artist interview

Interview: Ryan Henry of We Are The Virus

November 21, 2023 — Leave a comment

We Are The Virus is a project from Louisiana that spans metal and all of its subgenres. Front man, and sole permanent member, Ryan Henry brought WATV to life in the wake of Covid, as a way to vent the emotions of everyday life.

I was given the opportunity to talk to Ryan about the beginnings of We Are The Virus, the inspiration behind the music, the latest album, Civil Disobedience, and more.

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How was We Are The Virus formed, and what’s the story behind the name?

Ryan: The, let’s call it “project,” of WATV formed in early 2021, basically out of a Covid-ridden landscape. I had played guitar for most of my life – close to 25 years – and never really attempted a project “solo”. I was 2 years out of a divorce, and my (now) wife had been pushing me to really get back to my musical roots. Really connect back with the music again. We had made it a huge part of our relationship, and she could see how much playing and creating meant to me. She pushed me back into it, and I dove in head first. The name was actually a suggestion from one of the collaborators on the album, Mike O’Brien (Texas Murder Crew; who is also a firefighter as I am). The name really RESONATED crazily with me – I’ve worked in hazardous material response for most of my adult life and was an extreme zombie movie fanatic for years, so it truly fit.  

Who are your major influences? Did you and the others involved all come from similar musical backgrounds, or did you have to blend different influences into the sound y’all have created?

Ryan: The collaborators on the album Civil Disobedience have SIMILAR backgrounds; however, the difference in proximity to each other has for sure played a huge influence.  I collaborated with Mike O’Brien and Aaron Bazen (Truth and Tragedy) on the album. Both had the heavy musical influence, but the direction was different. Mike being from a Slam/Deathcore background and Aaron being from a Hardcore background brought a few different flavors to the mix. I am the sole constant member in the band, but I feel like it’s very important to fill in my gaps with someone able to express their 100% creative freedom. And I’m lucky to have worked with these two because of the sheer ethic and drive they both have. 

Speaking of Civil Disobedience, it was released back in August. Can you tell me a little about the writing and recording process for the album?

Ryan: The writing and recording process for Civil Disobedience was a huge hurdle for me. After being guided into the musical process again by my wife, it was a gateway of emotional sputum. I did not realize what I had inside after my career of firefighting and going through life changes that needed to come out. My writing process was pretty erratic. I didn’t know when or why; however, when it felt as if it needed to come out, it was TIME. There were many times my wife and I were having a normal day together, and I would tell her, “Hey, I need to play, it needs to come out.” Most of the songs were put together quickly, like when it was time to happen, it got spewed out onto the page. 

How do you feel your career as a firefighter influences your music?

Ryan: My career, as much as I hate to admit, probably has influenced my music quite a bit. There’s a lot of really dark shit to deal with in emergency response. I’ve seen a lot of death, sometimes natural, sometimes not, but on the contrary, I’ve also been a part of saving lives. It’s an extreme polar bounce of emotions thinking of how it could have influenced. There was one really particular incident where my music and response crossed inadvertently. Years ago, without giving too many details, we worked a fatal car accident involving a young teenage driver. While I had been into heavy music most of my life at this point, I noticed in the deceased’s vehicle there was an album in the back seat, an album that I also owned at the time. That call has always haunted me for many reasons, but the connection of music between the driver and us trying to save them has really stuck with me. Sorry for being vague! It’s out of respect for the patient.

Let’s talk further back. What was it that first inspired you to create? Was there any particular band/artist, or a moment you remember thinking “that’s what I want to do”?

Ryan: To create, I feel like the best answer to this is the feeling or need to express. Behaviorally, I do feel I’ve always been reserved and almost empathetic or too in tune with how others are feeling or have felt. Creation and expression of the music reverses that for those moment and makes me feel powerful. Mentally, it’s helped me considerably to each day take time out to work on music and gotten me back on a track where I’m feeling confident and as if I can take on the world. Growing up, there was a turning point as far as artists that really inspired me. I grew up listening to my dad’s vinyl collection of Deep Purple, Lynyrd Skynyrd, and ZZ Top.  These bands paved the way for me to get into Black Sabbath and the darker aspects of music. But two bands really solidified me and inspired me to play, and those were Metallica and Korn. These two bands made me want to pick up a guitar every day and play, particularly Metallica’s The Black Album, and Korn’s Life is Peachy.

