- Adelitas Way + New Medicine – Last Laugh [10/3]
- Gasoline Invertebrate – Misery Monster [10/3]
- Wind Walkers – I Don’t Belong Here [10/3]
- nøwhere – Final Descent [10/10]
- Douglas Katula – Screwtape [10/10]
- SVNFR – Memory Fragment 87 [10/17]
- northroot – clouds. [10/24]
- Witchz – Ded Again [10/31]
- Coldwards – Bad News [10/31]
- Christopher Ardra – SaiRu [11/4]
- Motif Hive – Phase [11/5]
- Cirkus – Straight to Hell [11/7]
- THEHERO – Gemini II [11/14]
- Sons of Levin – EP II [11/14]
- Spirit of the Moon – All That is Hidden [11/28]
- Matyrker – The Obscurial EP [11/28]
- Queen Kona – Smokeless Fire [12/5]
- Hallowtide – Drown With Us [12/6]
- Patient Sixty-Seven – A Very Heavy Christmas [12/10]
- Cryblood – Take My Life [12/12]
- K.A.R.L. (Kill All Remaining Life) – God is Watching: Redux [12/12]
- Ghost of Rucker – Hikari No Yoin [12/13]
- Loose Lips – Pretty Devastating [12/19]
- Life Hoax – Slow Burn [12/26]
- L.O.U.D. – AM Broadcast [12/31]
K.A.R.L. (Kill All Remaining Life)
The Mostly Music 2025 Playlist, Pt. 10 (Updated 10/31/25)
HAPPY HALLOWEEN!
Here are the singles that have been released since October 16th.
- Suicide Heaven: “Make a Move on Me”
- We Cry Wolf: “Tell Me How It Feels”
- Young Other: “Breach”
- The Veer Union: “Sunk Your Teeth In”
- Against the Storm: “Fortress”
- Fright: “Hypnosis”
- As The Sky Went Black: “Angel of Death”
- vasthearts: “snowfall, darling”
- Braeker: “Die For You”
- Stellar Circuits: “Bury the Ashes”
- Deadly Vices: “Monster is You”
- Saliva: “Too Broke to Fix” (ft. The Founder and Judge & Jury)
- Truckstop Divas: “Steals to Survive”
- Make Fire: “NOIZE”
- Massfear: “Erase My Mind”
- Husk Bloom: “Illusion”
- Jungle Dream: “Are You Saved?”
- Boze: “Buzzin'”
- Unseen Faith: “Cold Resolve” (ft. Left to Suffer)
- Deadcode: “Rip My World Apart” (Kouss remix)
- Above Snakes: “My Resolve”
- Citizen Soldier: “Dead Butterflies”
- Vandalheart: “Rock Bottom”
- Braeker: “Haunting”
- DieHumane: “The Deep” (ft. Jeffrey Nothing)
- Voltaire’s Ghost: “Spirit Animal”
- 9th Evolution: “Cry Little Sister” (Gerard McMahon cover)
- Lift the Curse: “Dark Angel”
- Vagabond: “Crawl”
- Future Theory: “The Fear”
- Glis: “Morning Sun”
- Seethe: “Frost (A Song for Abe)”
- Dekay: “Static Paranoia”
- Loose Lips: “Halloween”
- K.A.R.L. (Kill All Remaining Life): “Terminal Lucidity”
- morino: “Quiet in the Crowd”
- Forge the Sun: “Speedball”
- Fright: “Death Marks”
- Kissing Candice: “Bodies”
- Purple Grace: “Always By My Side”
- Lo: “Critical Condition” (ft. Sky Knives)
- Induction: “Love Kills”
- Seronova: “In the Company of Wolves”
- Rae Danté: “Bury the Bones”
The Mostly Music 2025 Playlist, Pt. 8 (Updated 8/31/25)
I made it through August and it’s blistering heat – and miserable humidity – with the help of some amazing bands/artists! Here are the songs that have been added to part eight of The Mostly Music 2025 Playlist since August 16th.
- Covenant of None: “Goodbye”
- Somber-Side: “Daydream”
- Ritual Howls: “Follow the Sun”
- Kain: “Fall of Man”
- From Fall to Spring: “Blood”
- Vicious Rain: “Spitting Blood Again”
- Mean Silver Machine: “Summer Days”
- Haunting Ghosts: “Blessed With a Hex”
- The Thing With Feathers: “Can You See Me – Remix” (ft. Zenaro)
- Living Dead Girl: “We’ll All Be Dead”
- Xero Hour: “Bend the Knee”
- Citizen Soldier: “Too Loud”
- We Are The Virus: “Roadkill South”
- Pandemic at Midnight: “Almost Made It Out Alive”
- Sammy Jay Love: “Fading Love” (ft. Victor Borba)
- Killing Connor: “Sunk Cost Fallacy”
- Saints of No One: “Look Around (what do you see)”
- Shattered Colors: “Dark Minds”
- High pulse: “Think Twice”
- MELØ: “Follow You, Follow Me”
- Frankie Finito: “Lullaby”
- The Isolated Brigade: “Can You Feel It Coming?”
- Odd Project: “Sound the Alarm!”
