Interview: Arturo Jara of Candamius

Candamius is a progressive rock/metal band hailing from Peru. They have released two singles – “Patient Friend” and “Visitor” – and are busy crafting their debut album.

Having discovered Candamius via Instagram, thanks to “Visitor,” I soon began to talk with Arturo. We discussed the band’s formation, influences, writing process, what’s next for them, and more! Read on for the full interview.

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Mostly Music: Can you tell us about the origins of Candamius? How did you all come together as a band?

Arturo Jara: First of all, thank you for this interview. I am Arturo Jara, a founding member of Candamius, along with Deyvi Gutierrez Amar. We founded [the band] in 2018 in Ica, Perú. At first, we initially didn’t know what name to give the project. One day, Deyvi and I ran into each other at the university where we were studying. We hadn’t planned to meet that day, but we went to lunch and started talking about the strangest dreams we had ever had. I told him that I had a dream where a friend of mine came to my house and said to me, “You are Candamius.” As soon as he said that, he left, and I woke up. I immediately searched for information to see if this word existed, and indeed, it does. Candamius was a god of the Astures and Cantabrians, associated with the sky, storms, and thunder. Remembering this dream, I suggested this name for our project to Deyvi, and he agreed. Since then, that’s been our name.

MM: And for you personally, what was it that made you want to pursue music?

AJ: Well, I remember the first time I formed a band when I was in high school. It was a great sensation to be there on stage, playing my favorite songs to an audience. However, in terms of finding the band that inspired me to pursue music, it was definitely Nirvana. I remember that I literally copied Cobain’s vocal style when I was a teenager. I wanted to be him, not only in his vocal style but also in his movements on stage.

When I started songwriting at 15 years old, I was thinking, “How would Cobain write this riff?” and I began to write it. Over time, I felt that songwriting was something I really needed in my life. It allowed me to express my own ideas and feelings and create my stories with total liberty.

Despite Nirvana motivating me to pursue music, I feel that I always had this sense of seeing music as a lifestyle. Song after song, composition after composition, there is always something to express and share with others.

MM: Who are the biggest musical influences on the band as a whole, and how have they shaped your sound and style?

AJ: Our influences are diverse and include Tool, Alice in Chains, Nirvana, Meshuggah, Lamb of God, and Celtic Frost, among others. These bands have shaped our sound and style in various ways. Tool influenced us in creating long pieces and meticulously thinking through every aspect of the composition. Alice in Chains inspired our focus on vocals, especially the harmonies. Nirvana’s influence is evident in my vocal style, which is rooted in grunge music—I grew up with their music, so it naturally finds its way into mine. Meshuggah influenced some of our instrumental parts, Lamb of God inspired the groove metal elements, and Celtic Frost contributed to the atmospheric aspects of our music.

MM: Are there any bands/artists you listen to that might surprise people?

AJ: Well, I like Dvořák, Penderecki, Prokofiev, Franz Liszt, and other representatives of classical music.

MM: Are you working on any new music or projects at the moment? What can fans expect from Candamius in the near future?

AJ: Yes, we are working on the album. We are putting all of our effort into releasing a good album, so that is our priority right now.

MM: On the subject of writing and recording, what is your process like? Do you typically start with lyrics, a melody, or a specific instrumental riff?

AJ: Generally, I start with an instrumental riff, then I create the melody, and finally the lyrics. Sometimes, the lyrics and melody come at the same time.

MM: From where (or whom) do you draw most of your inspiration?

AJ: A lot of my inspiration comes from literature. Authors like Dostoyevsky, Oscar Wilde, Victor Hugo, and Shakespeare have significantly influenced the songwriting process and the creation of the stories of Candamius.

MM: Let’s get specific. Y’all just released the single “Visitor” in April. What’s the story behind that track?

AJ:  In terms of lyrics, the song is inspired by Poe’s poems, as well as the poem “Negro Sayón” by José María Eguren and ” Los Heraldos Negros” by the poet Cesar Vallejo. It also receives influence from Shakespeare concerning the concept of dawn. However, the song has two protagonists: one of them is Death, personified and taking human form, while the other is a woman struggling with suicidal thoughts and existential questions. At the beginning of the song, Death is introduced as a character. As the song progresses, there is an inevitable encounter with the woman, who reveals her struggles and internal demons through the lyrics. At a certain moment, the music intensifies, symbolizing Death’s chase of the woman to end her suffering. In the part where Death says, “You must invoke the almighty, he will give you the answers,” I mean to convey that often when we cannot find answers to things we do not understand, we tend to seek explanations from a higher entity. The music accompanies Death’s speech, symbolizing its approach to its prey. Eventually, Death succeeds in entering and delivers the following speech: “There´s no exceptions, you all have the same fate. I know the path that you´ll be going through, and I will be at the end.” Later, the music changes, announcing the final part of the song where the woman gives her last words, saying: “Waiting for the dawn, I shelter in the storm now, drifting on the tide, begging for the dawn. The dawn escapes from my arms. Dim lights, all I know.” The “dawn” symbolizes hope, renewal, and the possibility of a fresh start. The storm symbolizes sobbing and pain, and “drifting on the tide” evokes a sense of being carried along by external forces, lacking control or direction. Finally, she says, “Dim lights, all I know,” referring to the minimal hope she has left. Tired of battling in life, she stares toward Death in the final part of the song, and a crescendo ends the song, suggesting that this entire story might have been a dream or that she is now in the afterlife. The listener will make their own choice.

