Interview: The Lamplighter

The Lamplighter is a one-man band with an attention to detail. All instrumental, his music defies categorization; it’s something you simply have to experience for yourself.

I had the pleasure of talking to The Lamplighter recently. We discussed what lit the fire in him to make music, his writing process, what’s next for him, and more!

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What made you want to pursue a career in music? (Or, if not an intended career, what got you into music as an outlet, hobby, etc.?)

The Lamplighter: My dad was a garage drummer, so I think I have always been hypnotized by music, at least as far back as I know. I remember when Prince released Purple Rain, I was completely captivated by that album. Later, I joined the school band (as a drummer, of course) and found big band jazz. In high school, I was in both orchestra and jazz band, but outside of band I was pretty much a metalhead. I met a guy who was a guitar player mainly into New Wave and Post Punk, and he introduced me to a bass player into punk rock, hard rock, and some psychedelic stuff. The three of us formed a band and wrote some pretty crazy stuff. All our influences came through woven together like a sonic tapestry. They were my best friends, we had a special connection and it was awesome. We played our first Hollywood gig at 15, and by that point, I was in it for good. Creating and playing music was my purpose.

How did The Lamplighter get its start? And what is the significance of the name?

TLL: Well, I was born and raised in L.A. I was in numerous bands, playing countless gigs all over the place. It was a blast for many years. But life eventually brought me to the PNW away from my L.A. musician circle. I found myself musically alone, drifting and struggling to find like-minded musicians who were also dependable (crazy, I know) and eventually almost gave up. One day during a long hiatus, I was listening to funk and jazz in my garage, thinking, “Maybe one day it will happen again,” and then I heard The Budos Band for the first time. They relit my fire. It was then I decided “Screw it! I will just do it myself.” I taught myself how to play guitar many years ago, so learning the keyboard wasn’t too difficult. I started writing, and after the first coupl of songs, I named myself The Lamplighter. 

The name is from my family’s business dating back to the 60s, 70s, and 80s. It was a sign shop called Lamplighter Neon. I always thought the logo was really cool, so I used it. I actually redrew myself as the logo. My family gets a kick out of it. 

So, aside from the drums, are you completely self-taught?

TLL: I am self-taught. After I started playing in the school band, I just couldn’t get enough. My aunt had an old beat-up acoustic guitar from the 70s that she gave me and an old beginner guitar book. It smelled like an old attic, but I learned how to (cut up my fingers), then tune it on a basic scale, then how to play “Yankee Doodle.” I later stumbled across a bar chord and it kinda sounded distorted and from there…you guessed it… “Smoke on the Water.” Haha (seriously). After hooking up with a real band, I would fidget on the other guys’ guitar and bass between jamming. They would just keep me in the corner of their eye and sometimes I think they’d get a little concerned. Haha! But then I started coming up with riffs and it was game on.

Wow! I’m so impressed by people who have the drive and patience to teach themselves. And since everything comes from you, I’m gonna ask you to describe your music in your own words.

TLL: This is a hard question because I never want to give people the wrong impression. They are all instrumentals, and I perform all instruments. I sometimes describe it as funk-infused rock oddities, or energy. It really is just a recipe formulated by my mood, and whatever influences surface that day. I don’t ever want to be a “Metal” artist, or “Punk,” or “Jazz,” or “Funk,” etc. I like all those styles, and more, I just try to let them flow through me. I hope that doesn’t sound lame. A person described one of my songs as “If Twin Peaks and Mad-Max had a child, this would be the soundtrack.” I like it.

What bands/artists inspire you?

TLL: Oh geez, so many. I’d say off the top of my head… Jane’s Addiction, Primus, Funkadelic, Firehose, Fugazi, Clutch, Fu Manchu, Frank Zappa, The Vandals, Dinosaur Jr…..I could go on for days. 

(I just noticed how many bands in that list start with the letter “F.” I wonder if there is a correlation there, or if when naming influences that letter just lingered? Hmmmmm. )

Tell me about your approach to songwriting? What was the process like for Ultraviolet Catastrophe?

TLL: I remember hearing David Bowie talk about not writing music to please other people, and when it starts sounds crazy, you are on to something good. Also, I think it was Prince who said something to the effect of letting the music write itself through you. You essentially become the instrument. So that is kinda what I try to do. I like groovy bass lines with some funk in them. I drive my drums hard at times but add some swing to them and sneak in some old funky riffs. Then I frosted the cake with guitars and/or keyboards, depending on where the song took me. There are a couple of smokin’ leads in there. There are also some eerie processed keys in there. Some songs make you want to dance, others take you on a trip, one tells a story. After I arrive at an “almost done” stage, I let it sit for a week or two and then listen to it again. This album took me a year to finish. I have a 9-5 job and I never want to rush and I definitely don’t ever want to write the same song twice.

