Fame on Fire Shares Spring North American Dates for The Death Card Tour 2025

Rock/metal outfit Fame on Fire has announced a North American spring tour in support of their 2024 release The Death Card. This 24-date run boasts special guests Halocene and Archetypes Collide. Tickets and VIP are on sale now at fameonfireband.com!

  • 4/1 – Baltimore, MD – Baltimore Soundstage
  • 4/2 – New York, NY – Gramercy Theatre
  • 4/4 – Philadelphia, PA – Brooklyn Bowl Philly
  • 4/5 – Worcester, MA – The Palladium Upstairs
  • 4/7 – Richmond, VA – Canal Club
  • 4/8 – Charlotte, NC – Amos’ Southend
  • 4/10 – Atlanta, GA – The Masquerade (Hell)
  • 4/11 – Jacksonville, FL – Jack Rabbits
  • 4/12 – Orlando, FL – The Beacham
  • 4/15 – Houston, TX – Scout Bar
  • 4/16 – Dallas, TX – Trees
  • 4/18 – Phoenix, AZ – Nile Theater
  • 4/19 – Anaheim, CA – Parish at House of Blues Anaheim
  • 4/20 – San Diego, CA – House of Blues San Diego
  • 4/22 – Roseville, CA – Goldfield Trading Post
  • 4/25 – Portland, OR – Hawthorne Theatre
  • 4/26 – Seattle, WA – El Corazón
  • 4/28 – Salt Lake City, UT – Soundwell
  • 4/30 – Denver, CO – Marquis Theater
  • 5/2 – Lawrence, KS – The Bottleneck
  • 5/3 – Omaha, NE – Reverb Lounge
  • 5/5 – Saint Paul, MN – Amsterdam Bar & Hall
  • 5/7 – Chicago, IL – Bottom Lounge
  • 5/8 – Flint, MI – The Machine Shop

Arch Enemy: North American Blood Dynasty 2025 Tour

Arch Enemy has shared the 2025 spring North American dates of their Blood Dynasty Tour. This run features special guests Fit For An Autopsy, Baest, and Thrown Into Exile. Tickets and VIP on sale now at archenemy.live!

  • 4/14 – San Diego, CA – The Observatory North Park
  • 4/15 – Los Angeles, CA – The Wiltern
  • 4/16 – San Francisco, CA – The Regency Ballroom
  • 4/18 – Portland, OR – Roseland Theater
  • 4/19 – Seattle, WA – Showbox SoDo
  • 4/20 – Vancouver, BC – The Pearl
  • 4/22 – Edmonton, AB – Union Hall
  • 4/23 – Calgary, AB – MacEwan Hall
  • 4/25 – Salt Lake City, UT – The Depot
  • 4/26 – Denver, CO – Summit
  • 4/28 – Minneapolis, MN – The Fillmore
  • 4/29 – Chicago, IL – The Vic Theatre
  • 4/30 – Detroit, MI – The Majestic Theatre
  • 5/2 – New York, NY – Palladium Times Square
  • 5/3 – Worcester, MA – The Palladium
  • 5/5 – Philadelphia, PA – Theatre of the Living Arts
  • 5/6 – Silver Spring, MD – The Fillmore
  • 5/8 – Montreal, QC – L’Olympia^
  • 5/9 – Toronto, ON – Queen Elizabeth Theatre
  • 5/10 – Stroudsburg, PA – The Sherman Theater
  • 5/11 – Columbus, OH – Sonic Temple Art & Music Festival 2025
  • 5/13 – Charlotte, NC – The Underground*
  • 5/15 – Daytona Beach, FL – Welcome to Rockville 2025
  • 5/16 – Atlanta, GA – The Masquerade*
  • 5/18 – Milwaukee, WI – Milwaukee Metal Fest 2025

* No Baest

^ Direct support from Martyr; Fit For An Autopsy not appearing

Interview: Robbie Ekblom, Jr., and Hall of Lost

Robbie Ekblom, Jr., is a Finnish/American guitarist who focuses on lead and has influences ranging across the metal and metalcore landscapes. Philadelphia-based Hall of Lost is a hard rock/alt-metal project put together by singer and guitarist Jeff McAllister.