While we’re discussing your musical tastes, I have to ask, just for fun, is there anyone you listen to that you think would surprise people?

Ryan: Well, as a teenager, I would never have admitted any sort of guilty pleasure. You know, the older I get – I really start to feel like none of my musical pleasure should be guilty (although it could be slightly embarrassing). I love the band The Police. Copeland was an amazing drummer, and I focus on it each time I hear the music. Also, country artist, if you would really call it that, Cody Jinks. Cody Jinks has some really deep stuff. He has very obviously been through some shit in his life, and his song “David” always strikes a cord with me because of my emergency response background. Essentially he, as a police officer, responds to the death of a childhood friend.  Listen to the song and really explore it lyrically, really great stuff. 

As far as songs that resonate, which one of your own tracks from the new album do you connect with the most? (If there is such a song.)

Ryan: “One Dark Highway,” without a doubt. Musically, the song was written at a super low point. It was my droning song to myself about being in the middle of a dark intersection in the middle of nowhere. Looking in all directions with no headlights, just darkness and a chill in the air. Lyrically, I had given Mike O’Brien the name of the song, and he wrote the corresponding lyrics without any sort of prompt from me other than the name, and the lyrics just sent it right home. “So I walk on this highway, searching for a change” gives me chills and is my favorite, beyond a shadow of a doubt. 

What are your plans for the rest of 2023 and beyond?

Ryan: The rest of 2023 is getting used to the live performance aspect of the album. Generally I’ll just play the guitars live with a backing track.  I’ve lined up some shows and am hammering out all of the kinks of performance like that.  It’s still absolutely crazy to me when I see people vibing to the music I’m playing because it seems surreal.  It was selfishly in a way written for me to get my emotional crap out, but people are resonating with it, and it’s odd to get used to it, but I love it. 

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We Are The Virus dropped the debut album Civil Disobedience on August 18th. You can stream it here.

Listen to Ryan’s favorite track:

Interview: Sever Red

November 13, 2023 — Leave a comment

Sever Red is a rock/metal band that is just getting started. Having begun their formation in spring of 2023, this heavy-hitting quartet has made the most of the intervening months. Two singles, “Forever Changed” and “Desperation,” were released this fall, and their debut EP, Sick & Tormented, will be dropping in January 2024.

I recently had a chat with the band, which consists of front man Kevin Riner, guitarist Josiah Wilder, drummer Kenny Shillingburg, and bassist Stephen Mauk. Buckle up, because here’s your crash course on Sever Red!

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First and foremost, how did the band come together, and what’s the story behind the name “Sever Red”?

Kevin: The band started with just me having a vision and wanting to write the best EP possible to give myself a real shot at chasing my lifelong dream of being a professional musician for a living. I wrote everything myself, got some demos together, and sent them to a producer named Josh Schroeder, who is absolutely one of the best producers in the United States. (Just my opinion!) Long story short, a 5 song EP was created, and then came the time for me to look for band members so I could get this thing really going. I feel like you have to play live to really get your name out there. In my opinion, there is no better way to grow an organic growing fanbase than playing live shows and connecting with real people. 

That being said, my great friend Caleb got me in touch with Josiah, who knew I needed a guitarist, and after a 45-minute phone call discussing our visions and goals as musicians, we agreed we would love to meet up to jam and see what happens. That jam session went great, and then the guitarist spot in Sever Red was filled!

Stephen and I used to play in a band together about a decade ago, and after not really keeping in touch, I decided to see if he would be interested in joining the project. After a couple of conversations discussing details, the goals and aspirations we both had, everything aligned, and then the bass position was filled! 

As for Kenny, he always told me he had my back when I was ready to get this project going. Like Stephen and I, Kenny and I go back about a decade as well, and we used to also play shows together. He was in another band, and I always admired his drumming skill, and I knew he would be my go-to guy whenever I was to start my own project. Not only is he a great drummer, but he is a solid dude and friend. Fast forward to now, the project started up and he agreed to be in the band. That is a quick summary of how Sever Red came to be about!

As for the story behind the name, it simply was one of the least cringe band names I could think of that didn’t completely suck. But it also did sort of have a meaning to it. My thought process was it means to not hold onto anger in life because nothing but bad things can come from that. Hence, the name “Sever” and “Red” which is usually a color metaphor for anger. Nothing too deep with the band name. It just sounded halfway decent compared to all my other ideas!

