Interview: Wes Grissom of Ancient Sins

Ancient Sins is a rock/metal project founded in 2008 by vocalist/guitarist Wes Grissom while deployed overseas. Taking various music and lyrics that Wes had written over the years, the band put together its debut album Never Back Down, which was released in 2018. Since then, life has been hectic, especially given the standstill caused by Covid, but Ancient Sins is coming back strong. Not only has Wes played shows with the likes of Quiet Riot, Powerman 5000, and Saving Abel, he has also been working on Ancient Sins’ sophomore record.

I recently had the chance to speak with Wes about his start in music, his various influences, his writing process, and the new music on the horizon.

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MM: First and foremost, how would you describe Ancient Sins’ sound? Who are your major influences?

WG: When I was working on [the debut album] Never Back Down, everything was led by Alter Bridge. One Day Remains was the record that kick-started me back into playing guitar. Other bands that influenced me during that record cycle were Nightwish, Shinedown, Hammerfall, and Disturbed. Now, with the new album, I’m still heavily influenced by Alter Bridge, and Tremonti, as well as Five Finger Death Punch and some instrumental metalcore. It’s really a mix of everything I listen to.

MM: You said One Day Remains got you “back” into playing guitar. When did you first start?

WG: I wanted to play as early as 3rd grade. I told my mom I wanted to play guitar in the after-school band and she said no, so I started on classical instruments. I didn’t really start on guitar until I was 16. I had played a couple of times before that, but I didn’t get my first guitar until right after my 16th birthday.

MM: And what made you want to play to begin with?

WG: It was actually an old VHS of Garth Brooks live in concert. I don’t remember the title, but it was in the early 90s – ’93 or ’94 – when Ty England was his guitarist. That dude was phenomenal and was ultimately who got me interested in playing. The one who ignited the fire later on, who got me back into it, was Mark Tremonti [Creed, Alter Bridge, Tremonti].

MM: Did you always want to be a vocalist as well?

WG: I always enjoyed singing. I used to sing on the way to and from work because I had an hour’s drive each way. When I was starting Ancient Sins, I did put out some feelers for a vocalist because there was a certain style and range I was looking for. I wanted that upper tenor range, and I kinda had it; I’m getting better at it. Eventually, I decided “if you want it done right, you’ve gotta do it yourself,” so I took on the role.

MM: Who are your vocal influences?

WG: Myles Kennedy [Alter Bridge, Slash] is my primary influence now. Back in the day, it was the metal singers of the 80s: Bon Jovi, Dio, Steve Perry [Journey], etc.

MM: I can certainly hear their influence on songs such as “Curse the Rain” and the title track from Never Back Down. Now, let’s move along to your third role, songwriting. What is your process?

WG: I piece the songs together like a puzzle. I write sections – the chorus, a verse, a bridge – and then, based on the song title or the licks I have at the time, I decide which direction the song goes in from there. Is it going to be a melodic journey, a down-and-dirty, fast, heavy riff, or is it something that will repeatedly take a new shape until it gets where I want it. I want to be different, but at the same time I want my songs to be something people can latch on to in their own lives. I may be able to bring somebody a form of solace.

MM: I know a lot of artists let what’s happening in the world bleed into their lyrical content, while others pointedly attempt to avoid it. For you, personally, where do you draw your inspiration for songs?

WG: Life, in general. Life experiences. Situations we’ve all been in – relationships, a death in the family, things like that. I’m slowly developing a good way to convey my message to the audience in a way they can connect with. I’m gradually doing it better.

MM: You recently played with Powerman 5000. What was that like, and do you have any more upcoming shows?

WG: Playing with Powerman 5000 was an absolute honor. All of them were humble dudes, and it was a trip hanging out with them and talking. Not even talking shop, just talking like regular individuals. Filling the opening slot for that show was an incredible experience, and it was my biggest crowd to date.

I was also direct support for Saving Abel earlier this month, and had a show with Firing All Cylinders and Deep Within. We’re trying to solidify dates for the Showcase Showdown in Vegas, an experience I won from ITNS radio, but I haven’t been given the exact date I’ll play yet.

MM: You have mentioned your new album a few times during this conversation. Tell me a little bit about that, and how soon can we expect a single?

WG: Initially we were looking at a single this month [Nov. ’22] and the album release in December. However, Paul, who is stepping in to play drums on the new album, as well as producing it, has been on tour with Dead Original and Smells Like Nirvana for the last three months. We had to push everything back. Right now, tentatively, probably February 2023 for the album release. Once we complete the record, we will decide which song will be the lead single. I might pull an Alter Bridge and release the title track as a lyric video before sharing the official first single. I’ll keep you updated.

MM: Great! I definitely look forward to it, and we’ll have to chat again when the album drops. Thank you so much for your time.

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To keep up with all things Ancient Sins, be sure to follow the various AS accounts across social media, and check out Never Back Down on your favorite streaming service.

