Electronic/nu metal outfit Powerman 5000 hits the road this summer with support from Sponge, Tantric, and Clozure. The tour kicks off July 2nd in Tempe, Arizona, and winds its way through cities such as Houston, Flint, and Manchester before concluding on July 29th in Parker, Colorado. Tickets are available at powerman5000.com!
7/2 – Tempe, AZ – Marquee Theatre
7/3 – Roswell, NM – The Liberty
7/5 – Lubbock, TX – Jake’s Backroom
7/6 – Fort Worth, TX – The Rail Club
7/7 – Houston, TX – Warehouse Live Midtown
7/8 – Austin, TX – Come and Take It Live
7/9 – The Colony, TX – Lava Cantina, The Colony
7/11 – McHenry, IL – The Vixen
7/12 – Flint, MI – The Machine Shop
7/13 – Harrison, OH – The Blue Note
7/14 – Lansing, MI – Grewal Hall at 224
7/16 – Liverpool, NY – Sharkey’s Banquets & Events
7/17 – Plattsburgh, NY – Strand Center for the Arts
7/18 – Sanford, ME – Pilots Cove Cafe
7/19 – Hermon, ME – Morgan Hill Event Center
7/20 – Worcester, MA – Palladium
7/21 – Clifton, NJ – Dingbatz
7/23 – Ashland, KY – The Paramount
7/24 – New Berlin, IL – Danenberger Family Vineyards
Candamius is a progressive rock/metal band hailing from Peru. They have released two singles – “Patient Friend” and “Visitor” – and are busy crafting their debut album.
Having discovered Candamius via Instagram, thanks to “Visitor,” I soon began to talk with Arturo. We discussed the band’s formation, influences, writing process, what’s next for them, and more! Read on for the full interview.
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Mostly Music: Can you tell us about the origins of Candamius? How did you all come together as a band?
Arturo Jara: First of all, thank you for this interview. I am Arturo Jara, a founding member of Candamius, along with Deyvi Gutierrez Amar. We founded [the band] in 2018 in Ica, Perú. At first, we initially didn’t know what name to give the project. One day, Deyvi and I ran into each other at the university where we were studying. We hadn’t planned to meet that day, but we went to lunch and started talking about the strangest dreams we had ever had. I told him that I had a dream where a friend of mine came to my house and said to me, “You are Candamius.” As soon as he said that, he left, and I woke up. I immediately searched for information to see if this word existed, and indeed, it does. Candamius was a god of the Astures and Cantabrians, associated with the sky, storms, and thunder. Remembering this dream, I suggested this name for our project to Deyvi, and he agreed. Since then, that’s been our name.
MM: And for you personally, what was it that made you want to pursue music?
AJ: Well, I remember the first time I formed a band when I was in high school. It was a great sensation to be there on stage, playing my favorite songs to an audience. However, in terms of finding the band that inspired me to pursue music, it was definitely Nirvana. I remember that I literally copied Cobain’s vocal style when I was a teenager. I wanted to be him, not only in his vocal style but also in his movements on stage.
When I started songwriting at 15 years old, I was thinking, “How would Cobain write this riff?” and I began to write it. Over time, I felt that songwriting was something I really needed in my life. It allowed me to express my own ideas and feelings and create my stories with total liberty.
Despite Nirvana motivating me to pursue music, I feel that I always had this sense of seeing music as a lifestyle. Song after song, composition after composition, there is always something to express and share with others.
MM: Who are the biggest musical influenceson the band as a whole, and how have they shaped your sound and style?
AJ: Our influences are diverse and include Tool, Alice in Chains, Nirvana, Meshuggah, Lamb of God, and Celtic Frost, among others. These bands have shaped our sound and style in various ways. Tool influenced us in creating long pieces and meticulously thinking through every aspect of the composition. Alice in Chains inspired our focus on vocals, especially the harmonies. Nirvana’s influence is evident in my vocal style, which is rooted in grunge music—I grew up with their music, so it naturally finds its way into mine. Meshuggah influenced some of our instrumental parts, Lamb of God inspired the groove metal elements, and Celtic Frost contributed to the atmospheric aspects of our music.
MM: Are there any bands/artists you listen to that might surprise people?
AJ: Well, I like Dvořák, Penderecki, Prokofiev, Franz Liszt, and other representatives of classical music.
MM: Are you working on any new music or projects at the moment? What can fans expect from Candamius in the near future?
AJ: Yes, we are working on the album. We are putting all of our effort into releasing a good album, so that is our priority right now.
MM: On the subject of writing and recording, what is your process like? Do you typically start with lyrics, a melody, or a specific instrumental riff?
AJ: Generally, I start with an instrumental riff, then I create the melody, and finally the lyrics. Sometimes, the lyrics and melody come at the same time.
MM: From where (or whom) do you draw most of your inspiration?
AJ: A lot of my inspiration comes from literature. Authors like Dostoyevsky, Oscar Wilde, Victor Hugo, and Shakespeare have significantly influenced the songwriting process and the creation of the stories of Candamius.
