I missed posting an update for March. Whoops! I have no excuse other than a lot of things have been happening at work and I’ve been scheduling the bare minimum of posts.
Since I last shared anything about my 2023 Reading Challenge, I finished Emilie Autumn’s The Asylum for Wayward Victorian Girls, Danielle Valentine’s How to Survive Your Murder, Riley Sager’s The Last Time I Lied, Victoria Aveyard’s Red Queen, Paula Morris’ Ruined, Kim Harrison’s The Drafter, and Neil Gaiman’s American Gods. I’ll put my ratings below.
5/54/53/53.5/53.5/53/54/5
I’m not going to go into too much detail about why I gave these ratings, because many of you likely won’t agree with why I gave lower ratings to a couple of them. Let me just say that the twist in The Last Time I Lied was good, but possible to figure out if you’re really trying. The twist in How to Survive Your Murder was actually really solid, I just wasn’t crazy about the characters. Red Queen was a little too typical for me; it was well-written and is worth reading, but I’m not sure I’ll continue the series. Ruined was readable, just not overly interesting. Same with The Drafter, which is a shame because I typically like Kim Harrison’s books. And American Gods was too long (good story, though).
I have now started Mirrorland by Carole Johnstone, and Silent Child by Sarah A. Denzil.
As always, feel free to tell me about any books you’re reading and offer up some recommendations! I have only read 13 of my 35 book goal, so I need some suggestions.
Smash Into Pieces is embarking on their first ever headlining tour in North America starting April 14th in Montreal. Support comes in the form of Citizen Soldier. Tickets are running low in multiple cities, so grab yours ASAP at smashintopieces.com!
4/14 – Montreal, QC – Petit Campus
4/15 – Toronto, ON – Velvet Underground
4/17 – Columbus, OH – Rumba Cafe
4/18 – Chicago, IL – Subterranean
4/19 – Minneapolis, MN – 7th St. Entry
4/21 – Denver, CO – Bluebird Theater
4/22 – Salt Lake City, UT – The Urban Lounge
4/24 – Seattle, WA – Sunset Tavern
4/25 – Portland, OR – Dante’s
4/27 – Sacramento, CA – Goldfield Trading Post
4/28 – North Hollywood, CA – Knitting Factory NoHo
4/29 – Phoenix, AZ – The Rebel Lounge
5/1 – Dallas, TX – The Cambridge Room at House of Blues
Duran Duran is touring in North America in the late spring/early summer with Bastille and Nile Rodgers & CHIC. The Future Past dates officially begin May 28th in San Jose, but Duran Duran is also appearing at BottleRock Napa Valley 2023 on the 27th. (Also note that there are no July dates; the tour jumps from late June to late August.)
The Lamplighter is a one-man band with an attention to detail. All instrumental, his music defies categorization; it’s something you simply have to experience for yourself.
I had the pleasure of talking to The Lamplighter recently. We discussed what lit the fire in him to make music, his writing process, what’s next for him, and more!
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What made you want to pursue a career in music? (Or, if not an intended career, what got you into music as an outlet, hobby, etc.?)
The Lamplighter: My dad was a garage drummer, so I think I have always been hypnotized by music, at least as far back as I know. I remember when Prince released Purple Rain, I was completely captivated by that album. Later, I joined the school band (as a drummer, of course) and found big band jazz. In high school, I was in both orchestra and jazz band, but outside of band I was pretty much a metalhead. I met a guy who was a guitar player mainly into New Wave and Post Punk, and he introduced me to a bass player into punk rock, hard rock, and some psychedelic stuff. The three of us formed a band and wrote some pretty crazy stuff. All our influences came through woven together like a sonic tapestry. They were my best friends, we had a special connection and it was awesome. We played our first Hollywood gig at 15, and by that point, I was in it for good. Creating and playing music was my purpose.
How did The Lamplighter get its start? And what is the significance of the name?
TLL: Well, I was born and raised in L.A. I was in numerous bands, playing countless gigs all over the place. It was a blast for many years. But life eventually brought me to the PNW away from my L.A. musician circle. I found myself musically alone, drifting and struggling to find like-minded musicians who were also dependable (crazy, I know) and eventually almost gave up. One day during a long hiatus, I was listening to funk and jazz in my garage, thinking, “Maybe one day it will happen again,” and then I heard The Budos Band for the first time. They relit my fire. It was then I decided “Screw it! I will just do it myself.” I taught myself how to play guitar many years ago, so learning the keyboard wasn’t too difficult. I started writing, and after the first coupl of songs, I named myself The Lamplighter.
The name is from my family’s business dating back to the 60s, 70s, and 80s. It was a sign shop called Lamplighter Neon. I always thought the logo was really cool, so I used it. I actually redrew myself as the logo. My family gets a kick out of it.
So, aside from the drums, are you completely self-taught?