And when the two acts come together, listeners are gifted with a track like “Darkness Befalls.”

I had the chance to chat with Jeff and Robbie about their collaboration – how the artists met, how the song came to fruition, and what the odds are of them making more music together in the future.

***

Mostly Music: Okay, so tell me how this came together. I’ve talked to artists who have worked on a track from different places, but I’m not sure they’ve ever been from different countries!

Robbie: Long story short, we were able to get acquainted on Instagram and combined our appreciations for artists like Breaking Benjamin, Tool, Seether, and create our own track using our studio setups from across the Atlantic. That’s how our collaboration came to be. I think this story could motivate people who want to work together but don’t live near one another. You really can come out with some pretty cool stuff, and you can get pretty creative these days when it comes to recording.

MM: How did you and Hall of Lost handle writing “Darkness Befalls”?

Robbie: I had come up with an instrumental track for “Darkness Befalls,” and Hall of Lost contacted me on Instagram after hearing some of my other music and said that they’d be interested in doing a collaboration. So then Jeff and I started messaging each other and he said one of your tracks is something that I really wanna work on and beef it out with some lyrics and his own instrumental additions.

For the recording itself, we both have our own setups. I have a home studio, and he has his setup over there in the U.S. So we just combined sounds and sent one another the music files and kept adding bits and pieces until the final version was fully edited.

It’s been a first for me working with somebody as talented as Hall of Lost. Jeff is a phenomenal musician and really has an incredible appetite for creating music and creative arts in general.

MM: That’s a great segue into Jeff’s side of the story. Ha ha! Jeff, what was your inspiration for “Darkness Befalls”?

Jeff: Sure thing, Melia. This track was a fun one to work with because Robbie had all of the instrumental completed, and most importantly, he had a title for the song. So many songwriters attempt to write a tune without first having a title, and there’s nothing wrong with it…I’ve done it myself, but what you typically find is that if you have a solid title, that drives the whole process forward. Needless to say, with a title like “Darkness Befalls”, I had a lot to work with!

Those riffs Robbie plays on the song emote plenty of feelings, so the inspiration came pretty naturally. I wanted to capture a sense of an alter ego, an anger hidden inside, being taken to a place you don’t want to go. When the anger takes over, that’s when darkness befalls.

MM: This question may sound almost naive, but how different is it writing and recording a song remotely as opposed to physically being in a room (or the studio) with those you are creating with? I imagine it requires a change to your normal approach?

Robbie: From my perspective, being in a studio or in a recording space together has the advantage of being able to adapt or change things on the fly because you’re all together and can discuss recording, or certain segments of a song, lyrical changes, whatever it might be, in person immediately. Whereas doing it remotely like this has sort of a time lag between making the changes, especially given the distance between Jeff and myself. We have a 6 hour time difference. That means anything we want to discuss has a one day, or at least one night, lag. But what is really nice about this is, because we both have our own studios and equipment, and are familiar with our own recording infrastructures, it – at least, for my part – has been very comfortable, because I know exactly how to use my stuff. There hasn’t been a need for any gear changes or adjustments to any of the actual tech we’re using. I do imagine, depending on how much we continue to work with Jeff, it would be cool to get into a room and just jam out and make music in person.

Jeff: I think Robbie said it well. This really worked out very smoothly, and I think what it came down to mostly was faith. I had complete faith in the musical track Robbie laid down. In fact, upon hearing what he crafted, I knew I wanted to be a part of it. It was such a big sound. Conversely, he allowed me a lot of creative freedom with his baby, allowing me to suggest a few arrangement suggestions and modifications to fit the lyrical delivery. From there, I would run the lyrical ideas by him and send him some samples, and we would go back and forth on any edits needed, volume changes, etc., but all in all, those were minimal. The fact that Robbie doesn’t seem to sleep also helped.