Is there anything in particular that inspires you to write, anywhere you draw inspiration from? I’m usually asking this question about lyrics, but I don’t see why it wouldn’t apply to the music itself as well.

TLL: I see music in the world, in everything… a mood, a song I heard, a day at the beach, cruising the city, watching a crow walk across the fence….music is an integral part of life…fundamental.

Do you have a time or certain state of mind that is more conducive to writing than others? I ask because I write short stories and I tend to get motivated late at night – unfortunately – and when it’s really quiet. But I know other people who thrive in chaos, so… 

TLL: Oddly enough, I get a lot of new ideas in the morning shower, and again around 10 a.m. at work. The shower thing I read has to do with the state of your mind being kinda released from daily stress and all the other things one has to think about so the creativity flows past the blockage, so to speak. The 10 a.m. thing is weird and I can’t explain it. It’s like all of a sudden I will be just going through the day, then 10 rolls around and WHAM! I’m head bobbin’ to a bass line, or struttin’ to a drum groove in my head. When I realize what I’m doing, I kinda sheepishly look around and a coworker is like..”New song?” Yep, lol. The struggle is trying to remember them when I get home. 

I get that. Sometimes inspiration strikes me when I don’t have the option to write it down. Lol. Back on the subject of Ultraviolet Catastrophe, do you have a favorite song from the album?

TLL: Not really. Sometimes, I dislike a song more than the others, but that depends on my state of mind. The first song I started promoting was “6 o’clock Jump.” It has groove, energy, and a nice structure… I think 😉

What are your plans for 2023? Can we expect any new music?

TLL: Well, I sort of fell behind the ball with Ultraviolet Catastrophe. I didn’t start putting it out in the world until this last December. It has had some good traction, though, even charted #2 twice on the “Radio Indie Alliance.” So I will continue to raise awareness of it because there are many people who have not heard it yet. I have put a lot into it, and I hope it reaches people. According to Spotify, it has been played in 6 continents….woo hoo! I need to find some penguins in Antarctica to get a Spotify so I can hit all 7.

But new music for sure, always. I am actually finishing up a second release. I went a different direction with this one, and it should be out at the end of April or early May.

And last but not least, where can my readers find your music?

TLL: My music is on all the platforms. Spotify, Pandora, Bandcamp, Youtube, Itunes, Apple Music, Last FM, etc. I have an Instagram and Facebook. For us appreciators of “old media”, I have CDs on Bandcamp. They come with stickers, because stickers are fun.

**

If you enjoy music that is different, intricate and unique, you certainly should listen to The Lamplighter. A lot of energy and feeling goes into his craft, and it is evident in every riff, groove, and beat. As stated, you can find his music on your favorite streaming service, and you can keep up with his creative endeavors by following his socials.

Ugly Kid Joe: Rad Wings of Destiny Tour 2023

Ugly Kid Joe is touring with Fozzy and Pistols at Dawn this spring! You can get tickets at uglykidjoe.net.

  • 5/3 – San Diego, CA – Brick By Brick*
  • 5/4 – Los Angeles, CA – The Regent
  • 5/5 – Ventura, CA – Majestic Theater
  • 5/7 – Las Vegas, NV – Hard Rock Cafe
  • 5/8 – Albuquerque, NM – Sunshine Theater
  • 5/11 – Houston, TX – Rise
  • 5/12 – Dallas, TX – Echo
  • 5/13 – Oklahoma City, OK – Diamond Ballroom
  • 5/15 – Kansas City, MO – The Truman
  • 5/16 – Lincoln, NE – Bourbon Theater*
  • 5/18 – St. Charles, IL – Arcada Theater
  • 5/19 – Green Bay, WI – Epic Events Center
  • 5/20 – Turtle Lake, WI – St. Croix Casino
  • 5/21 – Indianapolis, IN – Hi Fi Annex
  • 5/22 – Moline, IL – Rust Belt
  • 5/24 – Flint, MI – Machine Shop*
  • 5/25 – Cleveland, OH – Agora Theater*
  • 5/26 – Mechanicsburg, PA – Lovedrafts*
  • 5/27 – Pittsburgh, PA – Jergels*
  • 5/28 – Leesburg, VA – Tally Ho Theater*
  • 5/30 – Winston-Salem, NC – The Ramkat*
  • 6/1 – Atlanta, GA – Centerstage
  • 6/2 – Cottonwood, AL – Yellow Rose Theater
  • 6/3 – Fort Myers, FL – The Ranch
  • 6/4 – Tampa, FL – Jannus Live
  • 6/5 – Destin, FL – Club LA
  • 6/7 – New Orleans, LA – House of Blues*
  • 6/9 – Austin, TX – Come and Take It Live*
  • 6/10 – San Antonio, TX – Rockbox*

* No Fozzy

Song of the Day — The Lamplighter: “Shiny Shoes”

Taken from The Lamp Lighter’s most recent album, Ultraviolet Catastrophe, released April 23, 2022.