Who would you say are the band’s major influences? And when y’all got together, were you all headed in the same direction, or were you working with different musical backgrounds/influences?

Kevin: I definitely would have to say one of my biggest influences to even start writing music was Shaun Morgan from Seether. I always admired his style of songwriting, and most importantly, his genuine and sincere approach to writing music. His vocal delivery I always thought was honest, and you could feel what he is trying to express to you in his songs, whether it’s pain or sadness. It’s real.  I have so many other influences besides that as well, but I would say he’s my biggest influence.

Josiah: I can hear a variety of influences from bands such as Red, Seether, and sections of Bullet For My Valentine. I believe we all have separate musical influences. My own inspirations come from both classical and modern genres. I believe Kevin has a similar background as well. Even with broad influences, we seem to have a cohesive approach to writing music.

Kenny: Bands I would say I am influenced by are Avenged Sevenfold, August Burns Red, and After the Burial.

On a related note, is there any band or artist you listen to (are influenced by) that might surprise your listeners? 

Kevin: Good question! An influence that might surprise people is I really love a lot of heavy music as well. I am a big fan of Knocked Loose and The Color Morale. I also am a huge fan of Black Stone Cherry, and I would say they are definitely an influence. I have always admired how they can be so heavy at times while also making you cry your eyes out with other songs they have written. The soulful voice of Chris Robertson is an example of one my favorite types of singing voices. I also have recently been diving into Otis Redding and his discography. It’s good stuff!

Josiah: Anytime I would go to write, there tends to be a visual in mind. Additionally, I’m a huge Mark Tremonti and Brian Haner Jr. fan. The nuances in my playing favor them both pretty often when writing.

What is the writing and recording process for Sever Red? From where do y’all draw most of your inspiration?

Kevin: The writing and recording process is usually demoing in my little home studio. Usually getting the bones and basic idea of what the song will sound like. I have always written the music first, and depending on the mood of the music, that dictates the lyrics and what they will be about.  All of my lyrics come from life experiences. Since Josiah has joined, he and I will send back and forth files or voice memos and then collaborate in that way.

Josiah: Voice memos. Lots of voice memos. I have an in-house studio for writing and recording, and I believe Kevin does as well. If an idea comes to mind, I’ll typically just send Kevin the thought and bounce ideas back and forth.

Y’all have released two singles this year, “Forever Changed” and, more recently, “Desperation.” Can you tell me the stories behind these songs?

Kevin: “Forever Changed” was written about my dad. He died when I was 15 due to alcoholism. The song sort of tells a story of watching him grow up, and watching him struggle with alcoholism, and then the aftermath of losing him. It’s just an acknowledgment of the realness of addiction and the consequences, while also being an acknowledgment that I just miss him so much. 

“Desperation” was written from another sort of dark place, if I’m being blunt. It is sort of a cry for help, I suppose. I am acknowledging my own issues with substance abuse, depression, and anxiety and feeling that there is no way out. Hence the song name.

You mentioned that you feel playing live is the best way to get your name out there and grow a fan base. How do you feel that playing live and writing music are connected? When you write, do you think about how it will translate live?

Kevin: When I write, I don’t necessarily think about how it will translate live. When I’m writing lyrics, for example, I am usually just in hyperfocus mode trying to get my genuine feelings out of whatever I’m feeling at the time, and I don’t like to force anything. When I’m writing the musical parts, I do sometimes think to myself “Damn, this could sound really sick live,” but that is definitely not the main focus. My main focus when writing is to just write the best song that I can while keeping it raw and genuine. So, to sum it up, I don’t really think about how it will sound live in the initial creation process. It’s hard to tell how it will sound live until you get together with the guys and feel the energy of the song in rehearsals. That’s when you can really tell how it will translate into a live setting.

Josiah: For me, it’s the delivery. When someone connects to a song or part of a song, it delivers something specific to that person. So, to experience that live is quite surreal considering there are numerous other people in the room feeling the same thing at the same time, just amplified. However, I don’t consciously consider the live performance as a part of my writing process. I try to really focus on the purpose of the song to express it accordingly. The live experience is to share that purpose and energy of the song in person.

Kenny: If you can get a special feeling while you’re writing a song, you just know it’s going to translate live. The energy behind the feeling of the music really shines through to the crowd and hopefully makes them feel something with how passionate you are.