- The Twin: “The Void”
- Brandon Gullion: “Over My Head”
- BlindStrike: “Flowers”
- Moth Tax: “Trophies”
- 6deep: “Leech”
- 9 Dead: “God of Mine”
- Induction: “Dark Temptation”
- Terminals: “Faith”
- Sleeptalker: “Kingdom of Glass”
- EarlyRise: “Paper Empire”
- Parhelyon: “Stygma”
- Overthrow: “Tribute”
- Wolves in Wait: “Withered and Tired”
- Stellar Circuits: “I See Your Spirit”
- Archers Rise: “Get Away”
- The Jötunn: “Blood Flower”
- THEHERO: “Burnout”
- Elliott Rubin: “Nosedive – Long Island Heartthrob Remix” (ft. Benny Reid)
- SFINX: “Golden” (ft. RinRin and Dal Av)
- Feverlust: “That’s So True”
- Storm Kingdom: “Infidel” (ft. K.A.R.L.)
- Hall of Lost: “Scavengers” (ft. Robbie Ekblom, Jr.)
- The CyberTones: “Not So Grateful Dead”
- Wraithlurk: “Skinned”
- Eli Howard & the Greater Good: “Long, Strange Trip”
- Shallow Side: “Antilight” (Acoustic)
- Cryblood: “Deep Cuts”
- Nouveau Arcade: “Domino”
- Saints of No One: “Sleepwalking Through Life”
- Georgi: “Break Me” (Aesthetic Perfection remix)
- Shadows of Spectres: “we are not alone.”
- Shadows of Spectres: “memorial for the departed.”
- Husk Bloom: “Fiction Wears Off”
Albums Released From April to June 2025
- Swallow the Sun – Shining (Deluxe Edition) [4/11]
- K.A.R.L. (Kill All Remaining Life) – Chapter 5: Astral Projection [4/11]
- Young Other – Enlightenment [4/11]
- Arcadia – Renovatio [4/15]
- Circuit Preacher – Heaven Can’t Heal [4/18]
- Our Frankenstein – Magnum Spire Hotel [4/25]
- AM FALL – All My Friends Are Local Legends [4/25]
- Wednesday 13 – Mid Death Crisis [4/25]
- Zammek – Swell As Well [4/25]
- Naked Sunday – The Shoe String Sessions [5/2]
- Crimson Whisper – Vast World [5/2]
- How We Feel – Ready for War [5/2]
- The Fifth – We Are One [5/2]
- Plain Suite – Sweet Lady [5/8]
- Sleep Token – Even in Arcadia [5/9]
- Ghost Bath – Rose Thorn Necklace [5/9]
- Sleep Theory – Afterglow [5/16]
- Sister Kill Cycle – We Were Ghosts [5/16]
- No Fly List – Way More Tracks [5/30]
- Deadcode – Nothing and Nowhere [5/30]
- Lift the Curse – Don’t Bury the Dream [5/30]
- Blueprint Tokyo – Neon Circuits and the Mission of Hope [5/30]
- Cosmobrigade – Hollow Obsessions [6/6]
- AnimA – Demigod [6/10]
- Elvira’s Curse – The Time Has Come [6/12]
- Static Season – Peripheral [6/13]
- turner.Eturnal – Eturnal Terror [6/13]
- FleischKrieg – Herzblut II [6/13]
- McKenzie Hills – Ice Crossing [6/13]
- AVKRVST – Waving at the Sky [6/13]
- The Funeral Portrait – Greetings From Suffocate City (From Beyond the Abyss: Deluxe Edition) [6/13]
- Whispers in the Shadow – Rapture [6/13]
- Fright – GhostTown [6/18]
- Aesthetic Perfection – Closer to Human [6/20]
- Wraithlurk – Teethmarks [6/20]
- Ghost Chamber – A Decade in Review, Pt. 1 [6/20]
- Mission to the Sun – Seven Years [6/27]
- Half Lyfe – All in All [6/29]
Interview: TJ Breedlove of K.A.R.L. (Kill All Remaining Life)
K.A.R.L. (Kill All Remaining Life) is an electronic/industrial band that formed in 2007. Since then, they have released an untitled debut EP (2009), their self-titled record in 2010, the Rapture EP (2020), and earlier this year, a second full-length album, Tractus. I recently had the opportunity to talk to vocalist/engineer TJ Breedlove about the new album, the band’s beginnings, and what the future holds for K.A.R.L.
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Thank you for taking the time to talk to me, and congrats on the release of Tractus! Can you tell me a little bit about the album? What was the writing/recording process, and where did you draw your inspiration for the writing of the album?
TJ: Thank you so much for this interview! The writing process for Tractus started in 2021 and was, at first, largely built around internal struggle with mental health and negative outlooks on the world. Gradually, as the world kept diving further into chaos, I kept gathering more to write about. Though not all tracks are negative. I wrote a track that’s on there for my wife, who has been so loving and supportive throughout this process. The album, which was initially supposed to be 8 -10 tracks, evolved into 13 tracks over time.
For my own personal curiosity, what’s the story behind “Beg Me”? (That was one of my favorite tracks, so I’m interested in the creation of it.)