Steel Panther: On the Prowl World Tour 2023

Steel Panther is about to set off on their On the Prowl World Tour. Crobot and Tragedy will be appearing at the U.S. shows, while Winger is the special guest for the May dates in the U.K. Tickets and VIP available at steelpantherrocks.com.

U.S. Dates

  • 2/24 – Las Vegas, NV – House of Blues
  • 2/25 – Anaheim, CA – House of Blues
  • 2/26 – Tempe, AZ – Marquee Theatre
  • 2/28 – San Antonio, TX – The Aztec Theater
  • 3/1 – Houston, TX – House of Blues
  • 3/3 – Dallas, TX – House of Blues
  • 3/4 – Oklahoma City, OK – Diamond Ballroom
  • 3/6 – Nashville, TN – Marathon Music Works
  • 3/8 – Fort Lauderdale, FL – Culture Room
  • 3/10 – Orlando, FL – The Plaza Live
  • 3/11 – St. Petersburg, FL – Jannus Live
  • 3/12 – Atlanta, GA – Buckhead Theatre
  • 3/14 – Baltimore, MD – Rams Head Live!
  • 3/16 – New York, NY – Irving Plaza
  • 3/17 – Philadelphia, PA – Keswick Theatre
  • 3/18 – Sayreville, NJ – Starland Ballroom
  • 3/19 – Worcester, MA – Palladium
  • 3/21 – Detroit, MI – The Fillmore
  • 3/22 – Columbus, OH – The Bluestone
  • 3/24 – Indianapolis, IN – Murat Egyptian Room
  • 3/25 – Chicago, IL – House of Blues
  • 3/26 – Bloomington, IL – The Castle Theatre
  • 3/28 – Milwaukee, WI – The Eagles Club Stage
  • 3/29 – Minneapolis, MN – Fillmore Park
  • 3/31 – Lincoln, NE – The Bourbon Theatre
  • 4/1 – Denver, CO – Fillmore Auditorium
  • 4/2 – Salt Lake City, UT – The Depot
  • 4/4 – Portland, OR – Crystal Ballroom
  • 4/6 – West Hollywood, CA – Whisky A Go-Go
  • 4/7 – West Hollywood, CA – Whisky A Go-Go
  • 4/8 – San Diego, CA – House of Blues

U.K. Dates

  • 5/14 – Glasgow, UK – O2 Academy Glasgow
  • 5/15 – Newcastle Upon Tyne, UK – O2 City Hall Newcastle
  • 5/17 – Manchester, UK – Manchester Academy
  • 5/18 – Birmingham, UK – O2 Academy Birmingham
  • 5/20 – London, UK – O2 Forum Kentishtown
  • 5/21 – Bristol, UK – O2 Academy Bristol
  • 5/23 – Leeds, UK – O2 Academy Leeds
  • 5/25 – Belfast, UK – Ulster Hall
  • 5/26 – Cork, IE – Cyprus Avenue
  • 5/28 – Dublin, IE – Vicar Street

Interview: Stone Harvest

Stone Harvest is an original rock band based in Tennessee that seamlessly blends both the classic and contemporary in their music. Comprised of vocalist Levi Kelley, guitarist Matt Sullivan, drummer Blake Jenkins, and bassist Nathan Slater, the band released their self-titled debut EP in 2021. They have since been working on new music and have plans for a big 2023.

I had the opportunity to chat with the band and learn a bit more about both their history and what’s in store for the future. 

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First and foremost, what made you want to pursue a career in music?

Levi: My grandmother was and is a huge influence on me. She was a in a band where they performed on the Ernest Tubb show on Wednesday nights. I remember playing hooky from school so I could sit with her all day and sing the oldest songs you’ve never heard. After getting hitched to my grandpa who was a preacher, unfortunately she didn’t play as much as she once did. It has always been very important to me to carry on the legacy and never give up!