All of you seem quite passionate about the live aspect. What is your favorite thing about performing? 

Kevin: My favorite thing about performing is to see the reactions of the crowd and how they react to something we created that means so much to me. When you see people really vibing to the music, it really gives you a sense of accomplishment and makes everything worth it. All the days and nights, trying to write the best songs we can, it all comes together once we see the reactions from the listeners. When people tell you how much a song means to them, it’s honestly a feeling I can’t quite put into words. It’s a great feeling.

Josiah: To witness the reactions. Seeing the faces of the crowd and their response to the music. It’s as much of a payment as anything to know the audience is really connected with the experience in that moment.

Kenny: The best things about performing are seeing how everyone is enjoying all of your hard work, and the looks on faces when people can relate to the lyrics or when they’re just feeling the groove of the song. It’s very rewarding.

You guys have an extensive list of influences, and it seems y’all could fit in with several different genres, so I have to ask: what would be your dream tour lineup? Sever Red and…?

Kevin: Sever Red, Staind, Seether, 3 Doors Down and Breaking Benjamin

Josiah: Sever Red, Tremonti, Breaking Benjamin, and Seether.

Kenny: Sever Red, Bring Me the Horizon, Breaking Benjamin, and Spiritbox

And last but not least, what are the band’s plans for the remainder of 2023 and into early 2024?

Kevin: Play as many shows as we possibly can and to have as many people as possible listen to our music! Also, a lot of writing, and then hopefully to keep the momentum going with new music!

Josiah: I believe we will have continued rehearsals to keep sharp for future show opportunities. I plan to write with Kevin and the group and keep working on new material.

Kenny: Rest of 2023 to rehearse and tighten up/gel as a band. 2024? World domination.

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You can check out “Forever Changed” and “Desperation” here, and be sure to follow Sever Red on all their socials to keep up with what they’re doing!

Interview: Matty Corvin of Corvin’s Breed

November 6, 2023 — Leave a comment

Corvin’s Breed is an industrial metal band from New England that formed in 2014. Since then, Corvin’s Breed has released one EP, I’m Not Normal, and a full-length album entitled The Witching Hour. The band is set to hit the road this November/December with Psyclon Nine, Clockwork Echo, and Guillotine.

I had the opportunity to chat with vocalist Matty Corvin for a little Corvin’s Breed 101.

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First, I would just like to thank you for your time. I’m going to start with something very basic. How was the band formed, and what’s the story behind the name?

Matty: The band was formed in 2014. I always found crows to be very fascinating because people don’t seem to talk about them, but they’re very important as they like to feast off of the flesh of carcasses. They’re creatures I always felt a connection with in my personal life. I figured this is my vision, this is my breed, and the people that get it are part of it as well. 

Was there always a common vision among the band members, or did y’all have to mesh a variety of influences and musical backgrounds?

MC: I wanted this to be something refreshing. I never thought this to be a band that’s set out to sound like a certain band in particular. I thought “if it’s already out there, why should I recreate it?” I just wanted to stick out like a sore thumb, so visual aesthetics were always crucial. I just tried to find like-minded musicians who were influenced by Alice Cooper, White Zombie, and Static-X. Those were the bands that really understood the concept of being original and entertaining an audience. If you were to look through my library there’s such a wide variety of bands and artists you would come across that probably wouldn’t match up to what this whole thing is. 

Speaking of influences, who are your biggest ones, personally? And carrying that a step further, what (or who) was it that inspired you to pursue a career in music? 

MC: Music was always playing in the house growing up. My mom was really into the 80s hair metal stuff like Poison, Mötley Crüe, Ratt. 

I remember watching the music television channel on TV with her, and all these bands were super flashy with their hair all done up with crazy outfits, and those guys had a lot of talent. Music was something I was always attracted to but it wasn’t until I saw Poison live when I was about 7 years old that I realized this is what I wanted to do for the rest of my life and I just went balls to the wall with it since. 

Can you tell me a little bit about the band’s writing and recording process? 

MC: The music always comes first when it comes to writing, before any vocals or lyrics. As much as I love intricate music, I like to simplify it. I want to make people dance and have a good time. I feel like once you start adding offbeat stuff and weird time signatures, people lose interest, as much as I love that stuff. I’d rather see people moving on the dance floor. Adding elements of other genres to the mix has always been something I like to do. 