MM: Just for fun, what would be your dream tour lineup that includes Candamius?

AJ: Playing along with Tool and Alice in Chains.

MM: With it being 2024 and the age of social media, how do you engage with your fans and community, both online and offline? What role do your fans play in your music and career?

AJ: At the moment, we interact with our fans primarily through social media. Our fans play a crucial role in our music. Since we released “Patient Friend,” the support we have received has been amazing. I am incredibly grateful for them and have only words of gratitude.

MM: Is there anything you’d like to say to the fans, and my readers, here?

AJ: I want to tell them that the album is coming, and I hope that they enjoy it as much as the first two singles.

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Candamius is a band determined to put their best foot forward. They clearly work hard to only share their music once they are fully happy with it, and that mindset has produced two amazing singles. Check out both of those songs below and find Candamius on their socials, as well as your favorite streaming platform. Big things are on their horizon!

Shadows Calling Showcase Their Versatility on New EP, ‘These Scars’

Shadows Calling is a female-fronted alternative rock band hailing from Cork, Ireland. They released their debut EP, Spirit Shifter, in early 2023. Now, the five-piece outfit is back with These Scars, a four track EP that dropped March 22, 2024.

Shadows Calling boasts a group of musicians who delve into the many aspects of the rock and metal genres, paired with singer Jen Vaughan’s powerful vocals. The band utilizes a vast array of sounds and melodies on These Scars, which clocks in at 17 minutes and balances the fast-paced and upbeat with the slow, dark, and moody.

The EP kicks off with “Dead Long Enough,” a heavy opener with tasty guitar parts that will make listeners want to bang their heads and sing along. The song is a 2:47 driving piece that would be at home on any modern rock playlist. Shadows Calling switches gears with the title track, “These Scars,” which has a deliciously gritty groove that brings to mind such classic metal acts as Metallica and Black Sabbath. Jen toys with the rougher edge of her voice throughout, showcasing a range that is expertly manipulated to match the tone set by the music.

“The Lost” is another nod to the vintage, melodic with a hint of funk, and Jen’s vocals positively soar. I can’t put my finger on exactly why, but this is my favorite of the four songs. The EP closes with “Ships,” and here again the band ventures into different territory. This epic track takes the listener on a journey. The music itself runs through a hard rock start, a nasty heavy metal breakdown at its heart. Listeners are then granted by a brief interlude of nothing but bass and the ethereal facet of Jen’s singing before the song ends on a guitar fade out.

Shadows Calling has packed a punch with These Scars, making a statement that they will not be ignored with four catchy, captivating tracks that will grab you and not let go. For any fan of hard rock, metal, and/or grunge, this EP is a must-hear!

Be sure to follow Shadows Calling on their socials so that you don’t miss any updates or new music! The band has had quite a year, and I believe they have a promising future ahead.

Interview: Bradon Marshall of Serpent Rising

Serpent Rising is a new heavy metal/rock project hailing from eastern Pennsylvania, comprised of members from various local acts. So far, the band has shared three singles, and they have a fourth on the horizon.

I was lucky enough to be given the chance to talk to lyricist/frontman Bradon Marshall! We dove into the members’ musical histories, their shared influences, what’s coming next for Serpent Rising, and much more!

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Mostly Music: Tell me about how Serpent Rising formed, and what’s the story behind the name? 

Bradon Marshall: So the band was formed by two members (Josh & Clint) of an old punk band called Cold Blood Creep after they disbanded due to issues with their singer. Then, they found Seth, the guitarist, after seeing him cover a Lamb of God song. Finally, they met me about 3 months ago, before I left the group Two Dollar Horse. I stepped down as lyricist and frontman for TDH, and am filling the same role for Serpent Rising.

As far as the name goes, we bounced around on a bunch of names prior to Serpent Rising, but none of them felt right. Once the name Serpent Rising was put on the whiteboard, we knew it was the one. It sounded cool, rolled off the tongue, and represented our heavier tone,  from the words to the drop tuned instruments.

A simpler way we all look at it is, as Josh put it – before this band, we were all kinda lost in music. Once we were all together, it felt collectively like we rose above the water and started treading.

MM: Did you all have a mutual direction at the beginning, or were you working from different musical backgrounds/influences?

BM: We definitely have different musical backgrounds, I think each member is all over the place; but we totally have our favorites.

Clint, the drummer, is old school. He really likes Motorhead. Josh, the bassist, really loves Dream Theater. So clearly, there’s a beautiful disconnect between all of us, where we as a team can pull from different styles to create.

