funk rock
Live Unplugged: Northeast Fall Tour 2023
Alt-rockers Live are doing a short run of (mostly) acoustic shows this October and November in the northeast U.S. Tickets available at freaks4live.com.
- 10/12 – Rutland, VT – Paramount Theatre, VT
- 10/13 – Boston, MA – Boch Center at Shubert Theatre
- 10/15 – New London, CT – Garde Arts Center
- 10/17 – Harrisburg, PA – The Forum Auditorium
- 10/18 – Washington, DC – Lincoln Theatre
- 10/20 – Morristown, NJ – Mayo Performing Arts Center
- 10/21 – Atlantic City, NJ – Ocean Casino Resort*
- 11/8 – Albany, NY – Hart Theatre at The Egg
- 11/10 – Ithaca, NY – State Theatre of Ithaca
- 11/11 – Salamanca, NY – Seneca Allegany Resort & Casino (New date!)
* Electric band show

Song of the Day — The Lamplighter: “Ocean Shores”
Song of the Day — Avenged Sevenfold: “(O)rdinary”
The Space Turtles Address Artificial Intelligence in New Song “Unplug”
The advances – and dangers – of AI have been a hot topic for years, but with the introduction of Snapchat’s My AI and all the AI-generated images on social media lately, this is a subject that now hits close to home for all of us. Indie grunge rockers The Space Turtles are no exception.
In their most recent single, “Unplug,” this Long Island based band writes about the extremes of our AI fascination and how it’s going off the rails. Reality has become twisted. In fact, it’s becoming increasingly difficult to discern between what’s real and what’s not. What do The Space Turtles recommend? Unplug, and live the simple life.
“We are living a lie/Dear God/Zeroes and ones, what have we done?/I need to unplug…”
“Unplug” is a warning wrapped in a funky, grungy melody and delivered with the frustration of our endless obsession with the digital world. Check it out on your favorite streaming service, or listen on YouTube below!
Song of the Day — Tops of Trees: “Radio”
Taken from Treehouse Sessions: The Cool Side, available now!
Song of the Day — Avenged Sevenfold: “G”
My favorite track from Life is But a Dream…, which is available everywhere now!
The Struts Announce Summer Dates With Mac Saturn
Tickets: thestruts.com
- 6/16 – Detroit, MI – The Fillmore
- 6/17 – Burlington, ON – Sound of Music Festival 2023*
- 6/18 – Grand Rapids, MI – GLC Live at 20 Monroe
- 6/20 – Indianapolis, IN – Egyptian Room at Old National Centre
- 6/22 – Minneapolis, MN – First Avenue
- 6/23 – Chicago, IL – Riviera Theatre
- 6/24 – Madison, WI – The Sylvee
- 6/25 – St. Louis, MO – The Pageant
- 6/27 – New Orleans, LA – The Civic Theatre
- 6/28 – Austin, TX – Emo’s Austin
- 6/29 – Oklahoma City, OK – Diamond Ballroom
- 7/1 – Atlanta, GA – The Eastern
- 7/2 – Orlando, FL – The Beacham
- 7/3 – Fort Lauderdale, FL – Revolution Live
- 7/5 – Charleston, SC – Charleston Music Hall
- 7/7 – Charlotte, NC – The Fillmore
- 7/8 – Kirtland, OH – Wonderstruck 2023*
- 7/9 – Nashville, TN – Brooklyn Bowl
- 7/11 – Columbus, OH – The Bluestone
- 7/12 – McKees Rocks, PA – Roxian Theatre
- 7/14 – Harrisburg, PA – XL Live
- 7/15 – New York, NY – The Rooftop at Pier 17
- 7/16 – Washington, DC – 9:30 Club
- 7/18 – Boston, MA – House of Blues
- 7/19 – Portland, ME – Aura
- 7/21 – Hampton Beach, NH – Hampton Beach Casino Ballroom
- 7/22 – Philadelphia, PA – The Fillmore
- 7/23 – Washington, DC – The Atlantis*
* No Mac Saturn

Duran Duran: Future Past North American Tour 2023
Duran Duran is touring in North America in the late spring/early summer with Bastille and Nile Rodgers & CHIC. The Future Past dates officially begin May 28th in San Jose, but Duran Duran is also appearing at BottleRock Napa Valley 2023 on the 27th. (Also note that there are no July dates; the tour jumps from late June to late August.)