With imagery playing a huge role in the band, and with the overall subject matter and just…aura…of the band, I have to assume you’re a horror fan. Is that correct?

MC: Absolutely! I would say horror and comedy are two things that sum up my entire entity. Those are two extremes of entertainment that make you feel something and can’t be taken seriously, and I find that to be really interesting. 

That’s a topic we’ll have to revisit when we have more time, because I can talk horror for hours. Moving right along, what is your favorite of the songs you’ve written, if you have one? And why do you connect with it the most? 

MC: That’s a really tough question. There’s a lot of songs we have that are really personal to me. Music is all about expression, so I like to write about experiences that I’ve gone through in hopes that someone listening can relate and maybe it will help them get through a similar situation. But to answer your question, I really don’t have a favorite.

Y’all are about to set out on the Infection Divinum Tour with Psyclon Nine, Clockwork Echo, and Guillotine. How do you feel about this? I know y’all toured with Psyclon Nine earlier this year. Are you excited to be on the road with them again?

MC: Yes, very excited. Those guys have been nothing but great to us. Nero and I go way back, and it’s always an absolute pleasure working with him. We [Corvin’s Breed] seem to have gathered quite the following. Myself as well as the rest of the band are looking forward to seeing familiar faces and reconnecting with the fans.

What is your favorite thing about performing live? 

MC: There’s nothing like putting on the face and becoming this monster that I have created for myself. It’s very therapeutic for me. I could have had a falling out with a friend, or even had a death in the family, and I had to put on a show right after, and I just let all of that energy out. There’s nothing like the feeling of tapping into your inner self and showing that to other people that probably had those same issues and a smile or a nod is a way of saying “I get you”. And then when that’s all over and done with, you have fans that thank you, and I think that’s the most rewarding part.

Still on the topic of live shows, what would your dream lineup (that includes Corvin’s Breed) be? 

MC: I think a tour with Rob Zombie and Corvin’s Breed would be a cool show to see. 

What are the band’s plans for the rest of the year and into 2024?

MC: We will have a couple singles coming out really soon, along with a couple music videos. That will be followed up by a new album called MISANTHROPY, which will be released early 2024. Hopefully there will be more touring, but there’s nothing in the works as we speak.

Is there any message you’d like to give your fans, both current and future?

MC: Thank you for all your support. We can’t wait to see everyone on the road.

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Be sure to check out Corvin’s Breed on the road this fall. The Infection Divinum xx Annos Tour kicks off November 15th in San Francisco, CA. (For a full list of dates, visit this post.)

You can keep up with all things Corvin’s Breed by following them on their various socials and streaming platforms.

https://youtu.be/th0D5GrQq1s?si=phJZa_i-4iJBcnd4

Interview: TJ Breedlove of K.A.R.L. (Kill All Remaining Life)

March 11, 2023 — Leave a comment

K.A.R.L. (Kill All Remaining Life) is an electronic/industrial band that formed in 2007. Since then, they have released an untitled debut EP (2009), their self-titled record in 2010, the Rapture EP (2020), and earlier this year, a second full-length album, Tractus. I recently had the opportunity to talk to vocalist/engineer TJ Breedlove about the new album, the band’s beginnings, and what the future holds for K.A.R.L.

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Thank you for taking the time to talk to me, and congrats on the release of Tractus! Can you tell me a little bit about the album? What was the writing/recording process, and where did you draw your inspiration for the writing of the album?

TJ: Thank you so much for this interview! The writing process for Tractus started in 2021 and was, at first, largely built around internal struggle with mental health and negative outlooks on the world. Gradually, as the world kept diving further into chaos, I kept gathering more to write about. Though not all tracks are negative. I wrote a track that’s on there for my wife, who has been so loving and supportive throughout this process. The album, which was initially supposed to be 8 -10 tracks, evolved into 13 tracks over time. 

For my own personal curiosity, what’s the story behind “Beg Me”? (That was one of my favorite tracks, so I’m interested in the creation of it.)

TJ: “Beg Me” is about internal anger. Built and kept inside for so long, and the violent fantasy of unleashing it. The song itself doesn’t promote violence, but as humans, we often face something that internally drives us to that level of anger and frustration. Some carry that anger for way too long and have no healthy way to release it. That song, though, was the last one recorded for the album. I had a very difficult time writing it for various reasons. 

