New Music Alert: CloZure + Modern Mimes

Two dynamic female-fronted bands have recently released new singles. Hard rockers CloZure shared “The Devil Effect” on February 9th, while alt-rock outfit Modern Mimes served up “Roses in Ruins” one week later, on February 16th.

CloZure on the set of the video for “The Devil Effect”

Formed in Enterprise, Alabama, CloZure boasts a take-no-prisoners approach in their latest track, “The Devil Effect.” This is the band’s first release to feature new frontwoman Elizabeth Nikollaj. A song dealing with the emotional topics of betrayal and overcoming the anger and hatred it inspires, “The Devil Effect” showcases the renewed energy with which CloZure entered 2024. Featuring a stunning vocal performance from Elizabeth and some seriously wicked guitar work, the track understandably broke iTunes top alternative chart twice, as well as iTunes rock top 20, and it ranked at #3 on the iTunes metal charts. It also hit #1 on Amazon’s new alt-rock releases and #2 on the alt-rock best seller list. 

    Socials:

    YouTubeFacebookInstagramOfficial Site

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    Modern Mimes [2023]

    Modern Mimes, who hail from the depths of Florida, are as velveteen and sultry as the summer nights in their homestate, and their latest single, “Roses in Ruins,” is a testament to that. According to the band, the song is about battling your inner demons, in whatever form they may take, and conquering that which poisons your roots. The track is as dark and heavy as its subject matter, and singer Adi Hernandez’s intonations soar to ever-greater heights, goosebump-inducing in their strength and clarity. “Roses in Ruins” is available for streaming on all major platforms. Modern Mimes also recently welcomed drummer Harley Mitchell to the lineup, so stay tuned for a new era in 2024!

    Socials:

    Modern Mimes linktr.ee

    Goodreads Reading Challenge 2024 (2/28/24)

    I hope you all had a fantastic February, and if it’s something you enjoy, I hope you found time to get lost in a few books! I continued my reading challenge. As a reminder, my goal for 2024 is 50 books. Here are the novels I finished this month!

    Gone to See the River Man (Kristopher Triana)

    Rating: 4/5

    Gone to See the River Man was a truly eerie work. Without giving too much away, the plot involves a woman going on a quest to impress a convicted serial killer…so that in itself sets it up to be a rather twisted tale. I enjoyed how dark and atmospheric it was, and I loved Triana’s writing style. The blurring of the line between reality and the main character’s own thoughts is gloriously gradual, until you as the reader are no longer sure what is actually happening and what she’s imagining. I would highly recommend this book. I will be reading the second one soon!

    The Murder Before Christmas (Michele Pariza Wacek)

    Rating: 5/5

    I feel like I have made it very clear how much I love cozy mysteries, and The Murder Before Christmas is no exception. Yes, it follows a semi-generic plot for the genre, but the main protagonist, Charlie Kingsley, is such a likable character. The author, Wacek, did an admirable job of creating an intelligent character who doesn’t magically solve everything at the drop of a hat. In fact, Charlie had a list of suspects but had not exactly narrowed it down to the actual perpetrator until certain information was thrown in her lap. I am currently reading book two in the series – Ice Cold Murder – and I think it might take on a supernatural edge 😊

    Room For Rent (Noelle W. Ihli)

    Rating: 4/5

    I have now read four books by Noelle Ihli, and I have enjoyed all but one. In Room For Rent, Ihli builds the tension at an agonizing pace, and just when you think you’ve figured it out, she throws in a final twist. If you enjoy suspense, this book should definitely be added to your TBR pile.

    Looking Glass Sound (Catriona Ward)

    Rating: 5/5

    Catriona Ward is rapidly becoming one of my favorite authors. I fell head-over-heels with The Last House on Needless Street, and while Looking Glass Sound has not stolen the top spot, it was a fantastic read. The concept was a fairly original one, and it kept you guessing until the end…an ending that was not what you expect. Again, if you enjoy suspenseful thrillers filled with twists, add Looking Glass Sound to your TBR list.

    The October Society: Season One (Christopher Robertson)

    Rating: 5/5

    Christopher Robertson is the reason Catriona Ward isn’t my new favorite author. Lol. I love the way he writes, and I love his homages to pop culture, 90s slashers, classic horror and sci-fi, and all the things that make my little heart happy. The October Society: Season One gave me “Are You Afraid of the Dark?” vibes. I figured out the twist pretty early on, but that in no way ruined the book. And while there were gruesome moments, The October Society: Season One was a heartfelt story overall. I cried at the end. Read this one, NOW!!!!! I’ll be checking out season two in March!

