

Song of the Day — K.A.R.L. (Kill All Remaining Life): “Beg Me”

From the latest K.A.R.L. album Tractus, available on all streaming platforms!