Tickets: duranduran.com
- 5/28 – San Jose, CA – SAP Center at San Jose
- 5/31 – Seattle, WA – The Climate Pledge Arena
- 6/1 – Portland, OR – The Moda Center
- 6/3 – Salt Lake City, UT – Vivint Arena
- 6/6 – Austin, TX – The Moody Center
- 6/7 – New Orleans, LA – The Smoothie King Center
- 6/9 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion
- 6/10 – Dallas, TX – The American Airlines Center
- 6/13 – Nashville, TN – Bridgestone Arena
- 6/15 – Atlanta, GA – The State Farm Arena
- 6/17 – Tampa, FL – The Amalie Arena
- 6/18 – Sunrise, FL – The FLA Live Arena
- 8/24 – Sacramento, CA – The Golden 1 Center
- 8/26 – Las Vegas, NV – T-Mobile Arena
- 8/28 – Morrison, CO – Red Rocks Amphitheatre
- 8/29 – Morrison, CO – Red Rocks Amphitheatre
- 8/31 – St. Paul, MN – Minnesota State Fair
- 9/1 – Chicago, IL – Huntington Bank Pavilion
- 9/3 – Canandaigua, NY – CMAC
- 9/6 – Boston, MA – TD Garden
- 9/7 – Philadelphia, PA – Wells Fargo Center
- 9/9 – Pittsburgh, PA – PPG Paints Arena
- 9/10 – Cuyahoga Falls, OH – Blossom Music Center
- 9/13 – Washington, DC – The Capital One Arena
- 9/15 – Louisville, KY – Bourbon & Beyond 2023
- 9/16 – Detroit, MI – The Little Caesars Arena
- 9/19 – Toronto, ON – Scotiabank Arena

Interview: The Lamplighter
The Lamplighter is a one-man band with an attention to detail. All instrumental, his music defies categorization; it’s something you simply have to experience for yourself.
I had the pleasure of talking to The Lamplighter recently. We discussed what lit the fire in him to make music, his writing process, what’s next for him, and more!
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What made you want to pursue a career in music? (Or, if not an intended career, what got you into music as an outlet, hobby, etc.?)
The Lamplighter: My dad was a garage drummer, so I think I have always been hypnotized by music, at least as far back as I know. I remember when Prince released Purple Rain, I was completely captivated by that album. Later, I joined the school band (as a drummer, of course) and found big band jazz. In high school, I was in both orchestra and jazz band, but outside of band I was pretty much a metalhead. I met a guy who was a guitar player mainly into New Wave and Post Punk, and he introduced me to a bass player into punk rock, hard rock, and some psychedelic stuff. The three of us formed a band and wrote some pretty crazy stuff. All our influences came through woven together like a sonic tapestry. They were my best friends, we had a special connection and it was awesome. We played our first Hollywood gig at 15, and by that point, I was in it for good. Creating and playing music was my purpose.
How did The Lamplighter get its start? And what is the significance of the name?
TLL: Well, I was born and raised in L.A. I was in numerous bands, playing countless gigs all over the place. It was a blast for many years. But life eventually brought me to the PNW away from my L.A. musician circle. I found myself musically alone, drifting and struggling to find like-minded musicians who were also dependable (crazy, I know) and eventually almost gave up. One day during a long hiatus, I was listening to funk and jazz in my garage, thinking, “Maybe one day it will happen again,” and then I heard The Budos Band for the first time. They relit my fire. It was then I decided “Screw it! I will just do it myself.” I taught myself how to play guitar many years ago, so learning the keyboard wasn’t too difficult. I started writing, and after the first coupl of songs, I named myself The Lamplighter.
The name is from my family’s business dating back to the 60s, 70s, and 80s. It was a sign shop called Lamplighter Neon. I always thought the logo was really cool, so I used it. I actually redrew myself as the logo. My family gets a kick out of it.
So, aside from the drums, are you completely self-taught?
TLL: I am self-taught. After I started playing in the school band, I just couldn’t get enough. My aunt had an old beat-up acoustic guitar from the 70s that she gave me and an old beginner guitar book. It smelled like an old attic, but I learned how to (cut up my fingers), then tune it on a basic scale, then how to play “Yankee Doodle.” I later stumbled across a bar chord and it kinda sounded distorted and from there…you guessed it… “Smoke on the Water.” Haha (seriously). After hooking up with a real band, I would fidget on the other guys’ guitar and bass between jamming. They would just keep me in the corner of their eye and sometimes I think they’d get a little concerned. Haha! But then I started coming up with riffs and it was game on.
Wow! I’m so impressed by people who have the drive and patience to teach themselves. And since everything comes from you, I’m gonna ask you to describe your music in your own words.