    Caraval (Stephanie Garber)

    Rating: 5/5

    Caraval is a mix of magic, carnival, and a mind-bending fantastical scavenger hunt, with a ribbon of romance thrown in. I devoured this novel, and I wasn’t even halfway finished when I ordered the second in the series. This is yet another must-read.

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    I did a lot better in February than I did in January! As mentioned, I am now reading Ice Cold Murder, the second book in the Charlie Kingsley series, as well as Virgin Night by Christopher Robertson.

    Progress: 12/50

    Interview: Vincent Thorn of The Androgen

    The Androgen is an industrial black metal project based in southern California. They have released two EPs thus far, both in 2020 – Insomnia and Words Are Knives – and are preparing to drop a new album entitled The Cave in 2024.

    I was given the chance to have a conversation with front man Vincent Thorn. We discussed the project’s history, influences, writing/recording process, and more!

    ***

    Mostly Music: First and foremost, tell me about the formation of The Androgen.

    Vincent Thorn: The formation of The Androgen is a long and drawn out story, with many twists and turns. But, to sum it up, the band has gone through three main stages thus far. Originally, the band was just me, then we had the introduction of its second permanent member, Angel Nightmare, and we cycle in other members for live performance.

    The long story – When I lived in Culver City, California, I would do vocal covers in my room every day on a shitty little PA system. I had been doing that since I was thirteen. I am thirty-one now.
    One day, far in my past, I came across a song called “I Am Halloween,” by Midnight Nightmare. The vocalist, Angel, had a YouTube channel, and I watched some of his stuff. Time flew by… 

    Then in 2018, I bumped into him at the Whiskey A Go Go in Hollywood. He had just moved out to L.A. Crazy!!! 

    A year later, I was trying to put together a small underground show in Northridge, and I contacted my friend who I used to practice with when I was on the streets of L.A. (a whole other story). It was a crazy coincidence – he was in Midnight Nightmare, doing keyboards, and the band performed at the event. 

    After beers and many war stories, Angel would wind up helping me produce Insomnia, Words Are Knives, and the long-awaited third album, The Cave, and playing live guitar in the band.

    MM: It sounds like lucky coincidences brought y’all together. That’s definitely one of the better stories I’ve heard behind a band’s formation. What’s the story behind the name “The Androgen”?

    VT: The story behind the name is, an androgen is a human hormone in everyone, responsible for aggression, sexual behavior, and masculine and feminine traits. The point being a philosophical take on the humanity of the band and the reflection we provide of the public as a whole.

    MM: Who are the band’s biggest influences?

    VT: We at The Androgen listen to a lot of international music, mostly jazz, black metal, and aggrotech/industrial. There are too many bands to mention, but a few include Shining, Dark Fortress, Dir En Grey, Dissection, and Rose Funeral. 

    MM: And for you, personally, what was it that made you want to pursue a career in music? Was there any specific moment, such as hearing a certain song or discovering a particular artist/band, that made you think “That is what I want to do”? 

    VT: Well, I wouldn’t call it a “career” in music. Most artists work multiple 9 to 5 jobs to be able to afford the luxury of taking the stage and sharing their art. It is a struggle to get shows, but I enjoy every second onstage.

    If there was one moment that made me want to do this, that is a hard one… a genuine hard one… 

    I wouldn’t say there was a certain song, but just like everyone else, I found an album at a low time in my life – Rose Funeral, The Resting Sonata, 2009 – and I decided to try to do that type of music as an outlet for severe anger that needed to be channelled from within myself.

    MM: I know these types of things aren’t always explainable in words, but can you tell me why you think The Resting Sonata resonated so deeply with you?

    VT: At the time I was sleeping on a park bench, and I used to go into the public library to listen to CDs on their computers. I eventually found an old CD player at a donation place to listen to it on repeat. The reason it resonated with me was, it was a challenging piece of art and I liked that. It was a new language musically that I had to learn, and it was like a gateway to a whole other genre of music.

    MM: Switching gears just a bit, what is the writing process for The Androgen? From where do you draw most of your inspiration? (I know you mentioned channeling emotion, so I imagine that answer might be “from within.”)

    VT: For Insomnia, I drew most of the lyrical writing from my experience living in Culver City, California. The EP alludes to fatalistic and defeatist ideals, referring to the city’s penchant for hedonism and overworking. The name of the EP refers to the way in which the city seems to never sleep, and I myself didn’t seem to get much sleep while living there. The guitars, synths, and drums are brainstormed in the studio by me and Angel. A typical song is usually created with a foundation of synth and guitar, followed by vocals and then finally drums and bass.