TJ: “Beg Me” is about internal anger. Built and kept inside for so long, and the violent fantasy of unleashing it. The song itself doesn’t promote violence, but as humans, we often face something that internally drives us to that level of anger and frustration. Some carry that anger for way too long and have no healthy way to release it. That song, though, was the last one recorded for the album. I had a very difficult time writing it for various reasons.
So, getting onto the subject of you, in particular: What made you want to pursue a career in music?
TJ: I’ve always wanted to be in a band since I was very young. I grew up listening to all types of music, like metal (black, thrash, death, and nu), grunge rock, and classic rock, but industrial has always been my favorite genre, particularly Darkwave. As I grew into my teens, I gathered quite the collection of CDs from different artists. Everywhere I went, I had a portable CD player and a stack of CDs from different genres with me. I couldn’t function without it.

Who are your biggest influences?
TJ: For me personally, I have so many. Project Pitchfork, Skinny Puppy, Spahn Ranch, Front 242, Chiasm, Jonathan Davis (KoRn and his solo stuff too).
Is there any artist or band you listen to that you think would surprise most people?
TJ: I have a very weird and random collection of music. Often when I randomize a playlist, people around will hear a lot of industrial or some form of metal, then all of the sudden, Donovan’s “Hurdy Gurdy Man” will play. Sometimes, I get on a 70s kick and can’t stop listening to Zeppelin or Boston or Blue Oyster Cult. I don’t understand why some find that weird. Those bands kick ass!
I’m a big 70s fan myself. I grew up with those bands because of my parents. How did the formation of K.A.R.L. come about? And where did the name come from?
TJ: K.A.R.L. was initially formed in 2007 by me and my friend Josh [Johnson, drums/synth] as a very short-lived experimental black metal project. It soon after evolved into an industrial band.
Josh is very talented, and I truly am lucky to have him as both a friend and fellow musician. He taught me a lot of what I know on the keys, and we both created the monster that is K.A.R.L.
The band has other members come and go. At one point, in 2011, the band split apart due to disagreements and other personal reasons. Then, in 2018, Josh and I rebooted the project and released our EP Rapture.
The name was given to me when a friend from our school named Ivy came up to me and introduced herself. She said “Hi, my name is Ivy. Who are you?” I responded “TJ” and she said “Hmmmmm. No, no, don’t like that. I’m gonna call you Karl, with a K.” It was one of the strangest conversations I’ve ever had, but the name stuck with me. Josh and I later turned it into “K.A.R.L. ( Kill All Remaining Life)”. Some have often referenced it meaning “all who sin pay with death” or something biblical along those lines.
Wow, you guys have been around for a while! How do you stay motivated to keep writing, and how do you feel your approach has changed over the years?
TJ: Lyrically, we have always been inspired by world events and the overall mood it puts us all in. For example, “God Is Watching” was written about various things that made us angry at the world and what we see on TV (school shootings, war, mass casualty events, and other things of that nature), things that even though they’re always addressed, never seem to have a solution to them. Unfortunately, the world we live in keeps churning up more horrors for us (and other artists) to keep writing about.
Songs like “S/M Goddess” and “Shameless,” both from previous releases, dive into sexual desire and pursuing things outside the norm, while songs like “Shutting Down” and “Severed” dive into depression and the seemingly endless cycles of battling memories we can’t let go of.
In 2007-2010, we were also transitioning from those angry teenage years into our twenties, which had moments of chaos. That definitely fueled a lot when it came to writing. Now, when it comes to our songs, a lot of the same themes remain, but we approach them at a different, more mature angle. We’ve always used music
as a way to help us vent and truly express certain views. But all songs written are not negative or violent; some are written about forgiveness and that not all our mistakes are a life sentence.
Well, there’s definitely no shortage of world happenings to fuel y’all. And on that subject, what are the plans for 2023? More new music, or maybe some shows promoting Tractus?
TJ: I am currently writing another EP that I’m aiming to release in late 2023 or early to mid 2024. I’m actually more than halfway done. I do plan on doing some shows in the near future. I just have to tighten up a few things first.
Speaking of shows, what would be your dream lineup? K.A.R.L. with special guests…?
TJ: I’d love the opportunity to open up for Project Pitchfork, Leæther Strip, and Decoded Feedback. I’ve also found some other bands on FB, like SinThya, who I’d like to do a show with as well.
Is there anything you’d like to say to your fans, new and old?
TJ: I want to say thank you to all our fans, new and old, who have supported us throughout the years. You are truly the best part of all this.
And last but not least, where can my readers get their hands on K.A.R.L.’s music?
TJ: Our main page for merch is our Bandcamp page. We are also on all major streaming platforms such as Spotify, iTunes, Amazon, Pandora, and many more.
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K.A.R.L. has a lot in the works, and I think 2023 and 2024 are going to be big for them! You can check them out on your favorite streaming service and follow their various socials to stay up-to-date with what’s happening in the world of K.A.R.L.
K.A.R.L. Discography




Song of the Day — K.A.R.L. (Kill All Remaining Life): “Beg Me”
From the latest K.A.R.L. album Tractus, available on all streaming platforms!