MM: Let’s get specific. Y’all just released the single “Visitor” in April. What’s the story behind that track?
AJ: In terms of lyrics, the song is inspired by Poe’s poems, as well as the poem “Negro Sayón” by José María Eguren and ” Los Heraldos Negros” by the poet Cesar Vallejo. It also receives influence from Shakespeare concerning the concept of dawn. However, the song has two protagonists: one of them is Death, personified and taking human form, while the other is a woman struggling with suicidal thoughts and existential questions. At the beginning of the song, Death is introduced as a character. As the song progresses, there is an inevitable encounter with the woman, who reveals her struggles and internal demons through the lyrics. At a certain moment, the music intensifies, symbolizing Death’s chase of the woman to end her suffering. In the part where Death says, “You must invoke the almighty, he will give you the answers,” I mean to convey that often when we cannot find answers to things we do not understand, we tend to seek explanations from a higher entity. The music accompanies Death’s speech, symbolizing its approach to its prey. Eventually, Death succeeds in entering and delivers the following speech: “There´s no exceptions, you all have the same fate. I know the path that you´ll be going through, and I will be at the end.” Later, the music changes, announcing the final part of the song where the woman gives her last words, saying: “Waiting for the dawn, I shelter in the storm now, drifting on the tide, begging for the dawn. The dawn escapes from my arms. Dim lights, all I know.” The “dawn” symbolizes hope, renewal, and the possibility of a fresh start. The storm symbolizes sobbing and pain, and “drifting on the tide” evokes a sense of being carried along by external forces, lacking control or direction. Finally, she says, “Dim lights, all I know,” referring to the minimal hope she has left. Tired of battling in life, she stares toward Death in the final part of the song, and a crescendo ends the song, suggesting that this entire story might have been a dream or that she is now in the afterlife. The listener will make their own choice.
MM: Just for fun, what would be your dream tour lineup that includes Candamius?
AJ: Playing along with Tool and Alice in Chains.
MM: With it being 2024 and the age of social media, how do you engage with your fans and community, both online and offline? What role do your fans play in your music and career?
AJ: At the moment, we interact with our fans primarily through social media. Our fans play a crucial role in our music. Since we released “Patient Friend,” the support we have received has been amazing. I am incredibly grateful for them and have only words of gratitude.
MM: Is there anything you’d like to say to the fans, and my readers, here?
AJ: I want to tell them that the album is coming, and I hope that they enjoy it as much as the first two singles.
***
Candamius is a band determined to put their best foot forward. They clearly work hard to only share their music once they are fully happy with it, and that mindset has produced two amazing singles. Check out both of those songs below and find Candamius on their socials, as well as your favorite streaming platform. Big things are on their horizon!
Til Fauna, an ambient/progressive metal band from Birmingham, Alabama, just dropped their latest single, “Whisper,” on May 31st. The track offers insight into the lore surrounding Til Fauna and the antlered being, Whisper, that is a recurring theme in their imagery.
The three musicians – Vesper (guitar/vocals), Blight (bass/harsh vocals), and Phasmid (drums) – have a connection to the land around them. “Whisper” draws upon the many tales and superstitions linked to the Forests of Appalachia. It is said that you may hear the woods whispering your name, and you are strongly warned against answering.
Til Fauna has a slightly different viewpoint on this. “I wanna know what do they see…” What if the whispers are simply you calling yourself back home to the woods? Rather than being frightened, the band begs the question “Why do you scream my name?/Do I answer?”
Til Fauna utilizes the softer side of themselves to set the atmosphere. Soothing intonations and a melodic rhythm paint the image of a nighttime walk into the forest, though there is a certain eerie edge, the primal sensation of not being alone. “Their eyes watching me closely.” And at the chorus, the track erupts. Our narrator has heard the tantalizing voice. “I hear a whisper!/Louder, why do you scream my name?”
As the song descends back into the calm, there is no sense of fear, only the approach of acceptance. It is clear that there is no reason to heed the warnings, to turn back. The traveler is becoming further ensconced in the forest and with the spirits, but it is welcome. “The silence is gripping me/The forest is slowly digging deep.” With the hit of the second chorus, the band has given us the back-and-forth that echoes the narrator’s struggle: on the verge of seeking the source of those whispers, though still wondering “Do I answer?”
Then, the build of anticipation, the balance on the very edge, before the truth is revealed. “I am the whisper!” Nature plays tricks on us, but those who can truly see are led to something like self-discovery. The blistering breakdown culminates in the total surrender to who our journeyer is. “As I walk, as I fear, I become/I am the whisper.”
“Whisper” is a standout track, showcasing Til Fauna’s ability to be melodic and almost ethereal, as well as hard-hitting and heavy. The song is an adventure to the ears and the mind, a case of lyrics and music woven into a story that climbs to and explodes with its catharsis. I have listened to it several dozen times since its release, and I find something new to focus on with each play-through. Check it out below, or look it up on your favorite streaming service. I promise you won’t be disappointed.
