So, the blog has been on a bit of a hiatus for reasons that I will explain in a separate post. The only thing I’ve kept up with over the past two months is The Mostly Music 2025 Playlist, which means, of course, that I haven’t updated my reading challenge since May. But I am rectifying that right now! There will be another post at the end of this month, just to get back on track. For now, let me fill you in on all I’ve read in June and July.
You Shouldn’t Have Come Here (Jeneva Rose)
Rating: 3/5
The Collected (K.R. Alexander)
Rating: 2.5/5
There’s No Way I’d Die First (Lisa Springer)
Rating: 3/5
Rock, Paper, Scissors (Alice Feeney)
Rating: 4/5
Summer Rental (Rektok Ross)
Rating: 3/5
Spring Harvest (Rektok Ross)
Rating: 4/5
Little Women (Louisa May Alcott)
Rating: 2/5
Clown in a Cornfield (Adam Cesare)
Rating: 2/5
Carnival Kills (Caesar Daniels)
Rating: 3/5
Red Hot Murder (Michele Pariza Wacek)
Rating: 4.5/5
They’re Watching You (Chelsea Ichaso)
Rating: 4/5
I Know What You Did Last Summer (Lois Duncan)
Rating: 2/5
You’re Not Supposed to Die Tonight (Kalynn Bayron)
Rating: 2.5/5
***
I am currently reading A Cornucopia of Murder (Michele Pariza Wacek) and I Think I Was Murdered (Colleen Coble).
Y’all are going to laugh that it took this long, but I finally bought a Kindle. I’ve had Kindle Unlimited for two years, and I’ve been reading like a fiend on my phone. However, I decided I needed something with a bigger/adjustable display (after frequent headaches from the constant eye strain of looking at my phone and the computers at work). I decided on the Kindle Paperwhite and so far, I’m enjoying it immensely.
Anyway, I’m telling you that to tell you this: I’ve been sailing through novels since the device arrived! May has been productive. So much so, in fact, that I changed my goal for the year. I am now aiming for 75 books instead of 50.
Here is what I have finished over the past month.
The Cheerleaders (Kara Thomas)
Rating: 3.5/5
Satan’s Affair (H.D. Carlton)
Rating: 3/5
The Summer She Went Missing (Chelsea Ichaso)
Rating: 4/5
No Place Left to Hide (Megan Lally)
Rating: 4/5
Hide (Kiersten White)
Rating: 3/5
Such Quiet Girls (Noelle West Ihli)
Rating: 3.5/4
Wuthering Heights (Emily Bronte)
Rating: 3/5
The Final Scene (Steph Nelson)
Rating: 3.5/5
The Collector (K.R. Alexander)
Rating: 2.5/5
***
I am currently reading Little Women (Louisa May Alcott), The Collected (K.R. Alexander), and You Shouldn’t Have Come Here (Jeneva Rose).
Alt-metal titans Carbonstone are coming out swinging with their latest single and music video, “Standoff,” which releases May 30th. The new track boasts a vocal collaboration with Jonny Santos of Silent Civilian, Spineshank, and The Less Dead. With “Standoff,” Carbonstone has taken their raw emotion and relentless energy to the next level, and it packs the punch of a speeding freight train.
This song is multi-layered, both musically and in its history. Says Carbonstone frontman Corey James, “I actually wrote this way back in 2010. [“Standoff”] was originally released as a demo on an old EP called Strength in Silence. It was completely organic with zero electronic elements.”
But the track stuck with him, as some songs do, and James found himself circling back to it. “I sometimes revisit songs from the past, and this one has always spoken to me. I thought it would be really cool to bring it back and give it a complete makeover.”
Enter Jonny Santos, an influential figure in James’ musical journey. The two artists began talking after James reached out. “I literally saw him make a post and took a shot in the dark.” The conversation turned to the topic of a collaboration and, says James, a reimagining of “Standoff” immediately came to mind. The result is an in-your-face piece with the electronic/industrial/nu metal stylings so true to Carbonstone.
“Standoff” is roughly four minutes of vented fury, unleashed in the form of crunchy guitars, steady percussion, and the vocal interplay between James and Santos. The track calls out those who take advantage of the people around them and gives a hearty middle finger to anyone who believes your only worth is in being used and controlled.
“It’s such a shame you betray everyone with the fucking words you say/You believe I’m so weak/Come and get a motherfucking piece of me!”
The song is another example of a story carefully constructed with music, something at which Carbonstone excels. Using a maelstrom of instrumentation with a dance between a low tortured growl and an outburst of rage-filled screams, it carries the listener through the narrator’s emotional journey of becoming fed up with somebody who is manipulative and breaking the chains that once bound them together.
Catharsis is then reached after the second chorus, when James and Santos declare “I’m letting you go.” Echoing the release of all the anger and the sense of resolve that has been found, there is a brief acoustic interlude, and the track reaches its conclusion with a sprinkle of flamenco style picking.
“Standoff” will be available on May 30th. The music video premieres at 8 p.m. EST, and the song will hit streaming services at midnight!
You can pre-save “Standoff” here, and you can find links to all of Carbonstone’s socials and streaming profiles at carbonstone.net.