So, getting onto the subject of you, in particular: What made you want to pursue a career in music?

TJ: I’ve always wanted to be in a band since I was very young. I grew up listening to all types of music, like metal (black, thrash, death, and nu), grunge rock, and classic rock, but industrial has always been my favorite genre, particularly Darkwave. As I grew into my teens, I gathered quite the collection of CDs from different artists. Everywhere I went, I had a portable CD player and a stack of CDs from different genres with me. I couldn’t function without it. 

Who are your biggest influences?

TJ: For me personally, I have so many. Project Pitchfork, Skinny Puppy, Spahn Ranch, Front 242, Chiasm, Jonathan Davis (KoRn and his solo stuff too). 

Is there any artist or band you listen to that you think would surprise most people?

TJ: I have a very weird and random collection of music. Often when I randomize a playlist, people around will hear a lot of industrial or some form of metal, then all of the sudden, Donovan’s “Hurdy Gurdy Man” will play. Sometimes, I get on a 70s kick and can’t stop listening to Zeppelin or Boston or Blue Oyster Cult. I don’t understand why some find that weird. Those bands kick ass!

I’m a big 70s fan myself. I grew up with those bands because of my parents. How did the formation of K.A.R.L. come about? And where did the name come from?

TJ: K.A.R.L. was initially formed in 2007 by me and my friend Josh [Johnson, drums/synth] as a very short-lived experimental black metal project. It soon after evolved into an industrial band. 

Josh is very talented, and I truly am lucky to have him as both a friend and fellow musician. He taught me a lot of what I know on the keys, and we both created the monster that is K.A.R.L. 

The band has other members come and go. At one point, in 2011, the band split apart due to disagreements and other personal reasons. Then, in 2018, Josh and I rebooted the project and released our EP Rapture. 

The name was given to me when a friend from our school named Ivy came up to me and introduced herself. She said “Hi, my name is Ivy. Who are you?” I responded “TJ” and she said “Hmmmmm. No, no, don’t like that. I’m gonna call you Karl, with a K.” It was one of the strangest conversations I’ve ever had, but the name stuck with me. Josh and I later turned it into “K.A.R.L. ( Kill All Remaining Life)”. Some have often referenced it meaning “all who sin pay with death” or something biblical along those lines. 

Wow, you guys have been around for a while! How do you stay motivated to keep writing, and how do you feel your approach has changed over the years?

TJ: Lyrically, we have always been inspired by world events and the overall mood it puts us all in. For example, “God Is Watching” was written about various things that made us angry at the world and what we see on TV (school shootings, war, mass casualty events, and other things of that nature), things that even though they’re always addressed, never seem to have a solution to them. Unfortunately, the world we live in keeps churning up more horrors for us (and other artists) to keep writing about.

Songs like “S/M Goddess” and “Shameless,” both from previous releases, dive into sexual desire and pursuing things outside the norm, while songs like “Shutting Down” and “Severed” dive into depression and the seemingly endless cycles of battling memories we can’t let go of.


In 2007-2010, we were also transitioning from those angry teenage years into our twenties, which had moments of chaos. That definitely fueled a lot when it came to writing. Now, when it comes to our songs, a lot of the same themes remain, but we approach them at a different, more mature angle. We’ve always used music
as a way to help us vent and truly express certain views. But all songs written are not negative or violent; some are written about forgiveness and that not all our mistakes are a life sentence.

Well, there’s definitely no shortage of world happenings to fuel y’all. And on that subject, what are the plans for 2023? More new music, or maybe some shows promoting Tractus?

TJ: I am currently writing another EP that I’m aiming to release in late 2023 or early to mid 2024. I’m actually more than halfway done. I do plan on doing some shows in the near future. I just have to tighten up a few things first. 

Speaking of shows, what would be your dream lineup? K.A.R.L. with special guests…? 

TJ: I’d love the opportunity to open up for Project Pitchfork, Leæther Strip, and Decoded Feedback. I’ve also found some other bands on FB, like SinThya, who I’d like to do a show with as well. 

Is there anything you’d like to say to your fans, new and old? 

TJ: I want to say thank you to all our fans, new and old, who have supported us throughout the years. You are truly the best part of all this. 

And last but not least, where can my readers get their hands on K.A.R.L.’s music?

TJ: Our main page for merch is our Bandcamp page. We are also on all major streaming platforms such as Spotify, iTunes, Amazon, Pandora, and many more. 