MM: Who are the band’s major shared influences?

BM: I think if you listen closely, you can hear the best of different rock/metal subgenres come into play. Some honorable influences are as follows: Stone Temple Pilots, Alice in Chains, Megadeth, Periphery, Korn, Sleep Token, Lamb of God, and Acid Bath.

MM: That list definitely runs the gamut of subgenres! So, what is your writing/recording process? How do y’all bring it all together?

BM: Our writing process is currently pretty streamlined and fit so that each member can add their defining piece of the puzzle separately. The main songwriters are Josh and Seth. We are all pretty comfortable with audio engineering from a studio standpoint.

They [Josh and Seth] are really good at creating hook-based riffs with emotional transitions. Basically, they create the whole instrumental portion of the song on their own, then they send it to me to add my lyricist touch. Once the song is pretty much 100%, we bring Clint up to speed.

MM: On that same topic, what is the story behind the latest single, “Asphyxiation”?

BM: Another great question! “Asphyxiation” has done really well; better than any of us expected for the start up of the project. The song has its highs and lows instrumentally as well as lyrically.

In our mind, it tells an abstract and sad love story paired with the words, which is why when Josh and I laid out the script for the music video, we wanted it to not be too on the nose. 

I can’t speak for the band as a whole or anyone that pulls a meaning from the words, but personally, I have dealt with a lot of difficulty with love and put my faith in a lot of things and people that have burned me. Or it is as simple as just not being able to see eye to eye repeatedly, to the point where it creates a jaded “not where you belong” type of feeling when it comes to actually getting close to anyone. Almost suffocating, in a sense, hence the title.   

MM: As a lyricist, from where do you draw most of your inspiration? And what made you start writing? Did you begin in a different medium (poetry, perhaps)?

BM: I think I draw most of my inspiration from things I’m too afraid to say not in front of a microphone, as funny as that sounds. It’s always personal for me, but I try and keep the words abstract. Someday, we could dissect the lyrics of a song to fully understand the meaning I put behind it.

I’ve been writing poetry for most of my life, and I have always looked at it as just poetry on top of music, but once I started playing instruments, I had a place to put the words & it opened up a whole world for me. 

MM: Y’all have released 3 singles thus far. When can we expect an album or EP? Or does the band prefer to upload tracks to a streaming service and not actually put them into a collection like that? I know several bands are going that route with the decline of the demand for physical copies of records. 

BM: As far as releases go, yes, there are currently 3 out of the 13 songs we have lined up for possible release. But I wouldn’t expect an album. It just doesn’t work like singles do. Albums are great, in our opinion, but there is a decline in desire for them and with us trying to also do music videos and cinema content for the majority of the songs, singles make it much easier to do so piece by piece! 

Two of the three songs currently have music videos and an unreleased (as far as streaming services are concerned) track called “MUD” has only a video on YouTube.

MM: I am from the generation that set a lot of store by music videos, so I’m really enjoying this resurgence of artists who like to express their music visually as well. So, what are the band’s plans for 2024? 

BM: As far as our plans for 2024, we’ve booked shows to fill out most of the year, and we’ll be focusing on recording songs to be released and content for music videos and things of that nature. Our plan is to be a little more than just a band that makes and releases music. We’re still planning out ideas for our next big music video adventure! Everything we do, we want to keep DIY. It seems to keep the creativity natural and we are cohesive together more than we’d be with an outside party.

A collaboration or two with another local artist/musician would be cool, though!

MM: What would be your dream collaboration? 

BM: It would be really cool to work with an off-genre band to create a mixture of sounds that weave well together but not to be expected!

MM: Taking that a step further, what would be your dream tour lineup (that includes Serpent Rising, of course)?

BM: I always loved the idea of keeping it close to home. There are a ton of great bands locally. Just to name a few that I’d love to travel and share music with – The Stone Eye, Hannibal, People Food, Ben Grinder Group, Ephraim, Die Tired, The Spyders of HBG.

That’s just a few, there’s many more! The music is there, you just gotta look for it!

MM: I love when bands promote other locals! It helps me spread the word as well. Still on the topic of live shows, what’s your favorite thing about performing? 

BM: I think collectively our favorite thing about performing so far since we’ve started is after a show we get to come off stage and talk to people who heard us for the first time, maybe have a drink with them, and just talk about the music and various other things. Short of the connection we get with them on stage, there’s nothing else comparable!

MM: Last but not least, is there any message you have for your listeners (and my readers)? 

BM: If we could say something to those who listen and anyone who reads this, it would be to always try to create something each day, even if it’s just a little happiness, check out our new single “MUD,” releasing March 30th, and come say hi to us & have a beer or six at our up and coming shows!!!

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Serpent Rising is truly just getting started. If you are a fan of the heavier styles of music, I would highly recommend looking them up right now! Make sure you follow the band on their socials so you never miss any news in regard to upcoming releases or live shows. You can listen to their latest single, “Asphyxiation,” below, and don’t forget that “MUD” drops on March 30th!