It would be great to eventually get in a room together. We’ve become great friends throughout the process, so beyond the creative chemistry, I’m sure he and I would down some beers together and come away with another great track.

Robbie: 100% on the downing of some amber lager and making magic happen! That day will come eventually, guaranteed! Haha!

As for the sleep; I had to get myself into somewhat of a routine of maximizing the time to keep in touch and to discuss music with the time difference. Now I’m in this loop where I stay up late, but it doesn’t bother me much because I’m so excited about the music and our project.

MM: So y’all are definitely working together again in the future? Can we expect another collab anytime soon? Because I would be 100% behind that.

Jeff: I can go on record saying that is definitely going to happen, especially if you’re making a request, Melia.

We have something in the works right now, actually. Schedules have been a bit tight, but the process has started, so it won’t be long. We really appreciate the support.

I imagine that won’t even be the last of it. Robbie is a riff machine. He has probably pumped out 2 songs before eating his morning Cheerios today.

MM: If I’m making a request? Okay! Consider this my request. And y’all are very welcome! I’m excited to hear what’s next!!!

***

Y’all be sure to check out “Darkness Befalls,” and then do a deep dive into both artists! I’ve shared links to their socials below.

Also, this is not my only conversation with Jeff and Robbie. I will be back with a second interview in which we discuss their respective musical journeys, and maybe some off-the-wall topics as well, so please keep your eyes open for that!

Robbie

Hall of Lost

Ice Nine Kills Shares Spring 2025 Dates

Horror-inspired metal outfit Ice Nine Kills has a lot of their plate this spring. Having already booked dates supporting Metallica, the band has now scheduled The Silver Scream-A-Thon Tour, in which they will be playing two nights in each city. Night one will feature The Silver Scream in its entirety, while the second evening will be dedicated to the entire The Silver Scream 2: Welcome to Horrorwood record. Support for night one will be The Word Alive, The Funeral Portrait, and Melrose Avenue. The opening acts for night two will be Hail the Sun, Tx2, and Dark Divine.

Tickets are on sale at iceninekills.com!

  • 4/26 – Toronto, ON – Rogers Centre*
  • 4/30 – Raleigh, NC – The Ritz
  • 5/1 – Raleigh, NC – The Ritz
  • 5/3 – Nashville, TN – Nissan Stadium*
  • 5/6 – Kansas City, MO – Uptown Theater
  • 5/7 – Kansas City, MO – Uptown Theater
  • 5/9 – Milwaukee, WI – The Rave
  • 5/10 – Milwaukee, WI – The Rave
  • 5/11 – Columbus, OH – Sonic Temple Art + Music Festival 2025+
  • 5/13 – Minneapolis, MN – The Fillmore
  • 5/14 – Minneapolis, MN – The Fillmore
  • 5/18 – Chicago, IL – Riviera Theatre
  • 5/19 – Chicago, IL – Riviera Theatre
  • 5/20 – Grand Rapids, MI – GLC Live at 20 Monroe
  • 5/21 – Grand Rapids, MI – GLC Live at 20 Monroe
  • 5/23 – Philadelphia, PA – Lincoln Financial Field*
  • 5/24 – Montclair, NJ – Wellmont Theater
  • 5/25 – Montclair, NJ – Wellmont Theater
  • 5/29 – San Antonio, TX – Aztec Theater
  • 5/30 – San Antonio, TX – Aztec Theater
  • 6/1 – Houston, TX – House of Blues
  • 6/2 – Houston, TX – House of Blues
  • 6/4 – Atlanta, GA – The Tabernacle
  • 6/5 – Atlanta, GA – The Tabernacle
  • 6/6 – Tampa, FL – Raymond James Stadium*
  • 6/8 – New Orleans, LA – The Fillmore
  • 6/9 – New Orleans, LA – The Fillmore
  • 6/11 – Myrtle Beach, SC – House of Blues
  • 6/12 – Myrtle Beach, SC – House of Blues
  • 6/20 – Santa Clara, CA – Levi’s Stadium*
  • 6/27 – Denver, CO – Empower Field at Mile High*

* Supporting Metallica

+ Festival appearance

While She Sleeps Shares 2025 North American Dates With Bury Tomorrow

British metalcore band While She Sleeps is hitting the road in North America this April alongside their peers in Bury Tomorrow. The tour features support from nu metal act Vended, who boasts two sons of Slipknot as members. Tickets are available at whileshesleeps.com!