Follow Til Fauna on their socials and your chosen streaming platform!
Hard rockers The Lonely Ones, a vocal-oriented quartet from Columbus, Ohio, are touring this summer! They will be support for Scotty Austin and Rehab on many dates, but there are a few headlining shows interspersed throughout. Dates and details below!
Godsmack has shared a list of dates for this fall. They are continuing to tour and reminisce over twenty-nine years, eight studio albums, one EP, four DVDs, one compilation album, and one live album.
Special guests for this run are dependent on the city and include shows with Nothing More, Flat Black, Halestorm, and Dorothy. Tickets are available at godsmack.com, and be sure to check out the VIP packages offered there, as well.
9/26 – Saint Paul, MN – 93X Family Reunion (w/Nothing More, Wage War, Sleep Theory)
9/27 – Milwaukee, WI – 102.9 The Hog’s Hog Havoc (w/Halestorm, Nothing More, Sleep Theory)
9/28 – Clarkston, MI – 101 WRIF Riff Fest 2024 (w/Seether, Asking Alexandria, Wage War, Flat Black, and more)
10/1 – North Little Rock, AR – Simmons Bank Arena (w/Dorothy and Flat Black)
10/2 – Grand Prairie, TX – Texas Trust CU Theatre (w/Dorothy and Flat Black)
Alternative/trap metal artist Seethe has never been one to shy away from the darker side of the human condition, and his forthcoming EP Schisms & Pendulums is yet another testament to this. Set to be released May 15th, the three-song record takes on the harrowing subjects of modern organized religion and the battle with cancer.
“I was listening to Deftones’ self-titled album and Nirvana’s In Utero quite a bit while writing this EP,” Seethe explains. “Not that it can necessarily be heard [musically], but I feel I caught the vibe and essence of both albums. Dirty, yet clean enough to not sound like garbage. This is also thanks to the production by Vixlence Beatz and Gus Wallner’s mixing and mastering.”
As with much of Seethe’s creations, Schisms & Pendulums is an EP meant to be felt as well as heard. The first track, “Coalesce,” is filled with disgust and rage, which colors every lyric, intonation, and the stylings of the accompanying music. “It’s a stab at modern day religion,” Seethe says. “Not that God and Jesus don’t exist, but more how modern religion is propagated toward political welfare and also the alarming number of cases of sexual abuse and misconduct from clergymen over the last 20-30 years.”
“Coalesce” is followed by “Cascade,” a heart-wrenching ode penned from the point of view of a person witnessing a loved one struggle with cancer. Seethe wrote the song about his mother’s second fight with the illness, and the raw pain bleeds through in the words and the way in which he screams out the emotion from within. “Lights gleaming with a sense of purpose, dimming out over the cascade/Burning out without a purpose, crashing down to one’s knees…” It is an unflinching dose of reality, the bitterness borne from watching somebody wither away while trying so hard to stay strong.
“Dreary” is the other side of the same coin, a story told from the patient’s point of view. Fraught with frustration and anger, the narrator looks back on life and wonders “Why me? I’m a good person.” The sentiment is echoed in a line that is repeated throughout: “Cure me, please, you owe me this.”
Schisms & Pendulums will hit all major streaming platforms on May 15th! You can presave the EP here, and visit Seethe’s other socials to make sure you never miss an update!
Love ’em or hate ’em, you can’t deny we’ve all been talking about Creed since they announced their reunion on the Summer of ’99 cruise. The band then shared dates for a 40-city North American tour, called – you guessed it – the “Summer of ’99 Tour.”
This summer run will feature Finger Eleven every night, as well as direct support from 3 Doors Down at the majority of the shows. Daughtry, Switchfoot, Tonic, and Big Wreck will be making appearances on select dates.
Creed and various others who saw their heyday in the late 90s and early 00s will also be performing at the “Summer of ’99 and Beyond” festival, right in the middle of this tour. This festival will take place August 31st in San Bernardino and will welcome such performers as 3 Doors Down, Daughtry, Finger Eleven, Fuel, Vertical Horizon, and The Verve Pipe.
You can grab tickets for the tour, festival, and Mark Tremonti’s guitar clinics at creed.com!
7/17 – Green Bay, WI – Resch Center&#
7/19 – Monticello, IA – Great Jones County Fair&#
7/20 – Walker, MN – Moondance Events&#
7/23 – Simpsonville, SC – CCNB Amphitheatre at Heritage Park&#
7/24 – Charlotte, NC – PNC Music Pavilion+#
7/26 – Bristow, VA – Jiffy Lube Live+#
7/27 – Virginia Beach, VA – Veterans United Home Loans Amphitheater at Virginia Beach+#
7/30 – Toronto, ON – Budweiser Stage*#
7/31 – Detroit, MI – Pine Knob Music Theatre+#
8/2 – Cincinnati, OH – Riverbend Music Center+#
8/3 – Burgettstown, PA – The Pavilion at Star Lake+#