Matt: It’s just one of those things that made sense to me. I’ve always loved music more than anything and I’ve always been drawn to the guitar. And making music was just the obvious choice for what I need to do with my life. Even in high school, I was much more focused on my band and learning Nirvana covers than I was doing my Spanish homework or studying for my history exams. I went to college for a few years but my heart wasn’t in it. A music career was the obvious choice and it kept calling at me until I moved out to Alabama and luckily I met some guys in Tennessee who are as passionate about it as I am. 

Nathan: I’ve always played music, even as a young kid. About 8 or 10 I got a guitar and played piano a lot, but when I was around 14 I started getting serious about it and decided I wanted to play bass and a couple of friends started a band in eighth grade and been playing ever since.

Levi, aside from your grandmother, who are your vocal influences?

Levi: Most definitely Travis Tritt! He is as talented as they get, if you ask me! I learned if you don’t have the full attention of the audience, that’s when you start running across tables. That’s some straight Travis Tritt advice there, that I take with me to every show!

Who are the biggest influences for the band as a whole? Do you guys share a lot of similar music tastes, or do y’all come at it from different angles? 

Matt: I would say that we all share influences (the band) from contemporary artists such as Magnolia Bayou, Dirty Honey, and Bishop Gunn, as well as older influences of Skynyrd, Brother Cane and Aerosmith.

How was Stone Harvest formed, and where did the name come from?

Levi: I wanted to start a band where there was no real “band leader.” Anything and everything we do is always a vote from everyone. On the name I had the word “harvest” that I was stuck on as I watched a combine harvest grain, then I honestly just started plugging in a combination of words until Stone Harvest came out and I really wasn’t that stuck on it. That same day I searched on social media for some like-minded dudes, and in the post I remember putting something along the lines of “Looking for a full band to play original music with the influences of Bishop Gunn (RIP) and Dirty  Honey”. We jammed that night, but Stone Harvest was still missing something. That’s when the 4 original band members of Stone Harvest quit practically the same day, then along came Blake, then Matt, then Nathan, and Stone Harvest was complete.

Stone Harvest (2022)

What is the writing and recording process like for y’all? 

Matt: The writing process is mostly jam-based. So that’s just us sitting around playing with a riff or a chord progression and then we all kind of go from there. We sometimes will sit down together and come up with lyrics, but mostly it’s Levi who writes the lyrics and he will come up with a cool idea or phrase and then we kind of build on it from there. It’s usually all written on the spot; music, melodies, lyrics and solos. There are a few times when I’ll bring a riff in to rehearsal and we use it but usually we just start playing and feeding off of the energy of the rest of the band and next thing you know, we have a new single written. 
For our recording process we like to do it all at once, a live recording to use as a scratch track and get it as close to perfect as we can and then individually we come in with overdubs and fills and things like that. 

And where do y’all draw your inspiration from?

Matt: It’s hard to say in an umbrella answer “this is where we get our inspiration” because we try to get so much of it from random places. It could be a phrase one of us says. Or it could be something as simple as the weather outside. We have a new single we are going to release soon and it’s all about driving on a sunny day. So we try to draw from a lot of places because we don’t want our material or subject matter to get stale.

I’m glad you mentioned new music because I wanted to ask the story behind your latest single, “All The Lies”?

Levi: I remember listening to the bass line in the song “Pumped Up Kicks” by Foster the People and thinking, “damn, we need some thump groovin’ like that in a song”. Took that idea straight to band rehearsal, and all the lies was born that night. At least I think that’s how it went, ha ha. 

So what’s the follow-up for 2023? A new album, or…?

Levi: Definitely new music. We are toying with a few new ideas of how to go about releasing it, but I absolutely foresee a new single coming out in the next couple of months.

Just for fun, who would y’all most like to collaborate with?

Matt: I personally would love to work with Damon Johnson from Brother Cane. He’s been a huge influence on me and I think he would be fun to work with. Not to mention that he’s one of the coolest guys you’re ever gonna meet.

Is there any message you would like to share with your fans?

Matt: We definitely want our fans to know how much we love them and how greatly we appreciate their support over the years, we look forward to many more years ahead.

And for any of my readers who aren’t already following Stone Harvest, where can they find your music?

Matt: Your readers can find us anywhere they stream music! We are on Spotify, Apple Music, Amazon, all that good stuff.

**

Make sure to check out Stone Harvest’s latest single, “All The Lies,” on your favorite streaming service (and/or below)! You can also keep up with what the band is up to via all their socials.

Mac Saturn: Until The Money Runs Out Tour, North America 2023 (Updated 1/10/23)

Update: Mac Saturn has added a few dates to their Until The Money Runs Out Tour! Check them out below.