New Music Alert! Eli Howard & the Greater Good: “Wildfire”

I am loving what I’ve heard referred to as vintage rock. You know, a new take on an old sound, combining the core elements of both classic and Southern rock while adding touches of everything from the blues to country to unmistakable nods to the British Invasion. And Eli Howard & the Greater Good is among those who are tilting their hats to the past while remaining steadfastly in the present.

Just last night, I discovered Eli Howard & the Greater Good and the brand new single “Wildfire.” One listen had me hooked and I immediately sent it to my brother and played it for my mom.

From the catchy, almost hymn-like opening vocalization and steady beat (sure to be a crowd pleaser), to a voice and singing style reminiscent of Gregg Allman and Doug Gray, to the more rock-oriented instrumentation during the verses, “Wildfire” is an ode to all that is great about the blending of genres. I particularly enjoyed the change about two-thirds of the way in, a psychedelic breakdown that preceded a back-and-forth between a guitar and a Hammond B3.

Do yourself a favor and check out “Wildfire,” now available on all streaming services. The track is the second single from Eli Howard & the Greater Good’s upcoming debut album End of the Line, set to be released February 25, 2022.

Concert Review: Walking on the Sky With Alter Bridge

I was granted the opportunity to attend Alter Bridge’s Walk the Sky Tour twice this week, and of course I gratefully took it. Who in their right mind would turn down the chance to see Deepfall, Clint Lowery, and Alter Bridge?

Round one was in Nashville, Tennessee, at the War Memorial Auditorium. I saw Alter Bridge there back in 2016. (You can read about it here.)

The show on Saturday was absolutely phenomenal! The audience — a sold out crowd — was fired up and beyond ready for a rock show…and the bands more than delivered.

From the instant the lights went down and the first note was struck, the atmosphere was filled with electricity. The Michigan-based Deepfall established the tone for the night, kicking off with the original “I’m Sick.” Their brand of melodic metal won the room over quickly, carried by a modern take on Journey’s “Separate Ways” and solidified by the heartfelt “Cancer.”

Next up was Clint Lowery. This was only their second show as a band, but one would never have known: they performed together as if it had been years. With a set that included the singles “God Bless the Renegades,” “Alive,” and “Kings,” they had more than enough to offer, and Nashville willingly accepted it.

Finally, it was time for the headliners. The lights dimmed and “One Life” filled the venue, along with the roar of the fans. Vocalist/guitarist Myles Kennedy, lead guitarist Mark Tremonti, bassist Brian Marshall, and drummer Scott Phillips walked onto the stage, the intro faded out, and the quartet ripped into “Wouldn’t You Rather?” We were off.

Alter Bridge played many fan favorites, including “Isolation,” “Ghost of Days Gone By,” and the always well-received “Rise Today” and “Open Your Eyes.” Much to my excitement, they had brought back “Broken Wings,” from their debut album One Day Remains.

When Myles was handed his acoustic guitar, an audience of over 2000 cheered so enthusiastically that he had to simply stop and take it all in. After a speech in which he thanked us for lifting his mood, he plucked out the familiar beginning to “Watch Over You,” receiving yet another storm of applause. I could hear him perfectly, of course, but it warmed my heart to hear an entire room singing every word, even before he urged us to. (Watch.)

The band’s encore was comprised of their latest single, “Godspeed,” and the heavy-hitter “Addicted to Pain.” It was my seventh Alter Bridge show, and I would swear they’re only getting better.

After they left the stage, my friend and I headed back to the buses, as per usual. We met Mark, who is always gracious, and I told him about my Alter Bridge tattoo. (It was much too cold to show him.) We stayed long enough to say hello to Brian, then we bailed out: it was a long drive back to Huntsville. Besides, we would be seeing them again in a few days.

It is unnecessary to write a novel about round two in Huntsville, Alabama, though I certainly could. In the three days since I’d witnessed the amazing spectacle that was the Walk the Sky Tour, the trio of bands seemed to have stepped up their game.

The venue — Mars Music Hall — was smaller and less packed out, but the fans who were there made up for that with their endless energy. And man, it was loud in there!

Deepfall was again responsible for setting the bar ridiculously high, and Clint Lowery threw it up a few more notches. As I told Clint on Twitter after the show, I fell more and more in love with each song. Alter Bridge’s work was certainly cut out for them, and they easily soared to even greater heights.

There were noticeable setlist changes. I was thrilled when Mark’s lead vocal talents were used on “Forever Falling,” and the blistering “Native Son” was a welcome addition.

For the acoustic portion of the set, Myles was joined by Mark. They played “In Loving Memory,” which the fans belted out with gusto. (See it here.) My mom cried for the entire song, and its successor, “Blackbird.”

I have never doubted that Alter Bridge is the best band in the world, and yet they keep establishing that fact over and over. They may not be filling arenas in the U.S., but they have a growing fanbase that is loyal in a way I’ve rarely seen. With two more spectacular performances branded in my memory, I fully encourage anyone reading this to go to the Walk the Sky Tour if you can. This is not one you want to miss!

A few pictures from Huntsville

Deepfall
Deepfall
Clint Lowery
Pat Seals (Clint Lowery)
Alter Bridge
Alter Bridge
Alter Bridge
Alter Bridge
Alter Bridge