**

K.A.R.L. has a lot in the works, and I think 2023 and 2024 are going to be big for them! You can check them out on your favorite streaming service and follow their various socials to stay up-to-date with what’s happening in the world of K.A.R.L.

K.A.R.L. Discography

Untitled (2009)
K.A.R.L. (2010)
Rapture (2020)
Tractus (2023)

Interview: Rod Rawlins of Severed Sun

January 9, 2023 — Leave a comment

Severed Sun is a metal band from central Florida. They have two EPs out so far: Strength Judged By Power (2017) and Catacombs (2021). Their love of all things heavy bleeds into their music, and the passion they have for what they do is evident in both recordings and the moment the foursome steps foot on a stage.

I recently had the chance to speak with front man Rod Rawlins about the band’s history, influences, and plans for 2023.

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MM: First and foremost, what made you want to pursue a career in music?

RR: Well first, thank you for taking time to do the interview. For me personally, I grew up listening to rock music, being introduced by my father and uncle to bands like Led Zepplin, Black Sabbath, etc. Later on in life, some friends of mine and myself were riding in a car and I was singing to, I believe, Metallica and they asked if I had ever thought about singing in a band. That lit a spark uner my ass to get into a band they were putting together.

MM: Your voice does stand out, and it certainly fits the style of music y’all do. Have you ever had any type of lessons? Or are you just one of those lucky people?

RR: Well, the answer to that is yes, but not until the last couple years did I get serious vocal lessons from Natalie Hagan. I wanted to expand my vocal range and get back some of my high end that I seemed to lose or just got lazy with. I did try lessons a long time ago but only had a few because of conflicts with my work schedule. 

MM: Who are your major influences? (Both for you personally, and those of the entire band.)

RR: We have a lot of the same influences, such as Black Sabbath,Metallica,Pantera, Dream Theater, Testament, Death,Megadeth, Metal Church – the list goes on and on.

MM: Just for fun, is there any band/artist you listen to that you think would surprise people?

RR: Believe it or not, I don’t listen much anymore, but Little River Band. My dad loved them and when I hear it on a station, I have to jam it out.

MM: Who would you most like to collaborate with?

RR: Zakk Wylde, because he is a great human and awesome musician.

MM: How was Severed Sun formed, and where did the name come from?

RR: Originally there were different members in the band and they needed a singer and they met me and so I joined. But I believe it was the guitarist, Kevin, and thier drummer at the time that came up with the name. They were 4 friends from high school that put the band together initially.

Severed Sun, logo and current lineup

MM: Y’all released Catacombs in 2021. Can you tell me a little about the writing and recording process for that EP? And where do you draw your inspiration for songs, generally speaking?

RR: Our inspiration comes from feeling when we are jamming at practice, usually during warm up. The guys will jam totally from the hip and if something feels right we grab it and write. Recording was a blast! We spent, I think, 2 or 3 weekends at the studio. Everything just fell into place and the  Catacombs EP was born.

MM: What is your favorite song from the EP?

RR: I really like “Poverty” a lot. And “Fuktard,” because it’s a fun song to play.

MM: Speaking of playing, what can one expect from a Severed Sun live show? I imagine the fact that y’all enjoy jamming together translates to the stage.

RR: Severed Sun is 4 guys who love playing and it shows on the stage. We have no gimmicks or cliches, it’s just the music, the crowd, and the band. We try to give it all every show!!

MM: What’s next for the band?

RR: Another studio session is coming up in 2023, and we’re going to build another tour since our last one got cancelled due to Covid. We hope to meet a lot more new people and, hopefully, fans.

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It sounds like Severed Sun is ready to blaze a path of hard-hitting songs and shows this year! To ensure that you don’t miss out, and to get your hands on music from Severed Sun, follow them on their socials and visit severedsun.com, metalscraprecords.com, and totalmetalshop.com.

Getting To Know Awesome Ray Ray (Interview)

November 30, 2022 — 1 Comment

Awesome Ray Ray is an artist that knows no creative boundaries. Filled with energy, promoting positivity, and crossing a wide range of genres, he has something to offer for everyone. I had the absolute pleasure of chatting with Awesome Ray Ray about his start in music, what inspires him, his recent appearance at Blue Ridge Rock Festival, his latest single, and what’s on the horizon for him.

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MM: First and foremost, can you describe your sound in your own words? 