Tickets: macsaturn.com

  • 1/24 – Covington, KY – Madison Live!
  • 1/25 – Cleveland, OH – House of Blues
  • 1/27 – Washington DC – Songbyrd Music House
  • 1/28 – Hartford, CT – Webster Theater
  • 1/29 – Boston, MA – Brighton Music Hall
  • 1/31 – Portland, ME – Portland House of Music and Events (HOME)
  • 2/1 – Burlington, VT – Higher Ground
  • 2/2 – Philadelphia, PA – The Fillmore
  • 2/4 – New York, NY – Racket NYC
  • 2/5 – Albany, NY – Empire Live
  • 2/7 – Montreal, QC – L’Escogriffe Bar Spectacle
  • 2/8 – Toronto, ON – Horseshoe Tavern
  • 2/9 – Buffalo, NY – Town Ballroom
  • 2/16 – Indianapolis, IN – Hi-Fi
  • 2/17 – Sauget, IL – Pop’s Nightclub and Concert Venue
  • 2/18 – Lawrence, KS – Bottleneck
  • 2/19 – Oklahoma City, OK – Beer City Music Hall
  • 2/21 – Dallas, TX – HOB Dallas, Cambridge Room
  • 2/22 – Houston, TX – House of Blues Houston
  • 2/23 – Austin, TX – 3TEN Austin City Limits Live
  • 2/25 – New Orleans, LA – House of Blues New Orleans
  • 2/27 – Nashville, TN – The End
  • 2/28 – Atlanta, GA – Center Stage
  • 3/2 – Charleston, SC – Music Farm
  • 3/3 – Charlotte, NC – Amos’ Southend
  • 3/4 – Wilmington, NC – Bourgie Nights (New date!)
  • 3/14 – Madison, WI – High Noon Saloon
  • 3/15 – Minneapolis, MN – 7th Street Entry
  • 3/17 – Wichita, KS – Barleycorn’s
  • 3/18 – Colorado Springs, CO – Black Sheep
  • 3/19 – Albuquerque, NM – Launchpad (New date!)
  • 3/20 – Tucson, AZ – Club Congress
  • 3/22 – Los Angeles, CA – Troubadour
  • 3/23 – San Francisco, CA – Brick & Mortar Music Hall
  • 3/25 – Seattle, WA – Funhouse
  • 3/26 – Vancouver, BC – The Cobalt Cabaret
  • 3/27 – Portland, OR – McMenamins Mission Theater
  • 3/31 – Ann Arbor, MI – Blind Pig
  • 4/1 – Ann Arbor, MI – Blind Pig (2nd night added!)

Dirty Honey Shares 2023 European Dates for the California Dreamin’ Tour

Tickets: dirtyhoney.com

  • 1/21 – Norwich, UK – Waterfront
  • 1/22 – Milton Keynes, UK – Crauford Arms
  • 1/24 – London, UK – The Garage
  • 1/25 – Manchester, UK – Manchester Club Academy
  • 1/26 – Glasgow, UK – SWG3 Studio Warehouse
  • 1/28 – Nottingham, UK – The Bodega Social Club
  • 1/29 – Sheffield, UK – Corporation
  • 1/30 – Cardiff, UK – Globe
  • 1/31 – Southampton, UK – Engine Rooms
  • 2/2 – Antwerp, BE – Trix
  • 2/3 – Cologne, DE – Helios 37
  • 2/4 – Nijmegen, NL – Doornroosje
  • 2/6 – Eindhoven, NL – De Effenaar
  • 2/7 – Paris, FR – La Maroquinerie
  • 2/9 – Barcelona, ES – Upload
  • 2/10 – Madrid, ES – Mon
  • 2/12 – Zurich, CH – Dynamo
  • 2/13 – Rubigen, CH – Mühle Hunziken
  • 2/14 – Milan, IT – Legend Club
  • 2/15 – Rome, IT – Monk Club
  • 2/17 – Dornbirn, AT – Conrad Sohm
  • 2/18 – Augsburg, DE – Musikkantine
  • 2/19 – Vienna, AT – Szene Wien
  • 2/22 – Berlin, DE – Badehaus
  • 2/23 – Hamburg, DE – Headcrash
  • 2/25 – Copenhagen, DK – Hotel Cecil
  • 2/26 – Gothenburg, SE – Pustervik
  • 2/27 – Oslo, NO – John Dee
  • 2/28 – Stockholm, SE – Debaser (New date!)
  • 3/2 – Helsinki, FI – Tavastia Club

30 Day Song Challenge: Day 16 – A Song From the Year You Were Born

We need to talk about how much I love this song… How did I not know it was released the year I was born until I looked up 1987 hits for this post?!

INXS: “Need You Tonight”