TLL: I am self-taught. After I started playing in the school band, I just couldn’t get enough. My aunt had an old beat-up acoustic guitar from the 70s that she gave me and an old beginner guitar book. It smelled like an old attic, but I learned how to (cut up my fingers), then tune it on a basic scale, then how to play “Yankee Doodle.” I later stumbled across a bar chord and it kinda sounded distorted and from there…you guessed it… “Smoke on the Water.” Haha (seriously). After hooking up with a real band, I would fidget on the other guys’ guitar and bass between jamming. They would just keep me in the corner of their eye and sometimes I think they’d get a little concerned. Haha! But then I started coming up with riffs and it was game on.
Wow! I’m so impressed by people who have the drive and patience to teach themselves. And since everything comes from you, I’m gonna ask you to describe your music in your own words.
TLL: This is a hard question because I never want to give people the wrong impression. They are all instrumentals, and I perform all instruments. I sometimes describe it as funk-infused rock oddities, or energy. It really is just a recipe formulated by my mood, and whatever influences surface that day. I don’t ever want to be a “Metal” artist, or “Punk,” or “Jazz,” or “Funk,” etc. I like all those styles, and more, I just try to let them flow through me. I hope that doesn’t sound lame. A person described one of my songs as “If Twin Peaks and Mad-Max had a child, this would be the soundtrack.” I like it.
What bands/artists inspire you?
TLL: Oh geez, so many. I’d say off the top of my head… Jane’s Addiction, Primus, Funkadelic, Firehose, Fugazi, Clutch, Fu Manchu, Frank Zappa, The Vandals, Dinosaur Jr…..I could go on for days.
(I just noticed how many bands in that list start with the letter “F.” I wonder if there is a correlation there, or if when naming influences that letter just lingered? Hmmmmm. )
Tell me about your approach to songwriting? What was the process like for Ultraviolet Catastrophe?
TLL: I remember hearing David Bowie talk about not writing music to please other people, and when it starts sounds crazy, you are on to something good. Also, I think it was Prince who said something to the effect of letting the music write itself through you. You essentially become the instrument. So that is kinda what I try to do. I like groovy bass lines with some funk in them. I drive my drums hard at times but add some swing to them and sneak in some old funky riffs. Then I frosted the cake with guitars and/or keyboards, depending on where the song took me. There are a couple of smokin’ leads in there. There are also some eerie processed keys in there. Some songs make you want to dance, others take you on a trip, one tells a story. After I arrive at an “almost done” stage, I let it sit for a week or two and then listen to it again. This album took me a year to finish. I have a 9-5 job and I never want to rush and I definitely don’t ever want to write the same song twice.
Is there anything in particular that inspires you to write, anywhere you draw inspiration from? I’m usually asking this question about lyrics, but I don’t see why it wouldn’t apply to the music itself as well.
TLL: I see music in the world, in everything… a mood, a song I heard, a day at the beach, cruising the city, watching a crow walk across the fence….music is an integral part of life…fundamental.
Do you have a time or certain state of mind that is more conducive to writing than others? I ask because I write short stories and I tend to get motivated late at night – unfortunately – and when it’s really quiet. But I know other people who thrive in chaos, so…
TLL: Oddly enough, I get a lot of new ideas in the morning shower, and again around 10 a.m. at work. The shower thing I read has to do with the state of your mind being kinda released from daily stress and all the other things one has to think about so the creativity flows past the blockage, so to speak. The 10 a.m. thing is weird and I can’t explain it. It’s like all of a sudden I will be just going through the day, then 10 rolls around and WHAM! I’m head bobbin’ to a bass line, or struttin’ to a drum groove in my head. When I realize what I’m doing, I kinda sheepishly look around and a coworker is like..”New song?” Yep, lol. The struggle is trying to remember them when I get home.
I get that. Sometimes inspiration strikes me when I don’t have the option to write it down. Lol. Back on the subject of Ultraviolet Catastrophe, do you have a favorite song from the album?
TLL: Not really. Sometimes, I dislike a song more than the others, but that depends on my state of mind. The first song I started promoting was “6 o’clock Jump.” It has groove, energy, and a nice structure… I think 😉
What are your plans for 2023? Can we expect any new music?
TLL: Well, I sort of fell behind the ball with Ultraviolet Catastrophe. I didn’t start putting it out in the world until this last December. It has had some good traction, though, even charted #2 twice on the “Radio Indie Alliance.” So I will continue to raise awareness of it because there are many people who have not heard it yet. I have put a lot into it, and I hope it reaches people. According to Spotify, it has been played in 6 continents….woo hoo! I need to find some penguins in Antarctica to get a Spotify so I can hit all 7.
But new music for sure, always. I am actually finishing up a second release. I went a different direction with this one, and it should be out at the end of April or early May.
And last but not least, where can my readers find your music?
TLL: My music is on all the platforms. Spotify, Pandora, Bandcamp, Youtube, Itunes, Apple Music, Last FM, etc. I have an Instagram and Facebook. For us appreciators of “old media”, I have CDs on Bandcamp. They come with stickers, because stickers are fun.
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If you enjoy music that is different, intricate and unique, you certainly should listen to The Lamplighter. A lot of energy and feeling goes into his craft, and it is evident in every riff, groove, and beat. As stated, you can find his music on your favorite streaming service, and you can keep up with his creative endeavors by following his socials.
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