R: Sometimes it’s like this raspy, bluesy southern gospel rocker vibe, then mix that in with rap, trap, and hip hop, sprinkle a little bit of heavy metal, R&B and EDM, then you have a “never really know” what to expect mix that is “Awesome Ray Ray”. 

MM: Who are your biggest influences?

R: Limp Bizkit, LL Cool J, Jelly Roll, Drake, Linkin Park, Korn, Post Malone, Slipknot, Kendrick Lamar, Gym Class Heroes. 

MM: With such a wide variety of genres mixing in your sound and your list of influences, who would be your dream touring mates? Or just a dream lineup that you’d be on?

R: Definitely Limp Bizkit, Jelly Roll, Travis Scott, Gym Class Heroes

MM: That would be a killer show. So, on to another standard question. What made you want to pursue a career in music? 

R: I’ve been a lover of music since I was a little kid. I picked up my first pair of drumsticks at the age of three, and that’s all she wrote. Listening to music has always been therapy and a way of coping with stresses of life. And writing/performing it literally does the exact same for me. 

MM: In regard to drumming, was there anyone in particular that inspired you to pick up those sticks?

R: Gene Krupa, Quest Love (The Roots)
John Otto (Limp Bizkit )

MM: Describe your songwriting process, and where do you draw most of your inspiration for songs? 

R: Normally I hear a melody or I’ll hear a guitar riff, or a beat/instrumental and my mind will just start going crazy. I usually have to write it all down quickly. My inspiration normally comes from real life experiences, or whatever I’m feeling in that exact moment. 

MM: Tell me about your experience performing at Blue Ridge Rock Festival.

R: It was absolutely life-changing. For that being my first show ever as a solo artist,I felt a lot of pressure but was extremely thankful for the opportunity. The second my foot hit that stage and I opened my mouth and saw the crowd reaction, I knew immediately this was home. Every aspect from driving down, to parking my tour bus, to meeting the stage managers, sound engineers, staff, security, helpers, fans, national acts, regional acts, etc. Just the general reception that I received from everybody, it was absolutely amazing. Not a lot of artist or bands get that experience for their first show, so I’m incredibly grateful, and Blue Ridge will forever have a special place in my heart. I absolutely look forward to going back and performing again. 

Awesome Ray Ray at BRRF (2021)

MM: For anyone who was unfortunate enough to miss you at BRRF (like myself), what can concertgoers expect from an Awesome Ray Ray live show?

R: A lot of energy, positive vibes, positive reinforcement, a mix of different styles of music, some serious moments, and definitely some funny moments. I’ll crack a joke in a heartbeat. Lots of smiles and laughs, and a lot of high fives and hugs.

MM: It sounds like a very positive, feel-good experience, and we can all use a bit more of that. While I have you here, I wanted to be sure to touch on your latest single. Can you tell me the inspiration behind “Last Desperado”?

R: Absolutely. “Last Desperado” was originally a hip-hop song that I wrote a few years ago. I produced a hip-hop instrumental, and wrote it about being cocky/confident, while still trying to encourage people and spread a bit a of a positive message. I know those two seldomly go together but I decided to give it a shot. One of my good friends, and one of the most amazing, talented, producers/guitarists, and overall human beings, that I’ve ever met by the name of William Baker (formerly of Hallow Intent), reached out to me after playing Blue Ridge Rock Festival 2021. [He] was taking on some production projects, and I sent him this and said “Hey bro, can you add to this? Throw in some guitars and heavy metal? You know? Do ya thang?”. And WOW did he! It turned out awesome! Like I knew it was gonna be good, but I didn’t know it was gonna slap so hard. And perform this well stream-wise. I’m incredibly thankful for his friendship and help/support on this record. And there will definitely be more where that come from soon! 

MM: I really like that message. So often we think of confidence in ourselves and empathy for other people as separate things when in reality, you can have both. And now we come to the final, all-encompassing “What’s next for Awesome Ray Ray?”

R: I have a lot of music/videos that are gonna be coming out soon, booking shows, being a part of other projects hitting the road, and just straight up following my dreams while inspiring and encouraging others to do the same. 

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There you have it! Awesome Ray Ray has a lot of exciting things for y’all to look forward to. You can find his social medias and the streaming services that have his music at the link below! And be sure to check out “Last Desperado.”

Socials, merch, streaming