  • 4/2 – Lakewood, OH – The Roxy
  • 4/3 – Toronto, ON – The Danforth Music Hall
  • 4/5 – Montreal, QC – L’Olympia
  • 4/6 – Boston, MA – Paradise Rock Club
  • 4/7 – New York, NY – Irving Plaza
  • 4/9 – Columbus, OH – Newport Music Hall
  • 4/10 – Chicago, IL – Concord Music Hall
  • 4/11 – Milwaukee, WI – The Rave
  • 4/12 – Minneapolis, MN – Skyway Theatre
  • 4/13 – Lawrence, KS – The Granada (Half House)
  • 4/15 – Denver, CO – The Oriental Theatre
  • 4/16 – Salt Lake City, UT – Soundwell
  • 4/18 – Sacramento, CA – Ace of Spades
  • 4/19 – Berkeley, CA – UC Theatre
  • 4/20 – Los Angeles, CA – The Regent
  • 4/21 – Tucson, AZ – Encore
  • 4/23 – Oklahoma City, OK – Beer City Music Hall
  • 4/24 – Dallas, TX – South Side Music Hall
  • 4/25 – San Antonio, TX – Paper Tiger
  • 4/26 – Houston, TX – Warehouse Live
  • 4/28 – Lake Buena Vista, FL – House of Blues
  • 4/29 – Atlanta, GA – The Masquerade
  • 4/30 – Charlotte, NC – The Underground

Killswitch Engage Announces Spring Dates With Kublai Khan, Fit For a King, and Frozen Soul

Tickets/VIP: killswitchengage.com

  • 3/5 – Nashville, TN – The Pinnacle
  • 3/6 – Chesterfield, MO – The Factory
  • 3/8 – Fayetteville, AR – JJ’s Live
  • 3/9 – Oklahoma City, OK – The Criterion
  • 3/11 – El Paso, TX – Don Haskins Center
  • 3/13 – Las Vegas, NV – The Theater at Virgin Hotels
  • 3/14 – Reno, NV – Grand Sierra Resort & Casino
  • 3/15 – Wheatland, CA – Hard Rock Live
  • 3/17 – Garden City, ID – Revolution Concert House
  • 3/18 – Seattle, WA – Paramount Theatre
  • 3/19 – Vancouver, BC – PNE Forum
  • 3/21 – Penticton, BC – South Okanagan Events Centre
  • 3/22 – Tsuut’ina, AB – Grey Eagle Event Centre
  • 3/24 – Winnipeg, MB – Burton Cummings Theatre
  • 3/27 – Peoria, IL – Peoria Civic Center
  • 3/28 – Waukee, IA – Vibrant Music Hall
  • 3/29 – La Vista, NE – The Astro
  • 3/30 – Kansas City, MO – The Midland Theatre
  • 4/1 – Grand Rapids, MI – GLC Live at 20 Monroe
  • 4/3 – Corbin, KY – The Corbin Arena
  • 4/4 – Pittsburgh, PA – Stage AE
  • 4/5 – Philadelphia, PA – Franklin Music Hall
  • 4/6 – Greensboro, NC – Greensboro Coliseum, Special Events Center
  • 4/8 – New Haven, CT – College Street Music Hall
  • 4/9 – Buffalo, NY – Buffalo RiverWorks
  • 4/11 – Laval, QC – Place Bell
  • 4/12 – Portland, ME – Cross Insurance Arena

Pop Evil: What Remains Tour 2025

Pop Evil is touring this spring in support of their newest album, What Remains, which releases March 21st. This 30-date North American run features support from Devour the Day, Return to Dust, and Oni. Tickets and VIP are on sale now at popevil.com!