TLL: This is a hard question because I never want to give people the wrong impression. They are all instrumentals, and I perform all instruments. I sometimes describe it as funk-infused rock oddities, or energy. It really is just a recipe formulated by my mood, and whatever influences surface that day. I don’t ever want to be a “Metal” artist, or “Punk,” or “Jazz,” or “Funk,” etc. I like all those styles, and more, I just try to let them flow through me. I hope that doesn’t sound lame. A person described one of my songs as “If Twin Peaks and Mad-Max had a child, this would be the soundtrack.” I like it.
What bands/artists inspire you?
TLL: Oh geez, so many. I’d say off the top of my head… Jane’s Addiction, Primus, Funkadelic, Firehose, Fugazi, Clutch, Fu Manchu, Frank Zappa, The Vandals, Dinosaur Jr…..I could go on for days.
(I just noticed how many bands in that list start with the letter “F.” I wonder if there is a correlation there, or if when naming influences that letter just lingered? Hmmmmm. )
Tell me about your approach to songwriting? What was the process like for Ultraviolet Catastrophe?
TLL: I remember hearing David Bowie talk about not writing music to please other people, and when it starts sounds crazy, you are on to something good. Also, I think it was Prince who said something to the effect of letting the music write itself through you. You essentially become the instrument. So that is kinda what I try to do. I like groovy bass lines with some funk in them. I drive my drums hard at times but add some swing to them and sneak in some old funky riffs. Then I frosted the cake with guitars and/or keyboards, depending on where the song took me. There are a couple of smokin’ leads in there. There are also some eerie processed keys in there. Some songs make you want to dance, others take you on a trip, one tells a story. After I arrive at an “almost done” stage, I let it sit for a week or two and then listen to it again. This album took me a year to finish. I have a 9-5 job and I never want to rush and I definitely don’t ever want to write the same song twice.
Is there anything in particular that inspires you to write, anywhere you draw inspiration from? I’m usually asking this question about lyrics, but I don’t see why it wouldn’t apply to the music itself as well.
TLL: I see music in the world, in everything… a mood, a song I heard, a day at the beach, cruising the city, watching a crow walk across the fence….music is an integral part of life…fundamental.
Do you have a time or certain state of mind that is more conducive to writing than others? I ask because I write short stories and I tend to get motivated late at night – unfortunately – and when it’s really quiet. But I know other people who thrive in chaos, so…
TLL: Oddly enough, I get a lot of new ideas in the morning shower, and again around 10 a.m. at work. The shower thing I read has to do with the state of your mind being kinda released from daily stress and all the other things one has to think about so the creativity flows past the blockage, so to speak. The 10 a.m. thing is weird and I can’t explain it. It’s like all of a sudden I will be just going through the day, then 10 rolls around and WHAM! I’m head bobbin’ to a bass line, or struttin’ to a drum groove in my head. When I realize what I’m doing, I kinda sheepishly look around and a coworker is like..”New song?” Yep, lol. The struggle is trying to remember them when I get home.
I get that. Sometimes inspiration strikes me when I don’t have the option to write it down. Lol. Back on the subject of Ultraviolet Catastrophe, do you have a favorite song from the album?
TLL: Not really. Sometimes, I dislike a song more than the others, but that depends on my state of mind. The first song I started promoting was “6 o’clock Jump.” It has groove, energy, and a nice structure… I think 😉
What are your plans for 2023? Can we expect any new music?
TLL: Well, I sort of fell behind the ball with Ultraviolet Catastrophe. I didn’t start putting it out in the world until this last December. It has had some good traction, though, even charted #2 twice on the “Radio Indie Alliance.” So I will continue to raise awareness of it because there are many people who have not heard it yet. I have put a lot into it, and I hope it reaches people. According to Spotify, it has been played in 6 continents….woo hoo! I need to find some penguins in Antarctica to get a Spotify so I can hit all 7.
But new music for sure, always. I am actually finishing up a second release. I went a different direction with this one, and it should be out at the end of April or early May.
And last but not least, where can my readers find your music?
TLL: My music is on all the platforms. Spotify, Pandora, Bandcamp, Youtube, Itunes, Apple Music, Last FM, etc. I have an Instagram and Facebook. For us appreciators of “old media”, I have CDs on Bandcamp. They come with stickers, because stickers are fun.
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If you enjoy music that is different, intricate and unique, you certainly should listen to The Lamplighter. A lot of energy and feeling goes into his craft, and it is evident in every riff, groove, and beat. As stated, you can find his music on your favorite streaming service, and you can keep up with his creative endeavors by following his socials.