    Words Are Knives was written at the very beginning of the lockdown, and was the band trying to push itself farther and is higher quality than what we had done before. The songs were more philosophical than anything else. The writing process remained the same, but we wanted to bring more polish.

    The Cave is a testament to the band’s/my struggle with alcohol and drug addiction, depression, ostracization, homelessness, adoption, and disassociation. The name of the album is drawn from a sewer tunnel that between the years of 2011 and 2014 was the residence of myself and many others. Most of the lyrics, if not all, were written on random pieces of paper while living in those conditions that survived up until now. 

    The writing process is about the same as before with the instruments, but the mix is completely different and the mastering process is also more drawn out, using upgraded technology compared to the previous works. 

    The date of the release of The Cave is TBA at the moment.

    MM: With the varied inspirations and approaches, do you have a track you’ve written that is your favorite? I almost hate asking that, since I imagine viewing your own art objectively might be a difficult thing. Lol.

    VT: Yes. But the track is not released yet… It’s off the unreleased The Cave album. Stay tuned.

    MM: You mentioned how much you love being onstage. What is your favorite thing about live shows? 

    VT: Overall, the best thing about live shows is that it is a rare opportunity to drop the mask of pragmatism and be more authentic; while performing I fancy myself an actor, so depending on how you look at it– jumping into another character, or dropping the mask and being myself. At least, I find, if done right.

    MM: Piggybacking off that, what would be your dream tour lineup (that includes The Androgen, of course)? 

    VT: Dream lineup would be (in no particular order) – Dog Fashion Disco, That Handsome Devil, Igorrr, Pensées Noctournes, Watain, Shining, and Rose Funeral. And, obviously, The Androgen. I would love to open the show.

    MM: In your dream lineup, The Androgen would open? I feel like that’s unusual; most artists want to be headliners. But I can see the benefit to playing first. (Now that I’m in my late 30s, the openers get all my energy. Lol.)

    VT: As a band that has not paid their dues, as the other acts that I mentioned have, being able to play on the same stage, in this theoretical scenario, would be awesome for us. I’d love to be an opening act for a show with that lineup, and being an opener allows for the ability to watch all the other acts without the stress of having to prepare for your act.

    MM: That makes sense. So I guess we’re nearing the end of our chat. I just have to ask, what are the band’s plans for 2024?

    VT: We have a new single, “Awaiting the Apocalypse,” that is available for streaming, and a music video for it on YouTube as well. [We will release] the album, The Cave, but the date is still TBA. We also have multiple shows in September, and are working with various other bands in our industry to possibly bring more shows before then.

    Thank you for the interview, it has been quite refreshing to have such a professional interview. And thank you for your time, and god speed in your future endeavors.

    MM: Thank you so much for your time and patience! I look forward to all that is coming from The Androgen!

    ***

    Check out the latest single from The Androgen, “Awaiting the Apocalypse,” and be sure to follow them on all their socials so you never miss an update!

    The Mostly Music 2024 Playlist, Pt. 1 (Updated 2/25/24)

    View full playlist here

    These are the tracks that have been added since 2/11/24.

    Combichrist: Only Death is Immortal Tour 2024

    Aggrotech/industrial metal band Combichrist is touring this spring with Dead Animal Assembly Plant and Esoterik. They also have a revolving assortment of special guests, which includes Curse, Unitcode: Machine, Treasvre, and Cultus Black. Tickets and VIP are available at dsolprod.com!

    • 3/14 – Anaheim, CA – The Parish at House of Blues*%
    • 3/16 – Los Angeles, CA – Whisky A Go Go*%
    • 3/17 – San Francisco, CA – Neck of the Woods*@
    • 3/18 – Eugene, OR – WOW Hall*%
    • 3/19 – Portland, OR – Star Theater*%
    • 3/20 – Seattle, WA – El Corazon*%
    • 3/22 – Idaho Falls, ID – The Gem*
    • 3/23 – Salt Lake City, UT – Leatherheads*@
    • 3/24 – Denver, CO – Kulture Music Hall*@
    • 3/26 – St. Louis, MO – Red Flag*@
    • 3/27 – Minneapolis, MN – Varsity Theater*@
    • 3/29 – Madison, WI – Annex*@
    • 3/30 – Chicago, IL – Distro Music Hall*@
    • 3/31 – Toronto, ON – Lee’s Palace*@
    • 4/2 – Detroit, MI – Magic Bag*@
    • 4/3 – Albany, NY – Empire Underground*@
    • 4/4 – Montreal, QC – Foufounes Electriques*@
    • 4/5 – Providence, RI – Fete Hall*@
    • 4/6 – Mechanicsburg, PA – Lovedraft’s*@
    • 4/7 – Philadelphia, PA – Warehouse on Watts*@
    • 4/8 – New York City, NY – Brooklyn Made*@
    • 4/9 – Pittsburgh, PA – Preserving Underground*@
    • 4/10 – Columbus, OH – King of Clubs*@
    • 4/11 – Piedmont, SC – Tribbles*
    • 4/12 – Atlanta, GA – The Masquerade (Hell)*
    • 4/13 – Tampa, FL – Crowbar*
    • 4/14 – Orlando, FL – Conduit*
    • 4/15 – Miami, FL – Gramps*
    • 4/18 – Houston, TX – Scout Bar#
    • 4/19 – Austin, TX – Come and Take It Live#
    • 4/21 – Dallas, TX – Haltom Theater#
    • 4/23 – El Paso, TX – Rockhouse#
    • 4/24 – Phoenix, AZ – Rebel Lounge#
    • 4/25 – Albuquerque, NM – Inside/Out#
    • 4/27 – Las Vegas, NV – Sick New World Fest 2024 (Combichrist only)