  • 3/20 – New York, NY – Cult of Individuality^
  • 4/8 – Tulsa, OK – Cain’s Ballroom
  • 4/10 – Dallas, TX – Echo Soundstage
  • 4/11 – Little Rock, AR – The Hall
  • 4/12 – Columbia, MO – The Blue Note
  • 4/13 – Lincoln, NE – Bourbon Theatre
  • 4/14 – Denver, CO – Oriental Theater
  • 4/15 – Colorado Springs, CO – Black Sheep
  • 4/17 – Los Angeles, CA – Regent Theatre
  • 4/19 – Phoenix, AZ – Marquee Theatre
  • 4/22 – Boise, ID – Knitting Factory
  • 4/23 – Seattle, WA – Neptune Theatre
  • 4/24 – Spokane, WA – Knitting Factory (Spokane)
  • 4/25 – Salem, OR – Elsinore Theatre
  • 4/26 – Reno, NV – Cargo Concert Hall
  • 4/29 – Vancouver, BC – Rickshaw Theatre
  • 5/1 – Calgary, AB – The Palace Theatre
  • 5/2 – Edmonton, AB – Century Show Room+
  • 5/3 – Saskatoon, SK – Louis’
  • 5/4 – Winnipeg, MB – The Park Theatre
  • 5/6 – Chicago, IL – Bottom Lounge
  • 5/7 – Green Bay, WI – EPIC Event Center
  • 5/8 – Des Moines, IA – Wooly’s*
  • 5/9 – Grand Rapids, MI – GLC Live at 20 Monroe*
  • 5/10 – Detroit, MI – The Fillmore*
  • 5/12 – Lititz, PA – Mickey’s Black Box*
  • 5/15 – Charlotte, NC – The Underground*
  • 5/16 – North Myrtle Beach, SC – House of Blues*
  • 5/17 – Louisville, KY – Mercury Ballroom*
  • 5/18 – Bloomington, IL – The Castle Theatre*

^ Acoustic set by Pop Evil; SiriusXM Octane album release event

+ Devour the Day only

* No Return to Dust

Mastodon + Coheed and Cambria: The Infinite Arc Tour 2025

Metal heavyweights Mastodon are co-headlining The Infinite Arc Tour with their progressive counterparts Coheed and Cambria. These dates feature special guest Periphery and span from May 10th to June 8th. Tickets are available at mastodonrocks.com and Coheed’s bandsintown!

  • 5/10 – Salem, VA – Salem Civic Center
  • 5/11 – Knoxville, TN – Knoxville Civic Coliseum
  • 5/13 – Raleigh, NC – Red Hat Amphitheater
  • 5/15 – Wilmington, NC – Live Oak Bank Pavilion at Riverfront Park
  • 5/16 – Charleston, SC – Firefly Distillery
  • 5/17 – Augusta, GA – William B. Bell Memorial Auditorium*
  • 5/19 – Estero, FL – Hertz Arena
  • 5/21 – Huntsville, AL – Orion Amphitheater
  • 5/22 – Lexington, KY – Rupp Arena
  • 5/24 – Virginia Beach, VA – The Dome
  • 5/25 – Bridgeport, CT – Hartford HealthCare Amphitheater
  • 5/26 – Saratoga Springs, NY – Broadview Stage at SPAC
  • 5/28 – Portland, ME – Cross Insurance Arena
  • 5/30 – Syracuse, NY – Empower Federal Credit Union Amphitheater
  • 5/31 – Scranton, PA – The Pavilion at Montage Mountain
  • 6/1 – Youngstown, OH – The Youngstown Foundation Amphitheatre
  • 6/3 – Fort Wayne, IN – Allen County War Memorial Coliseum
  • 6/4 – Peoria, IL – Peoria Civic Center
  • 6/6 – Grand Rapids, MI – Van Andel Arena
  • 6/7 – Green Bay, WI – Resch Center
  • 6/8 – Waukee, IA – Vibrant Music Hall

* No Mastodon