    * Cultus Black appearing

    @ Treasvre appearing

    % Curse appearing

    # Unitcode: Machine appearing

    Breaking Benjamin Announces Three Dates in May 2024 With Daughtry and Keith Wallen

    I think these shows are considered part of the spring Breaking Benjamin/Daughtry tour, but Catch Your Breath not being there makes me wonder if there are more dates coming that are going to technically be a different leg of the same tour.

    Anyway, grab your tickets at breakingbenjamin.com!

    • 5/13 – Dothan, AL – Dothan Civic Center
    • 5/15 – Clarksville, TN – F&M Bank Arena
    • 5/16 – Johnson City, TN – Freedom Hall Civic Center

    Breaking Benjamin will also be appearing at Welcome To Rockville (Daytona Beach, FL) on May 12th and Sonic Temple (Columbus, OH) on the 18th.

    Orgy Shares Dates For Their 2024 North American Tour With Cold, Horizon Theory, and I Ya Toyah

    Industrial/metal/glam/death pop outfit Orgy is celebrating 25 years of their debut album, Candyass. The band is hitting the road in North America this spring with Cold and special guests Horizon Theory and I Ya Toyah. You can get tickets and VIP packages at orgymusic.com and coldarmy.com!

    • 4/11 – Chicago, IL – Bottom Lounge
    • 4/12 – Flint, MI – Machine Shop
    • 4/13 – Des Moines, IA – Lefty’s
    • 4/14 – Sioux City, IA – The Marquee
    • 4/16 – Colorado Springs, CO – Black Sheep
    • 4/17 – Denver, CO – Marquis Theater
    • 4/19 – Seattle, WA – Madame Lou’s
    • 4/20 – Portland, OR – Bossanova Ballroom
    • 4/22 – Sacramento, CA – Harlow’s
    • 4/23 – West Hollywood, CA – Whisky A Go Go
    • 4/24 – Fresno, CA – Fulton 55
    • 4/25 – Santa Ana, CA – Observatory
    • 4/26 – San Diego, CA – Brick By Brick
    • 4/27 – Scottsdale, AZ – Pub Rock
    • 4/28 – Albuquerque, NM – Launchpad
    • 4/30 – Austin, TX – Come and Take It Live
    • 5/1 – San Antonio, TX – Paper Tiger
    • 5/2 – Dallas, TX – Trees
    • 5/3 – Houston, TX – Scout Bar
    • 5/4 – Shreveport, LA – Strange Brew
    • 5/6 – New Orleans, LA – House of Blues
    • 5/7 – Tallahassee, FL – Legacy
    • 5/8 – Fort Lauderdale, FL – Revolution Live
    • 5/9 – Daytona Beach, FL – Welcome to Rockville 2024*
    • 5/10 – Greensville, SC – Radio Room
    • 5/11 – Knoxville, TN – Concourse
    • 5/12 – Greensboro, NC – Hangar 1819
    • 5/14 – Mechanicsburg, PA – Lovedraft’s
    • 5/15 – Clifton, NJ – Dingbatz
    • 5/16 – New York, NY – Gramercy Theater
    • 5/17 – Allentown, PA – Maingate Nightclub
    • 5/18 – Boston, MA – Brighton Music Hall
    • 5/19 – Baltimore, MD – Baltimore Soundstage
    • 5/21 – Syracuse, NY – Song & Dance
    • 5/22 – Warrendale, PA – Jergel’s
    • 5/23 – Covington, KY – Madison Theater
    • 5/24 – Columbus, OH – King of Clubs
    • 5/25 – St. Paul, MN – Turf Club